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Line 2439 - Commentary Note (CN) More Information

Notes for lines 2023-2950 ed. Frank N. Clary
For explanation of sigla, such as jen, see the editions bib.
2439 See what a grace was seated on {this} <his> browe,3.4.55
1648-54 Tubbe
Tubbe
2439-42 Henry Tubbe (Elegy 6 on “The Roiall Martyr,” Charles 1, in Epistles, Poems, Characters, &, Harleian ms. 4126, apud Ingleby et al. 1932, 1: 517):
His very Lookes did fairely edifie;
Not mask’d with forms of false Hypocrisie
A gracefull Aspect, a Brow smooth’d w[ith] Love,
The Curls of Venus, with the Front of Jove;
An Eye like Mars, to threaten & command
More than the Burnish’d Scepter in his Hand:
A Standing like the herald Mercurie;
A Gesture humbly proud, & lowly high;
A Mountain rooted deepe, that kiss’d the Skie,
A Combination and Formalities
Of reall Features twisted in a String
Of rich Ingredients, fit to make a King.

Allusions note: Halliwell pointed out the passage, and Furnivall wondered that Tubbe did not credit Shakespeare for the lines echoing Hamlet’s description of his father, though he did credit other authors he echoed.
1805 Chedworth
Chedworth: Newton (Milton, Virgil analogues)
2439-43 See . . . . hill] Chedworth (1805, p. 356): “Bishop Newton has remarked that this passage may have suggested Raphael’s graceful posture in standing: ‘like Maia’s son he stood, And shook his plumes, that heavenly fragrance fill’d The circuit wide.’ P.L. 5.285. ‘Hic paribus primum nitens Cyllenius alis Constitit.’ Æn. IV. 253.”
1860 Walker
Walker
2439 this] Walker (1860, 2:221): “XCIV. This and his confounded. . . . ‘See what a grace was seated on his Brow.’”
1877 v1877
v1877: Walker (Crit.)
2439 this] Furness (ed. 1877): “For instances of the confusion in F1 of his and this, see Walker, Crit. ii, 219.”
1953 Joseph
Joseph
2439-51 See what a grace . . . Moore] Joseph (1953, p. 99) asserts that Hamlet is forever referring to his father’s outward appearance to beat down his mother’s defenses. “The contrast between the two brothers helps to clear Gertrude’s vision.”
1982 ard2
ard2: xrefs.
2439-46 Jenkins (ed. 1982): “This portrait of Hamlet’s father develops various hints of the first act. Cf. [1.2.166-67 (165-6)] (Mars), [1.2.139-40 (323-4)] (Hyperion), [1.2.187-88 (376-7)] (the complete man).”
1985 Ferguson
Ferguson
2439 See what a grace. . . hill] ferguson (1985, pp. 297): “He doth protest too much, methinks, in this plethora of similitudes designed, as he says, to make his mother relinquish the passion which is blind to difference.”
2439