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Line 3816, etc. - Commentary Note (CN) More Information

Notes for lines 2951-end ed. Hardin A. Aasand
For explanation of sigla, such as jen, see the editions bib.
3816 Ham. Heauen make thee free of it, I follow thee;5.2.332
3817 I am dead Horatio, wretched Queene adiew.
3818 You that looke pale, and tremble at this chance,
1754 Grey
Grey
3816-7 I am dead Horatio] Grey (1754, 2:309): <p. 309>“Hamlet was not killed by a poisoned sword, but in battle, in Jutland , by Vigletius , if we may believe (a) Saxo Grammaticus, who at the same time gives a great character of him.”</p. 309>
<n> (a) ‘Hic Amlethi exitus fuit, qui si parem naturæ atque fortunæ indulgentiam expertus fuisset, æquasset fulgore superos, Herculea virtutibus opera transcendisset. Insignis eius sepultura, ac nomine campus apud Juliam ex:at.’ Saxonis Grammatici Histor. Danie : lib. iv. p. 59.”</n>
1777 Pilon
Pilon
3816 Pilon (1777, p. 24): <p. 24> “Mr. Henderson’s dying scene was capital, it appeared indeed the last struggle of the spirit, when life hangs quivering to a point, and death extinguishes it.—” </p. 24>
1854 [Quincy]
[Quincy]
3817 I am dead Horatio] [Quincy] (1854, p. 35): “The exclamation of Hamlet, ‘I am dead, Horatio,’ is changed to ‘I die, Horatio.’ Both metre and accuracy are improved by the change.”
[HLA:These are reputed changes in F4, reported by J.P. Quincy in the 1854 text Nick examined at the Folger.]
1870 Miles
Miles
3817-47 Miles (1870, pp. 85-7): <p. 85>“There is nothing to pathetic, nothing so heroic in literature as the last moments of this superb young prince,—pierced with an envenomed wound, bleeding, reeling, dying, yet making that unbated and thrice ensanguined foil, the unquestioned sceptre of the moment for friend and foe; wrestling with Horatio for the bowl, as fiercely as with Laertes in Ophelia’s grave; triumphant up to the very gates of death. He has more the flash and motion of a Homeric god than of a man. [cites 3817-47]</p. 86><p. 87> “In this supreme hour, his mission accomplished; ‘winning, not losing, the cause for which he dies;’ sure, through Horatio of the verdict of posterity, and calmly fronting the dread tribunals of eternity with a radically inviolate conscience; he says, half reproachfully to death, as though it were his sole regret at leaving life, ‘The rest is silence!’ Alas, for us as well as for thim, the rest is silence! Silence for the lips whose music has had no equal since the birth of time; silence for the voice whose least recorded utterance remains an inspiration for all the ages! The solution is complete. The wide respose of a perfect catastrophe extends to the remotest firbres of the plot. In the masterly lines assigned to Osric, the simultaneous arrival of Fortinbras and England is announced in one breath. Rosencrantz and Guildenstern have fallen: once more the princely Norwegian, who represents the future, marches broadly into view, irradiating all that scene of havoc with the promise of a better day for Denmark. Nothing remains but for Horatio to tell [cites 3874-5 ‘the yet. . . came about’]: to sustain Fortinbras in claiming his vantage, ‘And from his mouth whose voice will draw no more!’[3889]</p. 86> <p. 87>How beautiful that passing tribute to the eloquence of his dear friend!”</p. 87>
1870 Abbott
Abbott
3816 Heauen make thee free of it] Abbott (§166): “Of used for ‘out of,’ ‘from,’ with verbs that signify, either literally or metaphorically, depriving, delivering, &c. . . . .
“This use of of is still retained in the phrase ‘to be delivered of a child.’ [cites 3816].”
1885 macd
macd
3816 Heauen make thee free of it] MacDonald (ed. 1885): “Note how heartily Hamlet pardons the wrong done to himself—the only wrong of course which a man has to pardon.”
1889 Barnett
Barnett
3816 Heauen make thee free of it] Barnett (1889, p. 76): <p. 76> “ Of=from.” </. 76>
1947 Cln2
Cln2
3816 Heauen make thee free of it] Rylands (ed. 1947): “acquit thee.”
1974 evns1
evns1 ≈ standard
3816 Heauen make thee free of it]
1980 pen2
pen2 ≈ standard
3816 Heauen make thee free of it]
pen2
3818 Spencer (ed. 1980): “((the courtiers and attendants)).”
1982 ard2
ard2 ≈ standard
3816 Heauen make thee free of it]
ard2
3817 wretched] Jenkins (ed. 1982): “unhappy, pitiable. Cf. [2.2.168; 4.7.181].”
1984 chal
chal :
3816 free] Wilkes (ed. 1984): “guiltless.”
chal :
3818 chance] Wilkes (ed. 1984): “event.”
1985 cam4
cam4 ≈ standard
3816 Heauen make thee free of it]
cam4
3818 chance] Edwards (ed. 1985): “mischance.”
1987 oxf4
oxf4 ≈ standard
3816 Heauen make thee free of it]
oxf4 ≈ standard
3817 wretched]
1988 bev2
bev2: standard
3818 chance]
1992 fol2
fol2≈ standard
3817 chance] Mowat & Werstine (ed. 1992)): “these events.”
1993 dent
dentoxf4
3817 wretched Queene adiew] Andrews (ed. 1989): "The early texts do not specify when the Queen dies. It may be that she expires only now, as Hamlet bids farewell."
1993 dent
dent
3818 chance] Andrews (ed. 1989): "mischance, catastrophe."
2001 Greenblatt
Greenblatt
3817, 3822 I am dead] Greenblatt (2001, p. 229): <p. 229> Speaking of himself as already dead, as if he were a ghost, Hamlet in effect incorporates the spirit of his father, and thus in this sense the Ghost is remembered after all. </p. 229>.
3816 3817 3818