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Line 352 - Commentary Note (CN) More Information

Notes for lines 0-1017 ed. Bernice W. Kliman
For explanation of sigla, such as jen, see the editions bib.
352 And what make you from Wittenberg Horatio?
352 356 387
1765 john1
john1
352 what make you] Johnson (ed. 1765): “A familiar phrase for what are you doing. ”
1773 v1773
v1773 = john1
352 what make you]
1773 gent1
gent1 n. 387
352 Gentleman (ed. 1773): “As we find by the beginning of this scene, that Horatio has not paid his respects to the prince before, ’tis odd he should not have done it; and equally odd, that a Ghost should be seen three nights together by the guards, without public mention being made; it shows, the Danish soldiers more capable of secrecy, than ours would be.”
1778 v1778
v1778 = v1773
352 what make you]
1785 v1785
v1785 = v1778
352 what make you]
1787 ann
ann = v1785
352 what make you]
1790 mal
mal = v1785
352 what make you]
1791- rann
rannmal
352 what make you] Rann (ed. 1791-): “Pray what may be your business, &c.”
1793 v1793
v1793 = mal +
352 what make you] Steevens (ed. 1793): "See Vol. VI. p.7, n.5 [// AYL 1.1.29 (32) Oliver’s first words to Orlando: “Now, sir! what make you here?"].
1803 v1803
v1803 = v1793
352 what make you]
1813 v1813
v1813 = v1803
352 what make you]
1819 cald1
cald1: standard + // MWW
352 what make you] Caldecott (ed. 1819): "What is your object? What are you doing? See [MWW 4.2.54 (1945)]. Mrs. Page"; CN at the second "what make you."
1821 v1821
v1821 = v1793
352 what make you] Boswell, here, as he often does, has the more precise ref. to act and scene number but no precise page ref, thus actually making the ref. (theoretically) more difficult to find. Not for us, of course.
1822 Nares
Nares: standard
352 what make you] Nares (1822): “To do, to be occupied in any thing . . . . what brings you here? what is the occasion of your coming here? what are you about? It is very frequently used by Shakespeare. [quotes AYL 1.1.29 (32) and Ham. 1317].”
1826 sing1
sing1: standard + in magenta underlined
352 what make you] Singer (ed. 1826): “i,e, what do you. Vide note on [LLL 4.3.188 (1531).]

sing1: standard +
352 what make you] Singer (ed. 1826, 2: 364 n.16) notes for the line "What makes treason here?"; "That is —‘what does treason here?’ What makest thou there? or, what hast thou to do? Quid istic tibi negotii est? —Baret. Shakspeare plays on this phrase in the same manner in [AYL 1.1.29 (32) and in [R3 1.3.68 (633)]”
Ed. note: In LLL Singer does not mention Hamlet.
1832 cald2
cald2 = cald1
352 what make you]
1854 del2
del2
352 what make you] Delius (ed. 1854): “‘was treibt Ihr fern von Wittenberg.’ ” [what are you doing so far from Wittenberg.]
1856 hud1
hud1: standard
352 what make you] Hudson (ed. 1856): "the old language for, ’What do you?’ H."
1856 sing2
sing2 = sing1
352 what make you]
1860 stau
stausing2 + in magenta underlined
352 what make you] Staunton (ed. 1860): "We should now ask, ’What do you?’ but the above was a household form of speech in Shakespeare’s day; in the same manner Hamlet subsequently demands of Rosenkrantz and Guildenstern, ’What make you at Elsinore?’ In [Oth. 1.2.49 (260)] Cassio inquires of Iago,— ‘—ancient, what makes he here?’ and in [LLL 4.3.188 (1531)] the king questions Costard,— ‘—what makes treason here?’ ”
1867 Keightley
Keightley
352 what make you] Keightley (1867, p. 286): “I suspect that here and in a following line [356], and in [1317], we should read ‘makes,’ with an ellipsis of be. The answers seem to indicate it.”
Ed. note:
He refers to 356 and 1317, I assume, but I do not understand his point, but Hardin explains it as follows:
Bernice, regarding your Keightley query. I looked at my xerox of the note and
suspect that Keightley is arguing that this is really an
accusative-infinitive construction. That is, it should read "What makes you
[to be] from Wittenberg, Horatio?" He’s arguing that the verb "make" should
be in the second person singular [I think Hardin must mean “3rd person singular”], to allow for the "understood" "to be"
construction to be "understood." He’s concerned that the present
arrangement, "what make you from Wittenberg Horatio?" has an improperly
conjugated verb ("make" is the first person [I think he means 2nd person] singular/plural) but not the
second [i.e. 3rd] person. By inserting the "s", he implies that the verb "be" or
really "to be" in infinitive form is an understood component of the verbal
structure. What becomes the subject rather than Horatio.
Ed. note: i.e., what makes you with to be understood.
1868 c&mc
c&mc: standard
352 what make you] Clarke & Clarke (ed. 1868): “‘What do you do away from Wittenberg,’ ‘What causes you to have left Wittenberg?’ ”
1869 tsch
tsch
352 what make you] Tschischwitz (apud Furness, ed. 1877): “It still corresponds with ‘machen,’ in our phrase of courteous greeting: ‘Was machen Sie?’”
1872 cln1
cln1Steevens re AYL 1.1.29 (32); Ham 352 without attribution
352 what make you]
1872 hud2
hud2 = hud1 + //
352 what make you]
1877 v1877
v1877: john, Steevens (AYL //), Nares, tsch, Keightley,
352 what make you]
1885 macd
macd: standard
352 MacDonald (ed. 1885): “‘What are you doing from—out of, away from—Wittenberg?’”
1899 ard1
ard1
352, 356 make] Dowden (ed. 1899): “do you” as in 1317.
1939 kit2
kit2: standard
352 what make you from] Kittredge (ed. 1939): "And what are you doing away from."
1947 cln2
cln2 = kit2 without attribution
352 make you from] Rylands (ed. 1947): "are you doing away from."
1957 pel1
pel1: standard
352 make] Farnham (ed. 1957): “do.”
1958 fol1
fol1: standard
352 what make you] Wright & LaMar (ed. 1958): “what are you doing.”
1970 pel2
pel2 = pel1
352 make] Farnham (ed. 1970): “do”
1980 pen2
pen2
352 make you from] Spencer (ed. 1980): “are you doing away from.”
1982 ard2
ard2: standard; OED
352 what make you] Jenkins (ed. 1982): “The common phrase for ’What are you doing?’ See OED make v.1 58. Cf. 1317.”
1988 bev2
bev2: standard
352 make] Bevington (ed. 1988): “do.”
1992 fol2
fol2: standard
352 what . . . from] Mowat & Werstine (ed. 1992): “what are you doing away from”
2006 ard3q2
ard3q2: standard
352 make you from] Thompson & Taylor (ed. 2006): “are you doing away from. Hamlet turns aside to greet Marcellus before receiving Horatio’s response at [357]. In all three texts it is slightly puzzling that Horatio, who seemed to have an insider’s knowledge of Danish politics at [96-124], now seems to be on a brief and unsanctioned (truant in [357]) visit from the university in Wittenberg. It is also surprising that Hamlet has not been aware of his presence before this moment if he has been at court since the funeral, two months or more ago.”