HW HomePrevious CNView CNView TNMView TNINext CN

Line 780 - Commentary Note (CN) More Information

Notes for lines 0-1017 ed. Bernice W. Kliman
For explanation of sigla, such as jen, see the editions bib.
780 But beare me {swiftly} <stiffely> vp; remember thee, 1.5.105
c.1639 mWright
mWright
780-9 Wright (1639, fol. 85r): “remember thee! I though poore ghost while memorie holds a seat/ in this distracted globe, remember thee,/ yea from ye table of my memorie/ ile wipe away all triuiall fond records,/ all saws of bookes, all formes, all pressures past/ ye youth and obseruation copied there,/ and thy commandment all alone shall liue,/ wthin ye book and volume of my braine/ vnmixt wth baser mettal.”
Ed. note: Wright may be recollecting 789.
1780 mals1
mals1 [none for Ham.]
780-2 remember . . . globe] Steevens (apud Malone, 1780, 1:678 n.[2], re son. 122 “Or at the least so long as brain and heart Have faculty by nature to subsist”: “So, in Hamlet: [quotes 780-2]. Steevens.
1805 Seymour
Seymour
780 swiftly] Seymour (1805, 2:161): “The quarto, ‘Bear me swiftly up;’ and the sense may be, —sinews, be quick to exercise your function, swiftly endue my limbs with their wonted vigour.”
Seymour
780, 782 remember thee] Seymour (1805, 2:161): “The sense varies in the repetition of this apostrophe, and requires a variation of emphasis; at first it is, remem´ber thee! ay, so long as memory shall exist; the second time it is, remember thée! yes, and to make that the more sure, I would will exclude from my memory, every thing else.”
1870 rug1
rug1
780 beare . . . vp] Moberly (ed. 1870): “The lion-like energy is gone already, and he cries out for strength; instead of sweeping at once to his revenge. Cp. Wordsworth, iii, 203: ‘Weak spirits are there who would crave Upon the pressure of a painful thing The lion’s sinews or the eagle’s wing, Or let their wishes loose, in forest-glade Among the lurking powers Of herbs and lowly flowers, Or seek from saints above miraculous aid, That man may be accomplished for a task Which his own nature hath enjoined.’”
1872 cln1
cln1
780 swiftly] Clark & Wright (ed. 1872): “stiffly. So the folios. The quartos have ‘swiftly,’ doubtless a misprint.”
1873 rug2
rug2 = rug1
780 beare me swiftly vp]
1874 Corson
Corson: F1, cam1
780, 782 thee,] Corson (1874, p. 15) prefers F1.
1875 Marshall
Marshall
780, 782 remember thee] Marshall (1875, p. 127): “The next words [quotes] are spoken with intense pathos, and the repetition of them with still greater intensity. From this moment Hamlet wishes to become a man of one idea only; self-indulgence, ambition, love, must have no longer any place in his mind.”
1880 Tanger
Tanger
780 swiftly] Tanger (1880, p. 125) Q2 variant “probably owing to the negligence, inattention, or criticism of the compositor.”
1885 macd
macd
780 remember thee] MacDonald (ed. 1885): “For the moment he has no doubt that he has seen and spoken with the ghost of his father.”
1888 macl
macl
780 swiftly] Maclachlan (ed. 1888) prefers swiftly because it agrees with instant, and it is the first and only such response by a “fainting nature.”
1929 trav
trav
780 swiftly] Travers (ed. 1929): stiffly suggests that Hamlet, who had kneeled reverently before the ghost and then “almost swooned in horror . . . and now stands up.”
trav
780 remember thee] Travers (ed. 1929) prefers to end the phrase with a question mark, as if addressed pathetically to the “imagined presence” of the ghost.
1980 Bradbrook
Bradbrook
780 swiftly vp] Bradbrook (1980, p. 22) asserts that in the Renaissance, actors expressed grief by throwing themselves to the stage or at least sitting down. She says that Romeo’s reaction to his grief in Friar Lawrence’s cell would then not be extreme.
1980 pen2
pen2
780 swiftly] stiffely Spencer (ed. 1980): “ strongly. This is F’s reading; Q2 has ’swiftly’, which, though awkward, perhaps has some support from lines 29-30.”
1985 cam4
cam4
780 beare me swiftly vp] bear me stiffly up Edwards (ed. 1985): "keep me from collapsing."
1987 oxf4
oxf4: OED; H5 //
780 swiftly] Hibbard (ed. 1987): "strongly, firmly (OED stiff 8, 12). Compare [H5 3.1.7 (1090)], ‘Stiffen the sinews.’ "
1988 bev2
bev2: standard
782 globe] Bevington (ed. 1988): “(1) head (2) world.”
1988 Goldberg
Goldberg
780-9 remember thee . . . baser matter] Goldberg (1988, p. 311, quoted by Griffiths 2005, p. 139): “ . . . Hamlet receives the Ghost’s words as a scriptive command, one that re-marks his haunted memory as a locus of inscription, erasure, and transcription: [quotes 780-9]. In these lines, subjectivity is inscribed in his brain, initiating a career continually invested in scriptive gestures.” Goldberg also discusses scriptive moments in lines 53, 1872, 3061.
2006 ard3q2
ard3q2: xref; F1; //
780 swiftly] Thompson & Taylor (ed. 2006): “Presumably the implication is that Hamlet will move quickly to his revenge (see [714-17]), but most editors prefer F’s ’stiffely’ meaning ’strongly’, which is supported by H5 3.1.7 : ’Stiffen the sinews.’”
2007 Wilson
Wilson: Barton
780-2 remember . . . globe] Wilson (2007, p.233) ". . . it is alarming that the Prince throws responsibility for this work of mourning onto the audience by naming Shakespeare’s theatre: [quotes 780-2.] Thus the real playhouse is set up to be the scene of final recollection through a premonition of that apocalyptic metaphor of the theatrum mundi which returns at the end--when the ’mutes and audience to this act. . . . look pale and tremble at this chance’ [3819, 3818]--in an echo, according to Anne Barton, of the mystery cycles that once ’transformed the Whitsun crowd into witnesses at Golgotha" [Barton, Shakespeare and the Idea of the Play, p. 164].
780 781-782 3818 3819