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730 to 739 of 743 Entries from All Files for "shakespeare " in All Fields

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730) Commentary Note for line 3831_383:
3831 Things standing thus vnknowne, shall {I leaue} <liue> behind me?
3832 If thou did'st euer hold me in thy hart,
3833 Absent thee from felicity a while,
    ... we have seen1, of that misprint is that Shakespeare employed the not uncommon sp ...
731) Commentary Note for line 3838_384:
3838 Enter Osrick.
3839 Osr. Young Fortenbrasse with conquest come from Poland,
3840 To th'embassadors of England giues this warlike volly. 3840
    ... ear that he has left the stage. Perhaps Shakespeare meant him to go to the door  ...
    ... o. It is conceivable that at this point Shakespeare simply decided to change the ...
732) Commentary Note for line 3841_384:
3841 Ham. O I die Horatio,
3842 The potent poyson quite ore-crowes my spirit,
3843 I cannot liue to heare the newes from England,
    ... 931 Bradby, G[eoffrey]  F[ox]. <i>About Shakespeare ad his Plays.</i> London: Ox ...
733) Commentary Note for line 3846_384:
3846 So tell him, with th'occurrants more and lesse
3847 Which haue solicited, the rest is silence. < O, o, o, o. Dyes>
    ... ra></cn>  <cn> <sigla>1989<tab></tab><i>Shakespeare on Film Newsletter</i> </sig ...
    ... he suggestion of E.A.J. Honigmann in <i>Shakespeare Survey</i> 29 (1976), 123.&# ...
734) Commentary Note for line 3848_384:
3848-9 Hora. Now {cracks} <cracke> a noble hart, | good night sweete Prince,
    ...  the audience, and because no writer on Shakespeare has taken the pains to point ...
    ...  the audience, and because no writer on Shakespeare has taken the pains to point ...
    ... lt;p.1221&gt; "More than one student of Shakespeare has addressed us on the new  ...
    ... the story. We may, perhaps, regret that Shakespeare never felt impelled to write ...
    ... lone thought that I writing these words Shakespeare had in mind the last words o ...
    ... x201C;<i>Crack</i> is used elsewhere by Shakespeare where we should use break. C ...
735) Commentary Note for line 3850:
3850 And flights of Angels sing thee to thy rest.
    ... ional stimulus for his creation came to Shakespeare from the career and personal ...
736) Commentary Note for line 3851_385:
3851 Why dooes the drum come hether?
3852 Enter Fortenbrasse, {with the Embassadors.} <and the English Ambassador, with Drumme,>
3853 <Colours, and Attendants.>
3854 For. Where is this sight?
    ... ght men for their simultaneous removal, Shakespeare has good reason to bring on  ...
737) Commentary Note for line 3857:
3857 For. {This} <His> quarry cries on hauock, ô {prou'd} <proud> death
    ... egeben wurde. 'To cry havock' kommt bei Shakespeare &#246;fter vor: K. John II,  ...
    ... given. 'To cry havock' appears often in Shakespeare . . . <sc>Johnson</sc> says  ...
    ... ad not courage to shed necessary blood. Shakespeare himself has said this with d ...
    ... here are two or three passages in which Shakespeare seems to use the word &#8216 ...
    ... ossary): &#x201C;(it is noteworthy that Shakespeare often asssociates &#8216;hav ...
738) Commentary Note for line 3858:
3858 What feast is toward in thine eternall cell,
    ... here are two or three passages in which Shakespeare seems to use this word as eq ...
    ... r time in feasting and fighting. Though Shakespeare may have known nothing about ...
739) Commentary Note for line 3877:
3877 Of accidentall iudgements, casuall slaughters{,}
    ... ceptre passes to some unlineal hand. As Shakespeare has here entirely departed f ...

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