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Line 797 - Commentary Note (CN) More Information

Notes for lines 0-1017 ed. Bernice W. Kliman
For explanation of sigla, such as jen, see the editions bib.
797 {Hora.}< Hor. & Mar. within.> My Lord, my Lord.1.5.113
Ed. note See TNM 797

1866 cam1
cam1: cap
797 Clark & Wright (ed. 1866):The second Quarto followed by the rest reads thus: [quotes 796-802]. The Folios have: [quotes 797-802].
“Capell first transferred the stage direction ‘Enter Horatio and Marcellus’ to follow line 117 [803], and added the direction ‘within’ to all the previous speeches. In this he has been followed by Steevens (1778) and all subsequent editors. As however the first Quarto, which was taken down probably during the representation of the play, puts the words Enter Horatio, and Marcellus opposite ‘My Lord, my Lord,’ it is probable that they really entered at that place but were supposed, it being night-time, not to be seen by Hamlet till they were close to him.”
1880 Tanger
Tanger
797 Tanger (1880, p. 126) ascribes the variant in F1 as “probably due to the critical revision which the text received at the hands of H.C. [Heminge & Condell], when it was being woven together from the parts of the actors.”
1899 ard1
ard1: cap; cam1
797, 803 stage directions Dowden (ed. 1899), noting Capell’s innovation, which he follows, says that Wright in his cam ed. thought the men could enter and not see or be seen in the dark.
1934 Wilson
Wilson MSH: capn
797-802 Wilson (1934, p. 36) deplores the change in F1 [within]. He says that because it is so dark, the characters cannot see each other. He objects to F1’s giving “So be it” to Marcellus because “as Capell long ago remarked, ‘there is something highly solemn and proper in making Hamlet say “amen” to a benediction pronounced on himself.’” He objects to those editors who side with F1.
1934 cam3
cam3
797, 803 stage directions Wilson (ed. 1934) acts on Clark and Wright’s point in having Horatio and Marcellus enter early in darkness and not see Hamlet until 803.
1976 Honigmann
Honigmann
797 Hora.] Honigmann (1976, p. 122 n.1) implies that Q2 is correct to give the speech to Horatio alone and not Horatio and Marcellus as in F1: “As these passages [437 and 797] involve the Marcellus-actor, who is thought to have been the Q1 pirate, Q1 may record what was said in the theatre.”
1982 ard2
ard2: standard
798 Enter] Jenkins (ed. 1982): “They enter searching for Hamlet, and F reasonably makes the calling begin off stage. But the postponement of their actual entry, by Capell and many subsequent eds., goes against all three texts. The illusion of darkness permits them to be on stage with Hamlet without perceiving him. Cf. Rom. 2:1.”
1987 oxf4
oxf4: xref
797 Hibbard (ed. 1987): "This direction, found only in F, makes good sense in preparing the audience for the entry. Something is needed to draw their attention to the door of the stage from which Horatio and Marcellus will come." [See also CN 800.]
2006 ard3q2
ard3q2: F1
797 Thompson & Taylor (ed. 2006): “F’s placing of the SD indicates that we hear Horatio and Marcellus calling before they appear. In the supposed darkness of the stage, they do not see Hamlet until he answers them at [803].”
797