1 to 10 of 743 Entries from All Files for "shakespeare " in All Fields
... some <i>hearsay particulars concerning Shakespeare </i>from a MS. of <i>Aubrey< ...
... e us that for [<i>Hamlet</i>'s plot] <i>Shakespeare </i>must have read <i>Saxo G ...
... us, that for [<i>Hamlet</i>'s plot] <i>Shakespeare </i>must have read <i>Saxo G ...
... ntiments indeed there are none, that <i>Shakespeare </i>could borrow; nor any ex ...
... orious tragedians,' and very plainly at Shakespeare in particular,—‘ ...
... orious tragedians,' and very plainly at Shakespeare in particular,—‘ ...
... s, though in a mutilated form,' &c. Shakespeare <i>Commentaries</i>, vol. ii ...
... bert Cohn's curious volume. entitled <i>Shakespeare in Germany in the Sixteenth ...
... 1947): “The other play in which Shakespeare devotes a whole act to expos ...
... lly depends; and indeed so artfully has Shakespeare wrought upon his great patro ...
... ud </i>Furness, ed. 1877): “That Shakespeare meant to put an effect in th ...
... /sc>, ed. 1844): “In nothing has Shakespeare been more successful, than i ...
... them with a supernatural acuteness; and Shakespeare was not unmindful of the fac ...
... Shakespeare.</i> Journal of the British Shakespeare Association</sigla> <hanging ...
... hich strikingly exemplifies how careful Shakespeare was to preserve entire consi ...
... )], ‘Thy much goodness.' Abbott's Shakespeare Grammar, § 51.</para> < ...
... k at hart</b>.] <sc>Kliman </sc>(1996): Shakespeare may be demonstrating that th ...
... on, it is plain, by <i>rivals</i>, that Shakespeare means, those men who were ap ...
... languages. This is the only passage of Shakespeare in which the word is employe ...
... ning, and it is conclusive to show what Shakespeare intended. The reverie of Mar ...
... Shakespeare.</i> Journal of the British Shakespeare Association</sigla> <hanging ...
... . 127>Yet for Derrida, the figure of Shakespeare as a night-watchman on the r ...
... and ‘fancy' are commonly used by Shakespeare in this sense. The former is ...
... nd Spirits'), 1584. On the dramatic use Shakespeare makes of conflicting contemp ...