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Line 1367-8 - Commentary Note (CN) More Information

Notes for lines 1018-2022 ed. Eric Rasmussen
For explanation of sigla, such as jen, see the editions bib.
1367-8 haue tribute {on} <of> me, the aduenterous | Knight shall vse his foyle and 
1773 v1773
v1773
1368 foyle] Steevens (ed. 1773): “A blunt sword used in fencing.”
1784 Davies
Davies
Davies (1784, p. 45): "The parts of Kings are not always the most coveted by actors. King Duncan in Macbeth, Claudius in Hamlet, &c. are rather of the second or third class than the first. Nor was the diadem or the purple robe a certain proof of characteristical superiority amongst the Greek players. Demosthenes, in his oration De falsa Legatione, upbraids Aeschines with his being an actor of third parts; but, says the orator, the great emoluments, sought after, by these low actors, in the exhibition of Kings, were, to enter the stage dressed in the royal habiliments, bearing in their hands the regal sceptre. ’Theodosius and Aristodemus, the prime actors, often personated Antigone, while you, Aeschines, strutted in King Creon in the same play.’"
1885 macd
macd
1366-7 MacDonald (ed. 1885): “ with humerous imitation, perhaps, of each of the characters.
1934a cam3
cam3
1366-7 Wilson (ed. 1934): “Ham.’s retort to Ros.’s talk of ‘lenten entertainment.’ The stock dramatic types of the age are glanced at, each in ironical fashion. As Sh. is reputed to have ‘played some kingly allusion’ in the opening words (v. Sh. Eng. ii. 248).”
1367-8 foyle] Wilson (ed. 1934): “foil and target i.e. for stage--fights, which were frequent in Eliz. drama, v. G. ‘foil’; cf. L.B. Wright, Stage Duelling etc. (M.L.R. xxii. 265 ff.).”
1367 1368