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Line 2368 - Commentary Note (CN) More Information

Notes for lines 2023-2950 ed. Frank N. Clary
For explanation of sigla, such as jen, see the editions bib.
2368 Then trip him that his heels may kick at heauen, {I2}3.3.93
1778 v1778
v1778: Heywood analogue
2368 Then trip . . . heauen] Steevens (ed. 1778): “So, in Heywood’s Silver Age, 1613: ‘Whose heels tript up, kick’d gainst the firmament.’ Steevens.”
1785 v1785
v1785 = v1778
1790 mal
mal = v1785
1793 v1793
v1793 = v1785
1803 v1803
v1803 = v1793
1813 v1813
v1813 = v1803
1821 v1821
v1821 = v1813
1854 del2
del2
2368 trip . . . heauen] Delius (ed. 1854): ‘to trip, = zu Boden werfen, und zwar so heftig, dass die Fersen gegen den Himmel gerichtet sind, dem Himmel gleichsam einen Stoss versetzen (kick at heaven), ist hier = umbringen.” [to trip means to throw on the ground, and indeed so vigorously that the heels are directed toward heaven, as if to give heaven a push (kick at heaven). Here it means to kill.]
1857 fieb
fieb = v1778 (Heywood analogue) + magenta underlined
2368 heels . . . heauen] Fiebig (ed. 1857): “So, in Heywood’s Silver Age, 1613: Whose heels tript up, kick’d ‘gainst the firmament. St. – To trip means, to throw by striking the feet from the ground by a sudden motion.”
1862 Cartwright
Cartwright: john1, Coleridge, Lamb; Marlowe, Nashe analogues;Luc. //
2368-70 Then trip . . . it goes] Cartwright (1862, p. 48-9): “Hamlet . . . naturally wishes his father’s murderer to undergo the penalty of his crime, a limited period of punishment, and not eternal damnation. The following passage has evidently been misunderstood as well by Johnson as by the Coleridges and Lambs [passage cited] ‘hell’ here does not mean the place of eternal punishment; but purgatory, or the place of departed spirits; vide Johnson:—’the place of separate souls whether good or bad.’ and in Tamburlaine, Cosroe exclaims:—’My soul begins to take her flight to hell, And summons all my senses to depart,’ And in Nash’s Pierce Penniless, his Supplication to the Devil, we read, p. 66,—Hell is a place where the souls of intemperate men, and ill livers of all sorts, are detained and imprisoned till the general resurrection.’ The last words of the ghost were, ‘remember me,’ that is, not his mere murder, but his suffering the tortures of purgatory; Claudius must therefore undergo the same penalties: bu the critics can not or will not perceive the difference between temporal and eternal punishment; they will persist in judging Hamlet by protestant doctrines and not as a papist. Shakspere avoids the abusive language of the early reformers, and generally portrays his friars as good and estimable men; but he never hesitates to point out at the same time, the evil tendencies of the doctrines of the Church of Rome; and his intention on the present occasion evidently is, to show the injurious action of a belief in purgatory; how much it tends to nourish an unforgiving spirit; just as in the Lucrece he shows the injurious effects of the priestly power of absolution; when Tarquin has his hand on the chamber-door, he starts, frightened at the thought of his intended crime, but is instantly re-assured: ‘Then Love and Fortune be my gods, my guide! My will is back’d with resolution; Thoughts are but dreams till their effects be tried, The blackest sin is clear’d with absolution.’—Stanza 52. Hamlet’s revenge must consequently be regarded as essentially papistical, and perfectly natural under the circumstances.”
1872 del4
del4 = del2
1872 cln1
cln1: 2H4 //
2368 trip] Clark and Wright (ed. 1872): “trip up. See 2H4 5.2.87 [2972]: ‘To trip the course of law.’”
1885 macd
macd
2368 Then trip him] MacDonald (ed. 1885): “—still addressed to his sword.”
macd
2368-70 that his heels . . . goes] MacDonald (ed. 1885): “Are we to take Hamlet’s own presentment of his reasons as exhaustive? Doubtless to kill him at his prayers, whereupon, after the notions of the time, he would go to heaven, would be anything but justice—the murdered man in hell—the murderer in heaven! But it is easy to suppose Hamlet finding it impossible to slay a man on his knees—and that from behind: thus in the unseen Presence, he was in sanctuary, and the avenger might well seek reason or excuse for not then, not there executing the decree.”
1891 dtn
dtn
2368 Deighton (ed. 1891): “then give him such a fall that he will go headlong to hell.”
1904 ver
ver = John + magenta underlined
2368-70 Verity (ed. 1904): “‘This speech, in which Hamlet, represented [in the play] as a virtuous character, is not content with taking blood for blood, but contrives damnation for the man that he would punish, is too horrible to be read or to be uttered’—Johnson.”
Hamlet’s answer to this has been already given (79-84), and his subsequent treatment of Rosencrantz and Guildenstern shows the possibilities of remorselessness in his character. Moreover, is it accurate to attribute to him the “notion of killing soul and body”? His uncle is to fare as his ‘father’s spirit.’ We must not forget the thought underlying the Ghost’s words in 1. 5. 12, 13 [695-96].”
1929 trav
trav: Jusserand (Nashe analogue)
2368 Then] Travers (ed. 1929): “In Nashe’s novel, Jack Wilton, Cutwolfe forces his brother’s murderer to utter the most damning blasphemies, and then shoots him in the throat, to make sure that he will not be able to recall them (Jusserand, Roman au temps de Shakespeare).”
trav: Dante analogue
2368 kick at heauen] Travers (ed. 1929): “much as Dante, climbing out of Hell (Inferno, XXXIV), saw Lucifer’s legs still rising above the place where he fell headlong.”
1939 kit2
kit2 ≈ dtn
2368-70 that his heels . . . goes] Kittredge (ed. 1939): “so that he may fall headlong to hell.”
1980 pen2
pen2
2368 trip him] Spencer (ed. 1980): “(still addressing his sword) take him by a quick act of treachery.”
pen2
2368 his heels . . . heauen] Spencer (ed. 1980): “Hamlet imagines his enemy as receiving a deadly blow and sprawling forwards, so that in his death throes his legs bend upwards from his knees.”
1982 ard2
ard2
2368 kick at heaven] Jenkins (ed. 1982): “The metaphor suggests both that Claudius will be spurning heaven and that he will be plunging head first (into hell).”
See comment in 2366.
2006 ard3q2
ard3q2: Oth //; Honigmann
2368-70 Then. . . goes] Thompson & Taylor (ed. 2006): “Honigmann (’First Quarto’) notes the parallel with Oth 2.1.186-7: ’Olympus-high and duck again as low / As hell’s from heaven’.”

ard3q2
2368 trip him] Thompson & Taylor (ed. 2006): “cause him to stumble and fall.”

ard3q2 ≈ ard2
2368 kick at heaven] Thompson & Taylor (ed. 2006): “usually glossed ’spurn heaven (as he plunges headlong into hell)’, though it also seems to carry some sense of ’batter (ineffectively) at the gates of heaven.’”
2368