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Contract Context Printing 160 characters of context... Expand Context 41) Commentary Note for line 98:98 Whose image euen but now appear'd to vs,... some long time and still continues, the emphasis being laid on ‘now.' In Shakespeare the emphasis is often to be laid on ‘even,' and ‘<i>even ...
... age</b>] <sc>Deighton</sc> (ed. 1891): “semblance; not elsewhere used by Shakespeare of a ghostly apparition, though in [<i>2H6 </i>3.2.147 (1850)], R ...
42) Commentary Note for line 99:99 Was as you knowe by Fortinbrasse of Norway,... slew in single combat, had ever sat upon the throne of Norway. On the contrary, Shakespeare clearly intends us to think of him, a pugnacious warrior of presumab ...
43) Commentary Note for line 101:101 Dar'd to the combat; in which our valiant Hamlet,... bat</b>] <sc>Clark & Wright</sc> (ed. 1872): “Pope, in order to make Shakespeare's lines as smooth as his own, frequently made unwarrantable changes. ...
... beginning of the name to form <i>Hamlet.</i> Upton (1746, p. 286) affirms that Shakespeare, as here, regularly alters proper names according to English pronunc ...
... ion, This is surely the reason for the alteration. It was not made, however, by Shakespeare but rather by the anonymous author of the Ur Hamlet, who would have ...
... or early 90s. An older, Anglicized, non-theatrical form of the name was Hamnet. Shakespeare gave it to his only boy (1585-1596), thus honoring a Stratford frien ...
... named the father after the son? It had to be either the Ur-Hamlet playwright or Shakespeare. Though there is no way of knowing who, the deft effect of the move ...
... re. Though there is no way of knowing who, the deft effect of the move suggests Shakespeare. The shared name serves to draw the father and son emotionally and p ...
... deep involvement that each Hamlet feels in the fate of the other. Furthermore, Shakespeare repeated the device with a slain senior Fortinbras and an avenging j ...
44) Commentary Note for line 103:103 Did slay this Fortinbrasse, who by a seald compact... ;493> “A proper Alexandrine with six accents . . . is seldom found in Shakespeare. . . . </493> <494> The following are Alexandrines only ...
... Both as adjective and substantive the word is</small> <small>always accented by Shakespeare on the last syllable, with one exception, [<i>1H6 </i>5.4.163 (2805) ...
... e Earle”s Philology of the English Tongue, pp. 131 sqq. Some of these in Shakespeare have a varying accent, as ‘contract, ‘exile,' ‘env ...
... should not be one and the same, but different. For these reasons, I conclude <i>Shakespear </i>wrote, ‘—<i>who by </i>seal'd compact <i>Well </i>rat ...
... , though not be one and the same, but different.” He therefore concludes Shakespeare wrote—by Law of Heraldry—i.e. “the execution of t ...
... ranted by the other. But there are undoubtedly many compacts, not only seald as Shakespeare expresses it, but executed in all the forms of the Civil Law, and in ...
... l in Form are yet not ratify'd by Law; it is therefore with great accuracy that Shakespeare here speaking of this Compact and in support of it, says that it was ...
... hether the class exists or be imaginary, [. . .] It is [. . .] commonly used by Shakespeare where even the conception of a class in impossible.”</para></ ...
... seized <i>of</i>' was the peculiar phrase of the law of England, and used with Shakespeare's accustomed precision in the use of technical common-law language.& ...
48) Commentary Note for line 107:107 Against the which a moitie competent... > (ed. 1872): “corresponding, adequate. <small>The only other passage of Shakespeare in which the word occurs is [<i>TN </i> 3.4.270 (0000)]: ‘His ...
... into the Genuineness of the MS. Corrections in Mr J. Payne Collier's annotated Shakespeare</i>, pp. 34-85).” </para></cn> <cn> <sigla>1872<tab> </tab><s ...
... ired here. The passage is one of those relied on by lawyers who desire to annex Shakespeare, and bristles with law terms as ‘seiz'd,' ‘moiety compet ...
50) Commentary Note for line 109:109 To the inheritance of Fortinbrasse,... nheritance</b>] <sc>Nares</sc> (1822): “To Inherit. This word is used by Shakespeare in the sense of to possess, or obtain, merely, without any reference ...
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