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Line 1646-7 - Commentary Note (CN) More Information

Notes for lines 1018-2022 ed. Eric Rasmussen
For explanation of sigla, such as jen, see the editions bib.
1646-7 Enter King, Queene, Polonius, Ophelia, Ro | sencraus, Guyl- 
1647 densterne, <and> Lords.
1885 macd
macd
1646-7 MacDonald (ed. 1885): “This may be regarded as the commencement of the Third Act.”
1646, 1694-1700] Tannenbaum (n.d., pp. 373-4): <p.373> “If we may judge from Dr. Furness’s edition of Hamlet (p.200), the editors of this play are unanimous in locating the first scene of the third act, the scene containing the ‘To be or not to be’ soliloquy, in ‘a room in the castle’. And yet, it seems to me, that even a little careful reflection ought to satisfy anyone that the scene cannot be in a room in the castle. A reading of the text shows that during part of the scene, while Hamlet is deliberating suicide, Ophelia unseen by the prince – but within view of the audience --, is kneeling in prayer. This is clearly implied (1) in Polonious’s words and (2) in Hamlet’s word’s: ‘Fair Ophelia! –Nymph, in orisons Be all my sins remember’d.’
“It will be noticed that, contrary to the practise on the modern stage, in the old texts Ophelia had not left the stage at Hamlet’s entrance.
“Where, then, are we to locate the scene? Obviously, in the royal chapel. But, it may be objected, what about Rosencrantz and Guildenstern? Were they in the chapel at the opening of the scene when they were telling the King and Queen of their encounter with Hamlet? The answer to this question is really quite simple. This is one of the scenes, common enough on the Elizabethan stage, in which change of locale is supposed to take place during the progress of the </p.373> <p.374> scene. At the opening of the scene the King, the Queen and Polonious are conversing with Rosencrantz and Guildenstern in front of the chapel, or at the entrance of it. With the exit of Rosencrantz and Guildenstern we are supposed to have entered the chapel whither Hamlet has been cunningly lured (‘we have closely sent for Hamlet hither’).
“Hamlet’s solemn thoughts are in keeping with his surroundings. The nature of the place and the fair Ophelia’s pious action account for Hamlet’s tender and sober greeting of the maid who had so inexplicably locked herself from his resort, admitted none of his messengers, received no tokens from him, and repelled his letters. ‘Nymph, in the orisons be all my sins remember’d’ was said by a desperate and perplexed lover who found at last, as he thought, an opportunity to come to an understanding with one whom he loved with the love of forty thousand brothers, and who had not the remotest idea of what was beating his brain.”
1646 1647