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351 to 360 of 1169 Entries from All Files for "shakes" in All Fields

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351) Commentary Note for line 804:
804 Mar. How {i'st} <ist't> my noble Lord? {D4}

    ... ging>Coleridge</hanging><para>804-77<tab> </tab><sc>Coleridge </sc>(Lectures on Shakespeare and Education, Lecture 3, rpt. in the<i> Bristol Gazette</i>, 11 Nov ...
352) Commentary Note for line 814:
814 Ham. There's {neuer} <nere> a villaine,
814 Dwelling in all Denmarke

    ... ging>Coleridge</hanging><para>814-15<tab> </tab><sc>Coleridge </sc>(Lectures on Shakespeare and Education, Lecture 3, 1813, Coleridge's notes, transcribed by Er ...
353) Commentary Note for line 815:
815 But hee's an arrant knaue.

    ... 1C;veritable, downright (an 'opprobrious intensive' (<i>OED</i>) always used by Shakespeare with nouns like knave, traitor, thief, whore)&#x201D;</para></cn> ...
354) Commentary Note for line 819:
819 And so without more circumstance at all

    ... nce</b>] <sc>Clarke &amp; Clarke </sc>(ed. 1868): &#x201C;Here, as elsewhere by Shakespeare, used in the sense which it formerly sometimes bore of &#8216;circum ...

    ... D;</para> <para><b>Ed. note:</b> Rushton quotes six other uses of this term in Shakespeare, including [F1] 1648.</para></cn> <cn><sigla>1929<tab> </tab><sc>tra ...
355) Commentary Note for line 829:
829 Ham. Yes by Saint Patrick but there is {Horatio} <my Lord>,

    ... account for his name having become a familiar oath with a prince of Denmark. As Shakespeare gave the living manners, customs, and habits of thinking of his own ...

    ... n. </hanging> <para>829<tab> </tab>by Saint Patrick] <sc>anon.</sc> &#x201C;The Shakespearian Ghost,&#x201D; rev. of a rpt of the 1572 trans. of Lavater, ed. J ...

    ... e. The idea of the Ghost as demon also appears in Voragine. &#x201C;In a word, Shakespeare could have gleaned most of the theology in <i>Hamlet</i> from 'The G ...

    ... t. See Holinshed, <i>Chronicles, </i> 1587, 2: 28; D.P. Barton, <i>Ireland and Shakespeare,</i> 1919, pp. 30ff.&#x201D; </para></cn> <cn><sigla>1985<tab> < ...

    ... reland (see <i>serpent</i> in [726]). This line (present in all three texts) is Shakespeare's only reference to the saint or the name apart from references to F ...
356) Commentary Note for line 831:
831 It is an honest Ghost that let me tell you,

    ... ost,' but so far reverts to the positivism [absence of religion] that underlies Shakespeare's thinking as to speak soon after of that 'undiscovered country from ...
357) Commentary Note for line 842:
842 Ham. Vppon my sword. {D4v}

    ... note:</b> James Gray (&#x201C;&#8216;Swear by my Sword': A Note in Johnson's <i>Shakespeare</i>.&#x201D; <i>SQ</i> 27 (1976): 205-8) asserts that nowhere in Bra ...

    ... : 226): &#x201C;The oath administered to the Knights of the Bath in the time of Shakespeare ended thus:&#8212;&#8216;In witness of all these, you shall kiss you ...

    ... quoted Bartholinus to show that with the Danes it was a religious ceremony, but Shakespeare attended only to the manners of his own country. <small>In the openi ...
358) Commentary Note for line 845:
845 {Ghost cries vnder the Stage.}
845 Ghost. Sweare. <Ghost cries vnder the Stage.>

    ... ition connected with the most mysterious truths of revealed religion,&#8212;and Shakespeare's consequent reverence in his treatment of it,&#8212;and the foul, e ...

    ... e dramatic purpose might be of having the ghost cry under the stage: &#x201C;If Shakespeare did not expect (rightly or wrongly) that a weird effect could be thu ...

    ... ef' (for in the strictest sense it is that) has, in a manner characteristically Shakespearean, serious and even sinister overtones. The situation and dialogue a ...

    ... (see Dessen &amp; Thomson, 'under the stage'), though the only other example of Shakespeare's use of the latter effect is the SD '<i>Music of the Hoboys is unde ...
359) Commentary Note for line 846:
846-7 Ham. {Ha,} <Ah> ha, boy, say'st thou so, art thou there {trupenny} <true- |penny>?

    ... &#x201C;[This and other similar quotations show the fame and and reputation of Shakespeare, being popularly known lines quoted or imitated for the puyrpose of ...

    ... ollier </sc>(ed. 1843): &#x201C; &#8216;True-penny' was used by authors besides Shakespeare, by Nash, for instance, in his &#8216;Almond for a Parrot.' <small>I ...

    ... r an honest fellow</small>; and it has peculiar appropriateness as here used by Shakespeare in reference to the ghost's voice beneath the earth, since it has be ...

    ... in <i>George Eliot Letters </i>9,166), says: &#x201C;I have always fancied that Shakespeare intended Hamlet to be, not mad, but erratic in the brain, &#8216;on ...

    ... <i>True-Penny</i> has not been traced to any writer before or contemporary with Shakespeare; and Johnson's and other dictionaries cite him as the sole authority ...

    ... >846-7<tab> </tab>trupenny] <sc>Wilson</sc> (<i>apud</i> anon. rev. &#x201C;The Shakespearian Ghost,&#x201D; <i>TLS</i> 1930: 24) asserts that Hamlet speaks thi ...

    ... b>] <sc>Hibbard</sc> (ed. 1987): "trusty fellow &#8211; <small>not elsewhere in Shakespeare."</small></para></cn> <cn> <sigla>1992 <tab> </tab> <sc>fol2 </sc ...
360) Commentary Note for line 847:
847 Come {on,} <one> you heare this fellowe in the Sellerige,

    ... &#8211; earliest instance of this sense in <i>OED</i>; <small>not elsewhere in Shakespeare. Could it have been a theatrical name for the space under the stage ...

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