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Contract Context Printing 160 characters of context... Expand Context ... at “the scribes and compositors had as much to do with these variants as Shakespeare, whose preference we may suspect would be for the -<i>th</i> form.&# ...
12) Commentary Note for line 27:27 Bar. Say, what is Horatio there?... see <i>OED </i>What <sc>a </sc>21). </para> </cn> <cn> <sigla>2005<tab></tab><i>Shakespeare.</i> Journal of the British Shakespeare Association</sigla> <hanging ...
... ra> </cn> <cn> <sigla>2005<tab></tab><i>Shakespeare.</i> Journal of the British Shakespeare Association</sigla> <hanging>Holderness </hanging> <para>27-8 <tab> ...
13) Commentary Note for line 28:28 Hora. A peece of him.... ne he cites for an earlier crux]<small> had the faintest notion of illustrating Shakespeare. when these things were uttered. If either of them had, some of the ...
... hat part in the manuscript on which F. is based. But [Q2], no doubt, represents Shakespeare's original intention [. . . ].”</para></cn> <cn> <sigla>1947< ...
... sted to those that feel and to those who do not feel the exquisite judgement of Shakespeare” from <i>SC </i>1:20, 21) </p. 245> <p. 246> she ...
... ong it is taking.' </p. 121> <p. 127>Yet for Derrida, the figure of Shakespeare as a night-watchman on the ramparts of a tired 'Old Europe' whose 't ...
15) Commentary Note for line 31:31 Bar. I haue seene nothing.... (1995, p. 138) continues: “In English, the prime mover of this shift is Shakespeare, who may be said to have given ‘to airy nothing/ A local habit ...
16) Commentary Note for line 32:32 Mar. Horatio saies tis but our fantasie,... #x201C;imagination. Both ‘fantasy' and ‘fancy' are commonly used by Shakespeare in this sense. The former is however found in the modern sense of &# ...
... ft</i> (with appendix on ‘Devils and Spirits'), 1584. On the dramatic use Shakespeare makes of conflicting contemporary attitudes to ghosts, see Dover Wil ...
17) Commentary Note for line 34:34 Touching this dreaded sight twice seene of vs,... para>34<tab> </tab><b>sight</b>] <sc>Warburton</sc> (ed. 1747): “Perhaps Shakespear wrote SPRIGHT.” </para></cn> <cn> <sigla>1747-<tab> </tab>m<sc ...
... here is therefore no ground for Mr. Warburton's conjecture, that ‘perhaps Shakespeare wrote, <i>spright</i>.' ”</para></cn> <cn> <sigla>1773<tab> < ...
18) Commentary Note for line 36:36 With vs to watch the minuts of this night,... eevens</sc> (ed. 1773): “This seems to have been an expression common in Shakespeare's time. I find [it] in one of Ford's plays, <i>The Fancies</i>, Act ...
19) Commentary Note for line 41:41 And let vs once againe assaile your eares,... d] </hanging><para>41-3<tab> </tab><sc>Deighton</sc> (ed. 1891): “ . . . Shakespeare treats the clause <b>What</b> . . . <b>seen</b> as though it has bee ...
20) Commentary Note for line 46:46 Bar. Last night of all,... rom first to last, is grand and majestick, and maintains an equal Character. <i>Shakespeare </i>has strictly observed that Rule of <i>Horace</i>, Nec Deus inter ...
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