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Contract Context Printing 160 characters of context... Expand Context ... . <i>Bathurst, </i>hath favoured us with some <i>hearsay particulars concerning Shakespeare </i>from a MS. of <i>Aubrey</i>'s, which had been in the hands of <i ...
... <i>Grey</i> and Mr. <i>Whalley</i> assure us that for [<i>Hamlet</i>'s plot] <i>Shakespeare </i>must have read <i>Saxo Grammaticus </i>in the Original, for no t ...
... i>Grey</i> and Mr. <i>Whalley</i> assure us, that for [<i>Hamlet</i>'s plot] <i>Shakespeare </i>must have read <i>Saxo Grammaticus </i>in <small><i>Latin</i></s ...
... /i>after a rude and barbarous manner: sentiments indeed there are none, that <i>Shakespeare </i>could borrow; nor any expression but <i>one, </i>which is where ...
... </i>hath a lash at some ‘vaine glorious tragedians,' and very plainly at Shakespeare in particular,—‘I leave all these to the mercy of their ...
... </i>hath a lash at some ‘vaine glorious tragedians,' and very plainly at Shakespeare in particular,—‘I leave all these to the mercy of their ...
... contains an earlier design of the poet's, though in a mutilated form,' &c. Shakespeare <i>Commentaries</i>, vol. ii, p. 108, English trans.” (100n). ...
... </sc> (ed. 1866, p. 101): “Mr. Albert Cohn's curious volume. entitled <i>Shakespeare in Germany in the Sixteenth and Seventeenth Centuries, &c. </i>c ...
... a>1-867<tab> </tab><sc>Rylands</sc> (ed. 1947): “The other play in which Shakespeare devotes a whole act to exposition or preparation for the action is < ...
2) Commentary Note for lines 3-4:3-4 Bar. VVHose there?... tural agent on whom the main action totally depends; and indeed so artfully has Shakespeare wrought upon his great patroness, <small>nature</small>; so powerful ...
... b> </tab><sc>Coleridge</sc> (1819, <i>apud </i>Furness, ed. 1877): “That Shakespeare meant to put an effect in the actor's power in these very first word ...
... dcliffe</sc> (<i>apud </i><sc>Verplanck</sc>, ed. 1844): “In nothing has Shakespeare been more successful, than in selecting circumstances of manners and ...
... ar, by concentrating the senses, endows them with a supernatural acuteness; and Shakespeare was not unmindful of the fact when he made the listening, breathless ...
... ra> </cn> <cn> <sigla>2005<tab></tab><i>Shakespeare.</i> Journal of the British Shakespeare Association</sigla> <hanging>Holderness </hanging> <para>5-6<tab> </ ...
4) Commentary Note for line 12:12 Fran. For this reliefe much thanks, tis bitter cold,... Francisco we have another slight trait which strikingly exemplifies how careful Shakespeare was to preserve entire consistency in the conduct of his characters: ...
... of spirit,' and <i>MM </i> 5.1.528 (2927)], ‘Thy much goodness.' Abbott's Shakespeare Grammar, § 51.</para> <cn></cn><hanging><sc>cln1: </sc>Abbott ...
5) Commentary Note for line 13:13 And I am sick at hart.... iman</hanging><para>13<tab> </tab><b>sick at hart</b>.] <sc>Kliman </sc>(1996): Shakespeare may be demonstrating that the Danes were not used to standing guard, ...
6) Commentary Note for lines 16-17:16 Bar. Well, good night:16-17 If you doe meete Horatio and | Marcellus,17 The riualls of my watch, bid them make hast.... nother. But, without a learned explanation, it is plain, by <i>rivals</i>, that Shakespeare means, those men who were appointed next to relieve soldiers on the ...
... much more used both in Latin and modern languages. This is the only passage of Shakespeare in which the word is employed in its earlier and rarer sense. He has ...
... pposition the ejaculation would be unmeaning, and it is conclusive to show what Shakespeare intended. The reverie of Marcellus once broken, he turns from fruitl ...
8) Commentary Note for line 27:27 Bar. Say, what is Horatio there?... ra> </cn> <cn> <sigla>2005<tab></tab><i>Shakespeare.</i> Journal of the British Shakespeare Association</sigla> <hanging>Holderness </hanging> <para>27-8 <tab> ...
... ong it is taking.' </p. 121> <p. 127>Yet for Derrida, the figure of Shakespeare as a night-watchman on the ramparts of a tired 'Old Europe' whose 't ...
10) Commentary Note for line 32:32 Mar. Horatio saies tis but our fantasie,... #x201C;imagination. Both ‘fantasy' and ‘fancy' are commonly used by Shakespeare in this sense. The former is however found in the modern sense of &# ...
... ft</i> (with appendix on ‘Devils and Spirits'), 1584. On the dramatic use Shakespeare makes of conflicting contemporary attitudes to ghosts, see Dover Wil ...
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