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Line 2563 - Commentary Note (CN) More Information

Notes for lines 2023-2950 ed. Frank N. Clary
For explanation of sigla, such as jen, see the editions bib.
2563 That I essentially am not in madnesse,3.4.187
1868 c&mc
c&mc
2563-4 That I essentially . . . in craft ] Clarke & Clarke (ed. 1868, rpt. 1878): “It assuredly requires the question-begging, the taking-for-granted, and the one-sided views which peculiarly mark those who determine to assert that insanity exists in a mental condition under examination, to pronounce, after reading this, that Shakespeare intended to represent Hamlet as really mad.”
1878 rlf1
rlf1: Abbott
2563 essentially am not] Rolfe (ed. 1878): “Am not essentially or really. Cf. Abbott 420, 421.”
1881 Oxon
Oxon
2563-4 I . . . craft] Oxon (1881, p. 12): “Bucknill considers that [Hamlet] never appears less sane than when he declares in the interview with his mother— [quotes lines].”
1885 macd
macd: xrefs.
2563-4 not in madnesse . . . craft] MacDonald (ed. 1885): “Hamlet considers his madness the same that he so deliberately assumed. But his idea of himself goes for nothing where the experts conclude him mad! His absolute clarity where he has no occasion to act madness, goes for as little, for ‘all madmen have their sane moments’!2 See [1.5.172 (868), 3.2.90 (1946), and 5.2.39 (3261)].”
1903 rlf3
rlf3 = rlf1 minus Abbott
1931 crg1
crg1
2563 essentially] Craig (ed. 1931): “in my essential nature.”
1939 kit2
kit2
2563 essentially] Kittredge (ed. 1939): “really; in fact.”
1980 pen2
pen2 = crg1
1984 klein
klein: xref.; 1H4, 2H6 //s
2563 essentially . . . madnesse] Klein (ed. 1984): “This admission, already figuring in Saxo and Belleforest, indicates how close mother and son have become momentarily through the heart-rending scene; on the other hand, it is also necessary for Hamlet in the face of her reaction to the episode with the Ghost and for the execution of his intentions. To what extent Gertrud is now convinced of his sanity remains uncertain. With mad in craft cf. Guildenstern’s astute observation [3.1.8 (1655)]. essentially (cf. in Sh. 1H4 [2.4.492 (1453)] and 2H6 [5.2.39 (3261)] basically corresponds in each instance to adv. (1) ’in essence’; however, Ham. is listed as 1st example of (1c) ’in fact, really’, while 2H6 [5.2.39 (3261)] is 1st example of (1b) ‘on the ground of one’s (actual) nature.’”
2006 ard3q2
ard3q2: TN //
2563-4 That. . . craft] Thompson & Taylor (ed. 2006): “The same question arises in a very different context in TN when Feste asks Malvolio, ’But tell me true, are you not mad indeed? or do you but counterfeit?’ (4.2.114-15).”

ard3q2
2563 Thompson & Taylor (ed. 2006): “that I am not really afflicted by madness.”
2007 ShSt
Stegner: 1652-57 xref
2563 Stegner (2007, p. 116): “In response to Claudius’s frustration over their failure to determine the reason for Hamlet’s aberrant behavior, moreover, Rosencrantz and Guildenstern similarly reply. The description of Hamlet’s disposition as ’crafty madness’ suggests Guildenstern’s perception of what Hamlet later reveals to Gertrude in the closet scene, that is, ’I essentially am not in madness, / But mad in craft’ (3.4.189-90).”
2563