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Contract Context Printing 160 characters of context... Expand Context ... lded up their dead; . . . And ghosts did shriek and squeal about the streets.' Shakespeare had probably in his mind the passage in North's Plutarch, ‘Jul ...
... raves have yawned and yielded up their dead' (<i>JC</i> 1.3.63 , 74 ; 2.2.18 ); Shakespeare is using Plutarch ('Life of Julius Caesar' in North's translation; B ...
... ust search out ‘astre' in obscure and contemptible ballads, in order that Shakespeare might be sanctioned in the use of it. </para> <para>“But it i ...
... isagrees with Brae about “aster” and “disaster”: if Shakespeare “wrote ‘asters,' and with the intention which A. E. B. ...
... th something more than simplicity, is inclined to believe that it now stands as Shakespeare wrote it, and accordingly proceeds to explain it.” The variou ...
... stars,' and thus misled the eye of the old compositor. We do not imagine that Shakespeare used so affected and unpopular a word as <i>astres</i>, or <i>asters ...
... th something more than simplicity, is inclined to believe that it now stands as Shakespeare wrote it, and accordingly proceeds to explain it.<small>—Rowe ...
... cally used to express ‘as, for instance.' . . . But, bearing in mind that Shakespeare uses the word ‘as' many times with markedly elliptical force, ...
... cover the perfect sense of the passage by this version, and I have to submit to Shakespeare students and editors, that our poet would not have introduced ‘ ...
... sentence is unmeaning as it stands, containing no verb. Is it not probable that Shakespeare wrote <i>did usher</i>, instead of <i>disasters</i>? This would corr ...
... rated</b>] <sc>Clark & Wright</sc> (ed. 1872): “This word is used by Shakespeare with the accent sometimes on the first and <small>sometimes on the s ...
... #x201C;The doubly disturbing effect of having a Ghost appear twice is something Shakespeare repeats effectively with Banquo in <i>Mac</i> 3.4.”</para></c ...
... is so much that of 'the majesty of buried Denmark'. Woudhuysen points out that Shakespeare uses the more archaic form <i>majestical</i> in his plays up to and ...
... hymn in the Salisbury service [quotes Greek]. Mr. Douce not only supposes that Shakespeare had seen these lines, but is disposed to infer from some parts of th ...
... /tab><b>trumpet</b>] <sc>Goggin</sc> (ed. 1913): “this word is used by Shakespeare in the sense of ‘trumpeter,' e.g. [<i>H5 </i> 4.2.61 (2205)]; ...
48) Commentary Note for line 151:151 Awake the God of day, and at his warning... it ignei, aeri, acquatici, ed infernali,' &c. These are the demons to which Shakespeare alludes. These spirits were supposed to controul the elements in whi ...
... Heywood. The <i>pious chansons, </i>the <i>hymns </i>and <i>carrols, </i>which Shakespeare mentions presently [1463], were usually copied from the elder Christ ...
... “the sun-god, Phoebus Apollo in classical mythology. In the next speech Shakespeare indicates that the characters are Christians; this mixture of classi ...
49) Commentary Note for line 153:153 Th'extrauagant and erring spirit hies... 8216;Gallo canente.</i>'</para> <para> “Mr. Douce not only supposes that Shakespeare had seen these lines, but is disposed to infer from some parts of th ...
... is curious, and I think correct. Some future Dr. Farmer may, perhaps, show how Shakespeare became acquainted with this passage [the St. Ambrose hymn], without ...
... ng><para>153-4<tab> </tab><sc>Singer </sc>(ed. 1856): “ . . . prove that Shakespeare was well acquainted with the Latin language.” </para></cn> <c ...
50) Commentary Note for line 154:154 To his confine, and of the truth heerein... that portion of night which belong'd to others. . . .To this limitation of time Shakespeare alludes again in <i>K. Lear.</i> [<i>Lr.</i> 3.4.116 (1896)] <i>He ...
... that portion of night which belong'd to others. . . .To this limitation of time Shakespeare alludes again in <i>K. Lear</i> [<i>Lr.</i> 3.4.136 (1896)]. <i>He b ...
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