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Contract Context Printing 160 characters of context... Expand Context ... bly uses <i>'Pol.'</i> for the speech-heading elsewhere, it would not be unlike Shakespeare to write 'Polo' on the first occasion and 'Pol' subsequently.” ...
... . 2006): “See 'Your laboursome and dainty trims' (<i>Cym.</i> 3.4.164 ); Shakespeare does not use 'laborious', which has become the standard modern form, ...
123) Commentary Note for line 244:244 But now my Cosin Hamlet, and my sonne.... oduc</i>, a Tragedy written by Lord Buckhurst and first printed two Years after Shakespeare was born, 1565. Videna, Gorboduc's Queen, Act IV. Scene I. thus expr ...
... ly used in the sense of <i>nature </i>by Ben Jonson and other contemporaries of Shakespeare.”</para></cn> <cn> <sigla>1935<tab> </tab>Wilson</sigla><hang ...
124) Commentary Note for line 245:245 Ham. A little more then kin, and lesse then kind.... anging><para>245<tab> </tab><sc>Upton</sc> (1746, p. 252): “Instances in Shakespeare are without number; however I will mention one or two.” He qu ...
... uc</i>, a tragedy, written by Lord Buckhurst, and first printed two years after Shakespeare was born, 1565. Videna, Gorboduc's Queen, [4.1] thus expresses her r ...
... d, <i>good</i> my Liege,”. . . [&c] since it so frequently occurs in Shakespeare in that order. This may have led the learned Bishop into a mistake, ...
... a>245<tab> </tab><sc>Steevens</sc> (ed. 1778): “In this line, with which Shakespeare introduces Hamlet, Dr. Johnson has perhaps pointed out a nicer disti ...
... ng>m<sc>clr</sc></hanging> <para><sc>245<tab> </tab>Coleridge </sc>(Lectures on Shakespeare and Education, Lecture 3, 1813, Coleridge's notes, transcribed by Er ...
... 9-): “Play on words—either to 1. exuberant activity of mind, as in Shakespear's higher comedy. 2.<bwk>[I can't make out his 2nd point ...] </bwk> I ...
... —Play on words—either [due] to 1. exuberant activity of mind, as in Shakespear's higher Comedy. 2. Imitation of it as a fashion which has this to sa ...
... tke</sc> (<i>apud </i>Furness, ed. 1877): “There is no other instance in Shakespeare's plays where the hero is first introduced with such a very brief so ...
... disposed as a son should be, filled with natural, filial feelings.” For Shakespeare often uses <i>kind</i> and <i>unkind</i> of children, with this noti ...
... ously.</para> <para>“One of the strangest notions about the line is that Shakespeare uses <i>kind</i> = the German <i>kind, </i>‘a child.'”< ...
... b> Bradley</b> (1904, pp. 124-5), commenting on Hamlet's wordplay: “That Shakespeare meant this trait to be characteristic of Hamlet is beyond question. ...
... inction there between <i>kind</i> and <i>kindliness</i> approximates to the one Shakespeare makes between <i>kin</i> and <i>kind.</i> Both words refer to the me ...
... s been happily and amply illustrated by Mr. Hunter, in his New Illustrations of Shakespeare, Vol. i, p. 248, <i>et seq</i>.”</para> <para><b>Ed. note:</b ...
... Q2 compositors regularly expand contractions and syncopes which seem genuinely Shakespearean. In this case, the contraction is not only necessary for the metr ...
... Elizabethans are aware, as Miss Campbell has shown [n.5. Lilly B. Campbell. <i>Shakespeare's Tragic Heroes</i> (New York: Barnes and Noble, 1952), pp. 112-13]. ...
... ourning) clothing”</para> </cn> <cn><sigla>2005<tab></tab><tab></tab><i>Shakespeare.</i> Journal of the British Shakespeare Association</sigla> <hanging ...
... <cn><sigla>2005<tab></tab><tab></tab><i>Shakespeare.</i> Journal of the British Shakespeare Association</sigla> <hanging>Holderness </hanging> <para>248-51 <tab ...
127) Commentary Note for line 252:252 Thou know'st tis common all that liues must die,... ll</b> . . . <b>die</b>] <sc>Anders </sc> (1904, rpt. 1965, p. 214): “If Shakespeare had any one passage in view [for <i>2H4 </i>3.2.41 (0000)] it was pr ...
... een evident.” </p. 31> </para> </cn> <cn> <sigla>2005<tab></tab><i>Shakespeare.</i> Journal of the British Shakespeare Association</sigla> <hanging ...
... ra> </cn> <cn> <sigla>2005<tab></tab><i>Shakespeare.</i> Journal of the British Shakespeare Association</sigla> <hanging>Holderness </hanging> <para>252-3 <tab ...
128) Commentary Note for line 254:254 Ham. I Maddam, it is common.... m<sc>clr</sc></hanging> <para>254-67<sc><tab> </tab>Coleridge </sc>(Lectures on Shakespeare and Education, Lecture 3, 1813, Coleridge's notes, transcribed by Er ...
129) Commentary Note for line 257:257 Ham. Seemes Maddam, nay it is, I know not seemes,... y intention is to map the world of untranslatability for a French translator of Shakespeare, suggesting eventually that close attention to the theatrical dimens ...
... Fear 88 Mortified and cooled hearts.</para></cn> <cn> <sigla>2005<tab></tab><i>Shakespeare.</i> Journal of the British Shakespeare Association</sigla> <hanging ...
... ara></cn> <cn> <sigla>2005<tab></tab><i>Shakespeare.</i> Journal of the British Shakespeare Association</sigla> <hanging>Holderness </hanging> <para>258-67 <tab ...
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