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Line 3900, etc. - Commentary Note (CN) More Information

Notes for lines 2951-end ed. Hardin A. Aasand
For explanation of sigla, such as jen, see the editions bib.
3900 The souldiers musicke and the {right} <rites> of warre 39005.2.399
3901 Speake loudly for him:5.2.400
1864-68 c&mc
c&mc
3900-01 Clarke & Clarke (ed. 1864-68, rpt. 1874-78): “The word ‘let,’ which commences this speech [3895], is understood as repeated before ‘the soldiers’ music.’”
1870 Abbott
Abbott
3901 Speake loudly for him] Abbott (§364): “Subjunctive used optatively or imperatively. This was more common then than in modern poetry. . . . Sometimes only the context shows the imperative use: ‘For his pasage, (See that) The soldier’s music and the rites of war Speak loudly for him’—[Ham. 5.2.411 (3989-3901).”
1885 macd
macd
3900 right of warre] MacDonald (ed. 1885): “rites of warre]] —military mourning or funeral rites.”
macd
3901 MacDonald (ed. 1885): “imperative mood: ‘let the soldier’s music and the rites of war speak loudly for him.’ ‘Go, bid the souldiers shoote,’ with which the drama closes, is a more definite initiatory order to the same effect.”
1939 kit2
kit2
3901 Speake] Kittredge (ed. 1936): “Subjunctive. ‘Let the music, etc., speak.’”
1980 pen2
pen2
3900 Spencer (ed. 1980): “A military funeral is described by Aufidius at the end of Coriolanus, V.5.149-52: ‘Take him up. Help three o’th’ chiefest soldiers; I’llb e one. Beat thou the drum, that it speak mournfully. Trail your steel pikes.’”
pen2
3901 Speake] Spencer (ed. 1980): “((‘let them speak’)).”
1982 ard2
ard2 ≈ Abbott
3901 Speake]
1985 cam4
cam4 ≈
3900 right] Edwards (ed. 1985): “F gives ‘rites’, but Shakespeare frequently uses the singular, ‘the rite of May’, [MND 4.1.133], ‘rite of love’, [AW 2.4.41].”
1987 oxf4
oxf4 : Abbott
3901 Speake]
2000 Edelman
Edelman
3900 right of warre] Edelman (2000): “a military funeral, with full honours given to the fallen hero, as in Fortinbras ordering Hamlet be given ‘the soldiers music and the rite of war [3900 . . .].
3900 3901