1131 to 1140 of 1169 Entries from All Files for "shakes" in All Fields
... heavens shall bruit again,Re-speaking earthly thunder.</para> <para>“<i>Shakespear</i> keeps up the characters of the people where his scene lies, and ...
... fireing of ordnance as a characteristic feature in the royal murderer. May not Shakespeare, who everywhere shows sucha miraculous insight into the very deepest ...
... <sc>Edelman</sc> (2000), discussing <i>chamber</i>: “As most students of Shakespeare know, on 29 June 1613, the Globe burned to the ground when, as Sir H ...
... of his figure, to appear with propriety in the two former of these characters, Shakespeare might have put this observation into the mouth of her majesty, to ap ...
... cture, as <i>Joseph Taylor</i> likewise acted<i> Hamlet</i> during the life of Shakespeare. STEEVENS”</para></cn> <cn> <hanging>v1778</hanging><para>375 ...
... of breath</b>] <sc>Goethe</sc> (1796; rpt. 1989, 5:6:185): “Do you think Shakespeare thought about such things as that?</para> <para>“I don't find ...
... om <i>Othello</i>; but it was very common, and occurs in many other passages of Shakespeare; [cites<i> AYL</i>, 4.3]'And to that youth he calls his Rosalind He ...
... thority of MS. epitaph upon Burbage, that he was celebrated for his Hamlet, and Shakespeare's words are employed, with reference to the obesity of the actor: ...
... 16;fat and scant of breath,' in the fencing-scene, is noticed the very words of Shakespeare:—'Not more young Hamlet, though but scant of brath, Shall cry ...
... e thereby falls into sweat. The editors want to point out in this section that Shakespeare lends a hand not to the apparent foundation here of Hamlet's ‘ ...
... ath, Shall cry revenge for his dear father's death.' Dass Burbage den Hamlet in Shakespeare's Sinne und vielleicht nach seiner ausdrücklichen Unterweisung ...
... h, Shall cry revenge for his dear father's death.' That Burbage acted Hamlet in Shakespeare's time and perhaps according to his explicit instruction, is not to ...
... ) : “ <small>See the Introduction, and ‘The Lives of the Actors in Shakespeare's Plays' (printed by the Shakesp. Soc. in 1846), pp. 21.52</small>& ...
... ion, and ‘The Lives of the Actors in Shakespeare's Plays' (printed by the Shakesp. Soc. in 1846), pp. 21.52</small>”</para></cn> <cn> <hanging><sc ...
... pe of the melancholic: <i>pleuretics were pinques[?] and corpulent.</i> See my Shakesp.—Forsch. I. p. 46.”]</para></cn> <cn><hanging><sc>tsch</sc> ...
... from an elegy upon him, quoted in Collier's Memoirs of the principal Actors in Shakespeare's plays, p. 52, we find: [cites Burbage's Epitaph; see SING2 above]& ...
... aining an enumeration of the various parts in which Burbadge was distinguished. Shakespeare's words are there used in ference to the fatness of the actor: ̵ ...
... wn fat, is contrary to all likelihood; and though ‘fey' does not occur in Shakespeare, it was probably picked up in Scotland, and misprinted <i>fat</i>.&# ...
... present moment. The reading in the text was lately proposed by Plehwe, A German Shakespearian, who justly quotes in support of it from [4.4.158 (3148)]: ‘ ...
... xty years ago will be misled by this adjective.1” <n> “1For Shakespeare's time and later cf. Sidney, <i>Arcadia</i>, I, 16, 5 9ed. 1590, fol ...
... b>] <sc>Rylands</sc> (ed. 1947, Notes): “It is ludicrous to suppose that Shakespeare is referring to the increasing corpulence of his tragic actor Richar ...
... that sweat was produced by the melting of fat ((<i>JEGP</i>, xxiv, 315-19), and Shakespearean instances include <i>Hamlet</i> [3.4.92]. But no certain and authe ...
... is side. Yet if we take ‘conscience' as a trisyllable, as it always is in Shakespeare, it is difficult to read the Q2 line as anything but prose.” ...
... one, I think, can reasonably doubt that the first word in each pair belongs to Shakespeare, while the fact that the inferior redaings here come from the better ...
... >Elze</sc> (ed. 1882): ‘Compare von Friesen in the Jahrbuch der Deutschen Shakespeare-Gesellshaft, IV, 374-77. R.G. <sc>Latham </sc>in The Athenæum, ...
... he S.D. ((in F)) would suggest, haphazard. The absence of any q2 or indubitably Shakespearean direction lets us infer what we can from the dialogue. It is obvio ...
... his own in exchange ((Marshall, p. 200; <i>Punch</i>, 1875, p. 255; Sprague, <i>Shakespeare and the Actors</i>, pp. 179-80)). Any regular theatre-goer is likely ...
... “There is no indication in Q2, and therefore presumably no indication in Shakespeare's MS, how he wanted the crisis of the play to be managed. The exchan ...
... nd treacherous attack on a Hamlet who is off his guard, their normal purpose in Shakespeare is to serve as a warning to an opponent that he is about to be attac ...
... er <i> sounds</i>. [The editors use above all the modern <i> swoon</i> for the Shakespearean <i>to swoond</i> , also <i> </i>written<i>swound</i> and <i> sound ...
... 0): <p. 260> "Qs wie Fs haben: she sounds. Das Wort wurde nämlich zu Shakespeares Zeit 'swoonds' geschrieben." [The Qq have as the Ff 'she sounds.' ...
... ieben." [The Qq have as the Ff 'she sounds.' The word became written namely in Shakespeare's time 'swoonds.']</para></cn> <cn> <sigla><sc>1858<tab> </tab>col3< ...
... or the entry before [3839], which most eds. delete. But if an editor is to help Shakespeare out, he should not remove a clearly purposed entry but contrive an u ...
... tyle of action.”</para> <para>[Ed. HLA:<small>This is Carl Rohrbach's <i>Shakespeare's Hamlet</i> published in 1859.</small>]</para></cn> <cn> <sigla><sc ...
... his style of action.”</para> <para>[Ed. HLA: This is Carl Rohrbach's <i>Shakespeare's Hamlet</i> published in 1859.]</para></cn> <cn> <sigla><sc>1882<ta ...