Hamlet Works

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241) Commentary Note for line 846:
846-7 Ham. {Ha,} <Ah> ha, boy, say'st thou so, art thou there {trupenny} <true- |penny>?

 ... r an honest fellow; and it has peculiar appropriateness as here used by Shakespeare in reference to the ghost's voice beneath the earth, since it has be ...

 ... in George Eliot Letters 9,166), says: “I have always fancied that Shakespeare intended Hamlet to be, not mad, but erratic in the brain, ‘on ...

242) Commentary Note for line 853:
853 Ham. Hic, & vbique, then weele shift {our} <for> ground:

 ... this little snatch of Latinity upholds this view. The dramatic predecessors of Shakespeare were very fond of interlarding their pieces with such little snatche ...

 ... very fond of interlarding their pieces with such little snatches of Latin, and Shakespeare yielded to the practice only in his very earliest plays, not in his ...

 ... ones. Therefore, from the use of these little phrases alone we might infer that Shakespeare retained all of these concluding lines from the earlier drama, perha ...

243) Commentary Note for line 863:
863 There are more things in heauen and earth Horatio

 ... i>.' I had amended and rectified the Pointing of this whole Speech in my SHAKESPEARE restor'd, to which I desire for Brevity's Sake to refer my Re ...

244) Commentary Note for line 870:
870 With armes incombred thus, or {this} <thus,> head shake,

 ... form of akimbo, “e.g. on kembow or in kenebowe. If Shakespeare could have spelt either of those with a c for the k th ...

 ... s across', 'folded', 'wreathed', in a 'knot', etc., are regularly associated by Shakespeare and others with sights, melancholy brooding, and a mind occupied wit ...

 ... s it stands, is meaningless. The assumption behind the present reading is that Shakespeare wrote shakt, the form taken by shaked in Q1 of [Tro ...

245) Commentary Note for line 871:
871 Or by pronouncing of some doubtfull phrase,

 ... nd the of has become unintelligible to us. Thus we cannot easily see why Shakespeare should write—‘Dick the shepherd blows his nail.' ...

246) Commentary Note for line 874:
874 Or such ambiguous giuing out, to note)

 ... d ‘Nor by pronouncing &c the passage will be more correct; but Shakespeare was not studious of minute accuracy— The words This not to ...

 ... 142), criticizing editors for returning to the Q2 reading, says: “Though Shakespeare uses the verb to note more than 60 times, he nowhere uses it ...

247) Commentary Note for line 879:
879 Ham. Rest, rest, perturbed spirit: so Gentlemen,

 ... did never perturb states.” We must again point out, that, though Shakespeare was certainly not a scholar in the understood sense of that word, it ...

 ... para></cn> <cn><sigla>2005<tab></tab>Shakespeare. Journal of the British Shakespeare Association</sigla> <hanging>Holderness </hanging> <para>879 <tab> < ...

248) Commentary Note for line 885:
885 The time is out of ioynt, ô cursed spight

 ... I believe, lies the key to Hamlet's whole behavior, and it is clear to me what Shakespeare has set out to portray: a heavy deed placed on a soul which is not a ...

249) Commentary Note for line 887:
887 Nay come, lets goe together. Exeunt.

 ... full of business, and that of so important a nature, that perhaps no author but Shakespeare could have produced any thing after, relative to the same story, wor ...

250) Commentary Note for line 890:
890 Pol. Giue him {this} <his> money, and these notes Reynaldo.

 ... ppears in Sannazaro's Arcadia, 1504 (cf. Ophelia) and is used by Shakespeare in Oth.”</para></cn> <cn> <sigla>1939<tab> </tab><sc>k ...

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