HW HomePrevious CNView CNView TNMView TNINext CN

Line 68 - Commentary Note (CN) More Information

Notes for lines 0-1017 ed. Bernice W. Kliman
For explanation of sigla, such as jen, see the editions bib.
68 Bar. How now {Horatio,} <Horatio?> you tremble and looke pale,1.1.53
1736 Stubbs
Stubbs
68 you tremble and look pale] Stubbs (1736, p. 10): “This is entirely in Nature, for it cannot be supposed, that any Man, tho’ never so much endu’d with Fortitude, could see so strange a Sight, so shocking to human Nature, without some Commotion of his Frame, although the Bravery of his Mind makes him get the better of it.”
1874 Corson
Corson: F1, cam1 +
68 Horatio,] Corson (1874, p. 9): “The ? of the F. represents the elocution better; ‘Horatio’ should be uttered with unequal upward wave, expressing the triumph of the speaker in the confirmation of his report of the appearance of the ghost.”
1877 v1877
v1877 = Corson (minus last two prep. phrases).
68 Horatio,]
1885 mull
mull
68-9 Mull (ed. 1885): “The direct course of the question surely is, ‘How now, Horatio, is not this something more than fantasy?’ The intermediate clause is plainly interjected, as I have punctuated it.”
1891 dtn1
dtn1
68 Deighton (ed. 1891): “said with ironical surprise.”
1922 thur
thur ≈ Corson without attribution
68 Thurber (ed. 1922): “Bernardo is triumphant at proving himself right.”
1929 trav
trav
68 How now] Travers (ed. 1929): is equivalent here to “How say you” in 811.
1988 Rozett
Rozett
68 you tremble and look pale] Rozett (1988, pp. 127-9) asserts that Bernardo’s phrase leads the audience to believe what it sees or has seen. With “the words ‘harrow’ and ‘fear and wonder,’ ” the description of how Horatio looks, whether he actually looks that way or not, creates “a powerful impression of the ghost’s effect.” Description, including Horatio’s description to Hamlet later, goes beyond what actors can or must do.
56 68 396