1141 to 1150 of 1169 Entries from All Files for "shakes" in All Fields
... > </tab><b>the Onixe</b>] <sc>Jennens</sc> (ed. 1773) : “it's likely <i> Shakespeare</i> first wrote <i>onys</i>, and afterwards finding the error, alte ...
... arkable, as in E.E. it was interchangeable with <i>my</i>, and is often used by Shakespare where we should use <i>my</i> [cites 3814].”</para></cn> <cn> ...
... being at the centre of a theatre-performance, is discussed by Anne Righter, <i>Shakespeare and the Idea of the Play</i>, 1962, at the end of Ch. 6.”</pa ...
... it has been still more variously represented by performers upon the stage. <sc>Shakespeare</sc> himself seems to have apprehended that this would happen; and t ...
... occurs in the Third Day of theFirst Week. Sylvester is the earlier writer, but Shakespeare's substitution of ‘fell' for ‘dread' shews a master hand ...
... ging><para>3820<tab> </tab><b>sergeant</b>] <sc>Edelman</sc> (2000): “In Shakespeare, normally a civilian officer with power of arrest, as in Hamlet's &# ...
... of being, as was the fact, in England], he durst not haue done as he dyd. 1602 SHAKES. Ham. V. ii. 347 Had I but time, (as this fell sergeant, death, Is strick ...
... 1D;[In the courage to die, Horatio [is] like the old Romans, from whose history Shakespeare knew such examples of suicide.]</para></cn> <cn> <sigla><sc>1867 <ta ...
... : This is either 1823 or 1825 [Furness gives both dates] for one Franz Horn, <i>Shakespeare's Shauspiele Erläutert]</i>.</para></cn> <cn> <sigla><sc>1877<t ...
... </b>] <sc>Andrews</sc> (ed. 1989): "<i>Horatio wishes to depart in what a later Shakespearean character calls 'the high Roman Fashion.' Horatio bears the name o ...
... e Q2 ‘god'. As a matter of fact, ‘god' is a fairly well-established Shakespearian spelling of ‘good', which is found again at 4.5. 72-4 as wel ...
... this later corruption. The explanation, we have seen1, of that misprint is that Shakespeare employed the not uncommon spelling ‘leue' for ‘liue', a ...
... Osrick at this point. But it doesn't appear that he has left the stage. Perhaps Shakespeare meant him to go to the door as if to investigate, then return?ȁ ...
... is given consistently in the First Folio. It is conceivable that at this point Shakespeare simply decided to change the character's name to something more nobl ...
... scharge of a number of firearms or artillery pieces (<i>OED sb </i>1). [ . . .] Shakespeare's other volley [other than <i>Jn. </i>5.5.5 (2529)] is also given as ...
... irit</b>] <sc>Jennens</sc> (ed. 1773) : “[ore-crowes] may perhaps be <i> Shakespeare's </i> word; we have then the image of a victorious cock crowing ove ...
... om cock-fighting, it would be used often in further sense, as here, so also in Shakespeare's contemporaries as not to allow the coming to words/speech.” ...
... 01D; </p. 25></para> <bwk> <para>1931 Bradby, G[eoffrey] F[ox]. <i>About Shakespeare ad his Plays.</i> London: Oxford UP, 1926. No index. Includes a chro ...
... by lexicographers are but modifications of this primary one. In the langauge of Shakespeare, Edward <i>solicited, </i>or <i>moved</i>, heaven by means known to ...
... ra>3847<tab> </tab><b>solicited</b>]</para></cn> <cn> <sigla>1989<tab></tab><i>Shakespeare on Film Newsletter</i> </sigla> <hanging>Kliman: Wajda's <i>Hamlet I ...
... ject of unjustified derision, I follow the suggestion of E.A.J. Honigmann in <i>Shakespeare Survey</i> 29 (1976), 123.”</para></cn> <cn> <sigla>1988<tab> ...