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Contract Context Printing 160 characters of context... Expand Context 1) Commentary Note for lines 16-17:16 Bar. Well, good night:16-17 If you doe meete Horatio and | Marcellus,17 The riualls of my watch, bid them make hast.... some time. Horatio, as it appears, watches out of curiosity. But in [419-20] to Hamlets question, <i>Hold you the watch tonight? </i>Horatio, Marcellus, and Ber ...
... /i>of it. </para> <para>“Marcellus says, in this same scene, speaking of Hamlet [sic. he means <i>Horatio</i>], ‘Therefore I have intreated him <i> ...
... ur </i>watch up.' [167]</para> <para>“In the next scene, Horatio says to Hamlet, ‘Two nights together had these gentlemen, Marcellus and Bernardo o ...
... watch. But there is no need of change. Horatio is certainly not an officer, but Hamlet's fellow-student at Wittenberg: but as he accompanied Marcellus and Berna ...
... ers him very properly as an <i>associate </i>with them. Horatio himself says to Hamlet in a subsequent scene, ‘—This to me In dreadful secrecy impar ...
... culties' connected with the character of Horatio. He is now a foreigner to whom Hamlet is obliged to explain the customs and outstanding personalities of Denmar ...
2) Commentary Note for line 28:28 Hora. A peece of him.... </tab><b>A peece</b>] <sc>Steevens</sc> (ed. 1778, 1:53 n. 4): “So in <i>Hamlet</i>, What, is Horatio there? A <i>piece</i> of him. Again in <i>Measure f ...
... o insinuate himself into the court.' ('About the Play,' the Horatio segment, <i>hamletworks.org</i>). But at a conceivable cost to himself. Horatio can have bee ...
... question of contemporary thinking about ghosts see Wilson, <i>What Happens in 'Hamlet' </i> (Cambridge, 1935, rpr. 1964), pp. 51-86, where he places Horatio w ...
4) Commentary Note for line 32:32 Mar. Horatio saies tis but our fantasie,... ts the simple-minded acceptance of the ghost; Horatio is the Scot-like sceptic; Hamlet is the Protestant at 444-5 and </p. li> <p. lii> in 624 ff . ...
5) Commentary Note for line 39:39 Hora. Tush, tush, twill not appeare.... is that of doubt, exactly as we should have expected in the chosen intimate of Hamlet. But Horatio, once having seen the Ghost, is thoroughly convinced, and do ...
... 01D;</para> <para><b>Ed. note:</b> Marshall ignores the nature of Horatio's and Hamlet's doubts. Once Horatio knows that such things can be he no longer doubts ...
... t he is no more certain than is Hamlet about <i>what</i> it is. See 1933, where Hamlet expresses his doubts about the apparition's nature and Horatio does not c ...
... <para>39<tab> </tab><sc>Craig</sc> (1962-3, Box 3, ƒ B5, p. 79): Sh. makes Hamlet less incredulous than Horatio, perhaps because he thought of Hamlet as ha ...
... : Sh. makes Hamlet less incredulous than Horatio, perhaps because he thought of Hamlet as having “a wider ranging mind than” Horatio's.</para></cn ...
... (1996): There could be dramatic reasons for the difference between Horatio and Hamlet that mCraig notes; the audience needs Horatio's skepticism to help it bel ...
... udience needs Horatio's skepticism to help it believe in the ghost; by the time Hamlet hears of the ghost, he can be less skeptical, though certainly he <i>is, ...
6) Commentary Note for line 53:53 Bar. In the same figure like the King thats dead.... his lines are written. For when Horatio offers to vouch for the Ghost, he tells Hamlet, 'I knew your father. These hands are not more like' (402). The identity ...
... and difference threatens to collapse: ‘I knew your father,' Horatio tells Hamlet, ‘These hands are not more like” [402-3]. </para> </cn> <cn> ...
... of the ghost's effect.” Description, including Horatio's description to Hamlet later, goes beyond what actors can or must do. </para> </cn> <tlnrange>56 ...
8) Commentary Note for line 76:76 Such was the very Armor he had on,... 33, 6:175 n. 22): “Now <i>Horatio</i>, being a School-fellow of young <i>Hamlet</i>, could hardly know in what Armour the Old King kill'd <i>Fortinbras</ ...
... ect I have seen, and on the stage, Horatio is represented as of the same age as Hamlet, a very grave and injurious mistake. Few young men of thirty would have h ...
... : “Was this the very armour that he wore thirty years before, on the day Hamlet was born (see [3338].) How old is Horatio?”</para></cn> <cn> <sigl ...
... > </tab> <sc>Greg </sc> (<i>MLR</i> 12 [1917]: 408-9): Horatio, as a friend of Hamlet's, cannot have been more than a baby during the events he describes. He s ...
... . . . ] and it is not at all unrealistic for Horatio to know the Ghost is King Hamlet by recognizing” him by his armor. </p. 22></para></cn> <cn> ...
... that Horatio recognizes the armour, which is mentioned again at [391], just as Hamlet later recognizes 'My father in his habit as he lived' ([2518]), but this ...
9) Commentary Note for line 78:78 So frownd he once, when in an angry parle... nmark to be its King. . . . It is not a frown of anger, but of sorrow. In [427] Hamlet asks, ‘What, looked he <i>frowningly</i> (angrily)?' and Horatio an ...
... e's many parleys serve a variety of purposes. [ . . .] </para> <para>“<i>Hamlet </i>provides two very interesting uses of the term. Horatio's curious lin ...
... vides two very interesting uses of the term. Horatio's curious lines about King Hamlet, [quotes 78-9] have occasioned much critical comment, with Jenkins offeri ...
10) Commentary Note for line 96:96 Hora. That can I.... any discrepancies in Horatio's character because, mainly, he simply agrees with Hamlet. He seems to be much older than Hamlet, because he recognizes the armor t ...
... me. </p. 145> <p. 146> One problem is Horatio's failure to contact Hamlet since arriving at Elsinore for the funeral, almost a month before the beg ...
... act 4, he attends the queen herself. But in 1.2, 1.4, Horatio knows much less: Hamlet has to explain a Danish custom to him. He does not know what the flourish ...
... s not know what the flourish of trumpets means. </p. 147> <p. 148> Hamlet's “Though I am native here” suggests that Horatio is not. A ...
... r the 1st Horatio. He theorizes that since Horatio matters only with respect to Hamlet, the change in Horatio must be connected to a change in the Hamlet. </ ...
... h respect to Hamlet, the change in Horatio must be connected to a change in the Hamlet. </p. 149> <p. 150> He will further on discuss the idea that ...
... scuss the idea that perhaps just as there are two Horatios, so may there be two Hamlets. </p.150> </para></cn> <cn> <sigla>1934<tab> </tab><sc>cam</sc>3</ ...
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