in on the murder of her first husband--and I do not quite see how she cannot
be--suits feminists better. Likewise, the role has undergone the
elocution of nineteenth-century England (from Cockney Edmund Kean
to naff Sir Herbert Beerbohm Tree), has been declaimed as the
outpourings of a sensitive soul by Sir John Gielgud, intoned by
Maurice Evans (whom Stella Adler described as the "leading
