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Line 340 - Commentary Note (CN) More Information

Notes for lines 0-1017 ed. Bernice W. Kliman
For explanation of sigla, such as jen, see the editions bib.
340 She married, ô most wicked speede; to post1.2.156
1773- mSteevens
mSteevens for R2 Mowb. “Which else would post . . . . ”
340 post] Steevens (ms. note in Steevens, ed. 1773, 5: 117): “travel with speed.”
1885 macd
macd
340 speed;] Macdonald (ed. 1885): “I suggest the pointing: speed! To post . . . sheets!”
1938 parc
parc
340 post] Parrott & Craig (ed. 1938): “hasten.”
1980 pen2
pen2: standard
340 post] Spencer (ed. 1980): “hasten.”
1980 Frye, Northrop
Frye
340 most wicked speede]Frye (1980, p. 88) believes that incest is not at the center of the ghost’s or Hamlet’s concern; “the real centre of Hamlet’s distress is the ’wicked speed’ of the marriage; it seems to suggest some prearrangement.”
1987 oxf4
oxf4
340 post] Hibbard (ed. 1987): "hurry, rush."
1992 fol2
fol2: standard + in magenta underlined
340 post] Mowat & Werstine (ed. 1992): “rush (as in riding a post-horse)
2005 ShSt
Zimmerman: Kristeva applied to Hamlet
340-1 Zimmerman (2005, p. 107): “Significantly for Hamlet, Kristeva argues that the biblical abomination of leprosy ’becomes inscribed within the logical conception of impurity ... [as] intermixture, erasing of differences, threat to identity’: and that ultimately, ’the fantasy of the born body, tightly held in a placenta that is no longer nourishing but devastating, converges with the reality of leprosy’ (p. 101). Thus Kristeva’s identification of leprosy with originary defilement makes it possible to triangulate the ghost/corpse, Gertrude, and Hamlet: that is, the ’leprous distilment’ that disintegrates the sun-king is analogous to Gertrude’s lust, which transforms (in the ghost’s furious words) a ’radiant angel,’ to a creature who ’prey[s] on garbage’ [742]. By reinforcing Hamlet’s own rage at his mother’s unfathomable desire (’To post With such dexterity to incestuous sheets,’ the ghost thereby links leprosy, garbage, lust, and death--the component parts, as it were, of Hamlet’s sexual imagination, inextricably linked throughout the play with his desire for his own obliteration.’ ”
2006 ard3q2
ard3q2: standard
340 post] Thompson & Taylor (ed. 2006): “move quickly, hurry”
340 341