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Line 1243-4 - Commentary Note (CN) More Information

Notes for lines 1018-2022 ed. Eric Rasmussen
For explanation of sigla, such as jen, see the editions bib.
1243-4 Pol. Though this be madnesse, | yet there is method in’t, will you 
1733 theo1
theo1 : warburton
1243-4 Though...in’t,] Theobald(ed. 1733) attributes this note to Mr. Warburton: “how finely is he sneering the formal Oratory in Fashion, when he makes this reflection on Hamlet’s Raving [quotes TLN 1243] As if Method in a Discourse (which the Wits of that Age thought the most essential part of good Writing;) would make Amends for the Madness of it. This in the mouth of Polonius is exceeding satirical. Tho’ it was Madness, yet he could comfort himself with the Reflection that at least it was Method.”
1747 warb
warb ≈ theo1
1243-4 Though...in’t,] Warburton (ed. 1747): “And how exquisitely does the poet ridicule the reasoning in fashion, where he makes Polonius remark on Hamlet ’s madness; ‘Though this be madness, yet there’s method in’t:’ As if method, which the wits of that age thought the most essential quality of a good discourse,would make amends for the madness. It was madness indeed, yet Polonius could comfort himself with this reflexion, that at least it was method.”
1839 douce
douce
1243-4 Though...in’t,] Douce (1839, p. 456): “This is precisely Horace’s, ‘Insanire paret certo ratione modoque.’”
1882 elze
elze
1244-5 will...Lord?] Elze (ed. 1882): “Polonius imagines Hamlet to be seriously ill and on this account advises him to walk out of the air. Compare B. Jonson, Bartholomew Fair, V, 3: Get your wife out o’ the air, it will make her worse else.”
1885 macd
macd
1243-4 MacDonald (ed. 1885): “(aside)”
1244-5 MacDonald (ed. 1885): “the draught”
1934a cam3
cam3
1244 Though...in’t,] Wilson (ed. 1934): “ Cf. Jonson, E.M.I. 2.3.40-9 ‘Dame. What aile you sweet heart, are you not well..for loues sale, sweet heart, come in , out of the aire. Kitely. How simple, and how subtill are her answers!’ There is clearly borrowing here, prob. unconscious, by either Jonson or Sh.; E.M.I. was first acted, with Sh. in the cast, in the autumn of 1598.”
1982 ard2
ard2 ≈ cam3
1243-4 Though...in’t,] Jenkins (ed. 1982): "The implication of being out of doors conflicts with earlier indications for this scene, or would conflict if it did not rather afford an interesting instance of the unlocalized stage. Cf. ll. 299-301 ; III. ii. 367-8. A correspondence with Every Man in his Humour shows a verbal echo of a play Shakespeare is known to have acted in : Q 1601, I. iv. 196-8, ’Biancha : . . . Come in, out of the air. Thorello : How simple, and how subtle are her answers!’ Did Shakespeare then play Thorello (Kitely), rather than Lorenzo (Knowell) Senior, as often conjectures?"
1243 1244