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Line 254 - Commentary Note (CN) More Information

Notes for lines 0-1017 ed. Bernice W. Kliman
For explanation of sigla, such as jen, see the editions bib.
254 Ham. I Maddam, it is common.1.2.74
1780 mals1
malsi: Yorkshire Tragedy
254 common] Steevens (apud Malone, 1780, 2: 632 n. 4) associates Ham. common, with the word used with sexual innuendo in A Yorkshire Tragedy 1.1 “Ralph. . . . mad wenches. because they are not gathered in time, are fain to drop of themselves, and then ’tis common you know for every man to take them up. Oliv. Mass thou say’st true, ’tis common indeed.”
1813 mclr
mclr
254-67 Coleridge (Lectures on Shakespeare and Education, Lecture 3, 1813, Coleridge’s notes, transcribed by Ernest Hartley Coleridge, VCL ms BT 8; rpt. Coleridge, 1987, 5.1:540): “5. And how the character developes itself in the next speech [[257-67]]—the aversion to externals, the betrayed Habit of brooding over the world within him, and the prodigality of beautiful words, which are as it were the half embodyings of Thought, that make them more than Thought, give them an outness, a reality sui generis and yet retain their correspondence and shadowy approach to the Images and Movements within—”
1819 cald1
cald1
254 common] Caldecott (ed. 1819): “Similar examples of frailty, connected with such an event, are the things or occurrences, that, he would have it inferred, were common.”
1819 mclr2
mclr2:
254 Coleridge (ms. notes 1819 in Ayscough, ed. 1807; rpt. Coleridge, 1998, 12.4:842): “Suppression prepares for overflow—”
1832 cald2
cald2 = cald1
254 common]
1856 hud1
hud1 = Coleridge
254 Coleridge (apud Hudson, ed. 1856): “Here observe Hamlet’s delicacy to his mother, and how the suppression prepares him for the overflow in the next speech, in which his character is more developed by bringing forward his aversion to externals, and which betrays his habit of brooding over the worth within him, coupled with a prodigality of beautiful words, which are the half-embodyings of thoughts, and are more than thought, and have an outness, a reality sui generis, and yet retain their correspondence and shadowy affinity to the images and movements within. Note, also, Hamlet’s silence to the long speech of the King, which follows, and his respectful, but general, answer to his mother.—Coleridge H.”
1870 rug1
rug1: Tennyson
254 common] Moberly (ed. 1870): “Cp. In Memoriam, vi.—‘That loss is common would not make Mine own less bitter; rather more: Too common! never morning wore To evening, but some heart did break.’”
1872 cln1
cln1
254 common, 256 particular] Clark & Wright (ed. 1872): “We have ‘common’ and ‘particular’ opposed to each other in the very difficult, and probably corrupt, passage of [2H6 4. 1. 93-4 (1961-2)]; and ‘particular’ opposed to ‘general’ in [Tro. 1.3.340-2 (807-9)].”
1877 v1877
v1877 = cald; cln1; Coleridge
254 common]
1880 meik
meik = hud1 (Coleridge) and rug2 (Tennyson) without attribution + name Tennyson
254 common]
1885 macd
macd
254 I] MacDonald (ed. 1885): “I is constantly used for ay, yes.
macd
254 common] MacDonald (ed. 1885): “‘Plainly you treat it as a common matter—a thing of no significance!’”
1913 Trench
Trench
254 Maddam] Trench (1913, p. 61, n. 1): “In conversation with his mother, both in this scene and in [3.4], Hamlet’s feelings alternate between a sense of distance between them and a desire to bridge that distance: whenever there is a constrained feeling of impossibility of communion, he says ’Madam’ or ’Lady’; and whenever there is an endeavour to re-establish personal contact by an appeal to her, he says ’Mother.’ ”
1929 trav
trav
254 I] Travers (ed. 1929): the spelling “indicates the pronunication.”
trav
254 Travers (ed. 1929) thinks that it should be stressed lightly because though death is common “something else is not common.”
254