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351 to 360 of 1169 Entries from All Files for "shakes" in All Fields

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351) Commentary Note for line 804:
804 Mar. How {i'st} <ist't> my noble Lord? {D4}
    ... > </tab><sc>Coleridge </sc>(Lectures on Shakespeare and Education, Lecture 3, rp ...
352) Commentary Note for line 814:
814 Ham. There's {neuer} <nere> a villaine,
814 Dwelling in all Denmarke 
    ... > </tab><sc>Coleridge </sc>(Lectures on Shakespeare and Education, Lecture 3, 18 ...
353) Commentary Note for line 815:
815 But hee's an arrant knaue.
    ...  intensive' (<i>OED</i>) always used by Shakespeare with nouns like knave, trait ...
354) Commentary Note for line 819:
819 And so without more circumstance at all
    ... d. 1868): &#x201C;Here, as elsewhere by Shakespeare, used in the sense which it  ...
    ... n quotes six other uses of this term in Shakespeare, including [F1] 1648.</para> ...
355) Commentary Note for line 829:
829 Ham. Yes by Saint Patrick but there is {Horatio} <my Lord>,
    ... iliar oath with a prince of Denmark. As Shakespeare gave the living manners, cus ...
    ... int Patrick] <sc>anon.</sc> &#x201C;The Shakespearian Ghost,&#x201D;  rev. of a  ...
    ... ppears in  Voragine. &#x201C;In a word, Shakespeare could have gleaned most of t ...
    ... 587, 2: 28; D.P. Barton, <i>Ireland and Shakespeare,</i>  1919, pp. 30ff.&#x201D ...
    ... is line (present in all three texts) is Shakespeare's only reference to the sain ...
356) Commentary Note for line 831:
831 It is an honest Ghost that let me tell you,
    ... sm [absence of religion] that underlies Shakespeare's thinking as to speak soon  ...
357) Commentary Note for line 842:
842 Ham. Vppon my sword. {D4v}
    ... ar by my Sword': A Note in Johnson's <i>Shakespeare</i>.&#x201D; <i>SQ</i> 27 (1 ...
    ...  the Knights of the Bath in the time of Shakespeare ended thus:&#8212;&#8216;In  ...
    ...  Danes it was a religious ceremony, but Shakespeare attended only to the manners ...
358) Commentary Note for line 845:
845 {Ghost cries vnder the Stage.}
845 Ghost. Sweare. <Ghost cries vnder the Stage.>
    ...  truths of revealed religion,&#8212;and Shakespeare's consequent reverence in hi ...
    ... e ghost cry under the stage: &#x201C;If Shakespeare did not expect (rightly or w ...
    ... at) has, in a manner characteristically Shakespearean, serious and even sinister ...
    ... age'), though the only other example of Shakespeare's use of the latter effect i ...
359) Commentary Note for line 846:
846-7 Ham. {Ha,} <Ah> ha, boy, say'st thou so, art thou there {trupenny} <true- |penny>?
    ... ons show the fame and and reputation of Shakespeare, being popularly known lines ...
    ... True-penny' was used by authors besides Shakespeare, by Nash, for instance, in h ...
    ... eculiar appropriateness as here used by Shakespeare in reference to the ghost's  ...
    ... ays: &#x201C;I have always fancied that Shakespeare intended Hamlet to be, not m ...
    ...  any writer before or contemporary with Shakespeare; and Johnson's and other dic ...
    ... sc> (<i>apud</i> anon. rev. &#x201C;The Shakespearian Ghost,&#x201D; <i>TLS</i>  ...
    ...  fellow &#8211; <small>not elsewhere in Shakespeare."</small></para></cn>   <cn> ...
360) Commentary Note for line 847:
847 Come {on,} <one> you heare this fellowe in the Sellerige,
    ...  in <i>OED</i>; <small>not elsewhere in Shakespeare.  Could it have been a theat ...

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