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11) Commentary Note for line 34:
34 Touching this dreaded sight twice seene of vs,

    ... here is therefore no ground for Mr. Warburton's conjecture, that &#8216;perhaps Shakespeare wrote, <i>spright</i>.' &#x201D;</para></cn> <cn> <sigla>1773<tab> < ...
12) Commentary Note for line 41:
41 And let vs once againe assaile your eares,

    ... d] </hanging><para>41-3<tab> </tab><sc>Deighton</sc> (ed. 1891): &#x201C; . . . Shakespeare treats the clause <b>What</b> . . . <b>seen</b> as though it has bee ...
13) Commentary Note for line 46:
46 Bar. Last night of all,

    ... rom first to last, is grand and majestick, and maintains an equal Character. <i>Shakespeare </i>has strictly observed that Rule of <i>Horace</i>, Nec Deus inter ...
14) Commentary Note for line 47:
47 When yond same starre thats weastward from the pole,

    ... ke</sc> (ed. 1868): &#x201C;How poetically, and with what dramatic fitness, has Shakespeare introduced this touch to mark time and place! Nothing more natural t ...

    ... amp; Taylor </sc> (ed. 2006): &#x201C;Astronomers have recently argued that, if Shakespeare had a specific star in mind, he might be alluding to the supernova i ...
15) Commentary Note for lines 51-52:
51 {Enter Ghost.}
51-52 Mar. Peace, breake thee of, <Enter the Ghost.> | looke where it comes againe.

    ... d by Lawrence (<i>Pre-Restoration Stage Studies,</i> p. 140ff.) and Sprague (<i>Shakespeare and the Actors,</i> p. 128). This, though not perhaps in conflict wi ...

    ... ra> </cn> <cn> <sigla>2005<tab></tab><i>Shakespeare.</i> Journal of the British Shakespeare Association</sigla> <hanging>Holderness </hanging> <para>52<tab> </t ...
16) Commentary Note for line 56:
56 Hora. Most like, it {horrowes} <harrowes> me with feare and wonder.

    ... d from that word should not be used in a transitive sense. As to <i>harrow, </i>Shakespeare only uses the verb three times; twice in this play, figuratively in ...

    ... Greg</sc> (1928, <i>apud </i><sc>Munro</sc>, ed. 1958) &#x201C;conjectures that Shakespeare wrote &#8216;harows' with the peculiar &#8216;a' that was liable to ...
17) Commentary Note for line 72:
72 Without the sencible and true auouch

    ... ppend -<i>ation, </i>-<i>ure </i>or -<i>ing</i>, to the following words used by Shakespeare as nouns: [quotes only <i>disclose </i>1823 from <i>Ham.</i>]. . . . ...

    ... rbial (Dent, E264.1; see also B268). (<i>Avouch</i> does not occur as a noun in Shakespeare other than in all three texts of <i>Hamlet</i>, which <i>OED</i> rec ...
18) Commentary Note for line 74:
74 Mar. Is it not like the King?

    ... </ehline> <cn> <sigla>2005<tab></tab><i>Shakespeare.</i> Journal of the British Shakespeare Association</sigla> <hanging>Holderness </hanging> <para>74-5 <tab> ...
19) Commentary Note for line 78:
78 So frownd he once, when in an angry parle

    ... ded in angry words; <i>parle</i><b> </b>and <i>parley</i> are elsewhere used by Shakespeare only of a friendly conference held with a view to coming to an agree ...

    ... encounter. For although I can cite no parallel for such a use of <i>parle, </i>Shakespeare more than once uses the verb <i>speak, </i>in similar understatement ...
20) Commentary Note for line 79:
79 He smot the {sleaded pollax} <sledded Pollax> on the ice.

    ... t editors read&#8212;<i>Polack</i>; but the corrupted word shews, I think, that Shakespeare wrote &#8212;<i>Polacks.</i>&#x201D; </para></cn> <cn> <sigla>1791-< ...

    ... ive the word &#8216;Polacks.' Inasmuch, however, as twice elsewhere in the play Shakespeare employs &#8216;Polack,' in the singular, to express the Polish peopl ...

    ... sequent editors read <i>Polack; </i>but the corrupted word shows, I think, that Shakespeare wrote <i>Polacks.</i>' </para> <para>&#x201C;This conclusion seems t ...

    ... s conclusion seems to be somewhat weak. Why does the corrupted words show, that Shakespeare wrote <i>Polacks? </i>Why does it not show that he wrote <i>Pole-axe ...

    ... to have such suppositions printed unless there be added to them a passage from Shakespeare or from one of his contemporaries from which appears that there may ...

    ... justify their choice with the argument that it &#x201C;gives the sense of what Shakespeare intended, i.e. that the dead King once <b>smote</b>, i.e. defeated, ...

    ... e smote the sledded Polack on the ice.' In <i>Hamlet, </i>II. ii [1088, 1100], Shakespeare twice uses &#8216;Polack' in referring to Poles.</para> <para>&#x201 ...

    ... e word in addressing the reader of <i>Rosalynde.</i></para> <para>&#x201C;Might Shakespeare have written &#8216;studded pollax'? In the <i>F&#230;rie Queene</i> ...

    ... d? &#8212;Moltke; sledged? &#8212;Schmidt; studded? &#8212;D. Haley in the <i> Shakespeare Quarterly</i> 29 [1978], pp. 407-13, etc.) would represent in this c ...

    ... out their braines' (<i>Dido</i>, 2.1.198-9). The 'Greekish lad' is Pyrrhus and Shakespeare drew on this scene for the Player's speech in 2.2 [1494 ff.]. But it ...

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