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Line 428 - Commentary Note (CN) More Information

Notes for lines 0-1017 ed. Bernice W. Kliman
For explanation of sigla, such as jen, see the editions bib.
428 Hora. A countenance more in sorrow then in anger.1.2.232
78 428 694 770 2493 3509
c.1800 Goethe (1749-1832)
Goethe
428 Goethe (Wilhelm Meister c. 1800, rpt. 1989, 5:11:195), in ref. to 1.5: “The Ghost spoke in a tone of vexation rather than of sorrow, but it was an anger of the mind, slow and inestimable."
1809 Sherwen
Sherwen
428 Lets further . . . our shape] Sherwen (1809, p. 56): “That is, according to Dr. Johnson, ‘may enable us to assume proper characters, and to act our part.’ Shakspeare’s meaning is, ‘may fit us to our fate:’ containing at the same time another of his beloved quibbles, betwixt shape or form, and shape, fate.”
Ed. note: See also 3509.
1853- mEliot
mEliot
428 sorrow] Eliot (1853-), at this line, but more applicable to 694 ff, quotes Goethe on the ghost’s sorrow: “—a feeling of melancholy anger rather than of sorrow, but of an anger spiritual, slow, & inexhaustible— Goethe. W. M.”
1854 del2
del2
428 Delius (ed. 1854): “Die Herausgeber bemühen sich vergebens, diese kurzen Reden und Antworten nach dem regelmässigen Schema des blank verse in fünfsüssige Jamben absutheilen.” [Editors try in vain to arrange this short discussion according to the five-beat scheme of blank verse.]
1885 macd
macd
428 MacDonald (ed. 1885): “The mood of the Ghost thus represented, remains the same towards his wife throughout the play.” See 770, 2493.
1913 Trench
Trench
428 more in sorrow] Trench (1913, p. 58) attempts to explain the change in Horatio’s reaction to the apparition whose frown had seemed angry to him [78]. Horatio has had time to think of the effect of his own fear on his perception: “calm reflection . . . since has convinced him that the expression was not ’angry’ but ’sorrowful. . . . .’ ” Ed. note: Trench, treating a play like a novel or real life, ascribes the change to Sh.’s following the progress of Hroatio’s mind in between the two scenes. Others would say that Sh. wanted to suggest the idea of both ghostly atttitudes, that Horatio does not have a mind to change in between the scenes.
1939 kit2
kit2
428 countenance] Kittredge (ed. 1939): "expression (of the face)."
2006 ard3q2
ard3q2 = kit2 without attribution
428 countenance] Thompson & Taylor (ed. 2006): “face, expression”