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Line 2493 - Commentary Note (CN) More Information

Notes for lines 2023-2950 ed. Frank N. Clary
For explanation of sigla, such as jen, see the editions bib.
2493 O step betweene her, and her fighting soule,3.4.113
1784 Davies
Davies: Massinger analogue
2493 Davies (1784, pp. 108-9): <p.108> “Here, as in the first act, our author makes the vision overflow with tenderness and sensibility for his unhappy Queen. Sh. every where shews a genuine respect for the fair sex throughout all his works. In thirty-five plays, which are all that can honestly be attributed to him, there are not above six or seven vicious characters of women. I have, in the life of Massinger, observed, that </p.108><p.109> he likewise dwells with uncommon pleasure on the perfections of the beautiful part of the creation, and that his numbers flow with surprising harmony whenever they are the subject.” </p.109>
1864 Algar
Algar
2493 betweene . . . soule] Algar (N&Q, 3rd series, VI, Dec. 10, 1864, p. 468): “i.e. between her present soul-stilled self and her ordinary state, in which she is at war with her better nature.”
1891 dtn
dtn
2493 step . . . soule] Deighton (ed. 1891): “interpose to save her from being overpowered by the emotions now struggling in her heart.”
1931 crg1
crg1 = irv2
1934 rid1
rid1
2494 Conceit] Ridley (ed. 1934): “fancy.”
1935 ev2
ev2
2493 Boas (ed. 1935): “Do not let her emotions overpower her.”
1980 pen2
pen2
2493 fighting soule] Spencer (ed. 1980): “mind in agony.”
1982 ard2
ard2
2493 step between . . . soul] Jenkins (ed. 1982): “protect her from her own inner struggle.”
2006 ard3q2
ard3q2
2493 Thompson & Taylor (ed. 2006): “i.e. intervene in her mental or spiritual crisis.”
2007 ShSt
Stegner: 2532-33, 2547-48, Morris xref
2493 Stegner (2007, p. 119-20): <119> “The most explicit association of Hamlet with a father confessor occurs in the closet scene with Gertrude. His determination to confront his mother with her sins in many ways corresponds to the traditional instilling of shame in an unrepentant sinner. Further, the Ghost commands Hamlet to "step between her and her fighting Soul ... Speak to her," and thereby take on the part of a spiritual mediator (3.4.113-15). The similarities between Hamlet’s treatment of Gertrude and the </119><120> sacrament of confession lead Harry Morris to conclude that Hamlet "uses directly the terms of the sacrament: ’Confess yourself to heaven [confession], / Repent what’s past [contrition], avoid what is to come [satisfaction]’" (3.4.151-52). (58) Yet Hamlet’s remark, "And when you are desirous to be blest, / I’ll blessing beg of you," suggests not only a deferral of the rite of absolution, but also an indeterminacy regarding the agency of who will bless (that is, absolve) Gertrude (3.4.173-74). The question of whether he means himself, God, or even a minister remains unclear, and thus registers the theological uncertainties that govern the world of the play.”</120>
2493