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Line 1446-7 - Commentary Note (CN) More Information

Notes for lines 1018-2022 ed. Eric Rasmussen
For explanation of sigla, such as jen, see the editions bib.
1446-7 <Tragicall-Historicall: Tragicall-|Comicall-Historicall-Pastorall:> scene 
1773 v1773
v1773
1444-8 Tragedie . . . . Poem vnlimited] Steevens (ed. 1773): “The words distinguished by Italicks I have recovered from the folio, and see no reason why they were hitherto omitted. There are many plays of the age, if not of Shakespeare’s, that answer to the description.”
1778 v1778
v1778 = v1773 (substituting “crotchets” for “Italicks”)
1444-48 Tragedie . . . . Poem vnlimited]Steevens (ed. 1773): ‘The words within the crotchets I have recovered from the folio, and see no reason why they were hitherto omitted. There are many plays of the age, if not of Shakespeare, that answer to these descriptions.”
1783 Ritson
Ritson : Steevens
1446-1447 Historicall Pastorall, <Tragicall-Historicall: Tragicall- / Comicall-Historicall-Pastorall>] Ritson (1783, p. 198): “‘The words within the crotchets,’ says mr. Steevens, ‘I have recovered from the folio, and see no reason why they were hitherto omitted.’ But though the learned commentator could see no reason why the words were omitted before, his readers can see one why they should be omitted now; viz. that the words historical-pastoral may not be absurdly repeated. The truth is, that the industrious editor has entirely lost the merit of his recovery, by the negligence of his printer: the folio properly reads: —pastoral-comical, historical-pastoral, tragical-historical, tragical-comical-historical-pastoral, &c.”
1785 v1785
v1785 = v1778
1793 v1793
v1793 = v1785
1803 v1803
v1803 = v1793
1813 v1813
v1813 = v1803
1821 v1821
v1821= v1813
1843 col1
col1
1446-7 Historicall Pastorall, <Tragicall-Historicall: Tragicall- / Comicall-Historicall-Pastorall>] Collier (ed. 1843): “These words are only in the folio, 1623, (and in the other folios printed after it )and in the quarto, 1603, which shows that they were part of thr original representation.”
1856 hud1 (1851-6)
hud (1851-6) ≈ col1
1446-7 Historicall Pastorall, <Tragicall-Historicall: Tragicall- / Comicall-Historicall-Pastorall>] HUDSON (ed. 1856): "The words, ’tragical-historical, tragical-comical-historical-pastoral,’ are found only in the first quarto and the folio. H."
1872 hud2
hud2
1447-8 scene individible] Hudson (ed. 1872): “I am not quite sure as to the meaning of this. In the Classic Drama generally, the scene continued the same, or undivided, all through the piece. In the Gothic Drama, as S. foundand fixed it, the changes of scene are without definite limitations. This seems to be the difference meant. Seneca was considered to be the best of the Roman tragic writers, and Plautus of the comic.”
1872 cln1
CLN1
1447-8 scene indiuidible] Clark & Wright (ed. 1872): “a play where the unity of place is observed, opposed to the ’poem unlimited,’ where no such restriction is imposed.”
1881 hud3
hud3 ≈ hud2
1447-8 scene indiuidible] Hudson (ed. 1881): “Individual for undivided. The Poet has many like instances of the endings --able or --ible and --ed used indiscriminately. In the text, scene and poem are evidently used as equivalent terms. In the Greek Tragedy there was no division into scenes; the scene continued the same, or undivided, all through the piece. But in the Gothic drama, as Shakespeare found and fixed it, the changes of scene are without definite limitations. This seems to be the difference meant. Seneca was considered the best of the Roman tragic writers, and Plautus of the comic.”
1446 1447