701 to 710 of 743 Entries from All Files for "shakespeare " in All Fields
... Yet it is a little surprising to find Osric mocked for the use of a word which Shakespeare had elsewhre used quite seriously himself (([<i>1H4 </i>4.3.108; <i> ...
... e point; the sentence that causes all the trouble is the tersest thing he says. Shakespeare sometimes leaves plot details unstated, or even contradictory; but h ...
... lation can be brought into line with ‘twelve for nine'. The odds are that Shakespeare himself was in a muddle about it all. But, while the details of the ...
... </sc>, ed. 1778) : “<small>I doubt whether any alteration be necessary. Shakespeare seems to have used <i> comply</i> in the sense in which we use the v ...
... e idea, and partly the phrase itself, to have been caught, or rather copied, by Shakespeare from thence. ‘Flatterie hath taken such habit in man's affecti ...
... e idea, and partly the phrase itself, to have been caught, or rather copied, by Shakespeare from thence. ‘Flatterie hath taken such habit in man's affecti ...
... > d</i> and winnow<i>ed</i> in his <i> Husbandry</i> , p. 18. 76, and 77. So Shakespeare mentions together the <i> fan </i> and <i> wind</i> in [<i>Tro.</i ...
... fan'd and winnowed, fanned and winnowed in his Husbandry p. 18. 76 & 77. so Shakespeare mentions together the fan and win in [<i>Tro. </i>5.3.41 (3198)]. Vo ...
... ned' </i> and ‘<i>winnowed</i>' occur together in other writers, and that Shakespeare has ‘the <i>fan</i> and <i>mind</i> of your fair sword' in [<i ...
... litter in thought, and absurdly dainty and extravagant in expression. Therefore Shakespeare makes <i>Hamlet </i>describe <i>Osric</i> as one who (('with many mo ...
... way the chaff, leaving nothing but the weighty grain of wisdom behind; and what Shakespeare clearly intends to convey, as Dr. <sc>Johnson</sc> and others have a ...
... nation so impossible as it looks. At any rate ‘trennowed' is easy enough. Shakespeare had a habit sometimes, if the Three Pages of <i>Sir Thomas Moore</i> ...
... ives us one piece of definite information, viz. that, whatever word it was that Shakespeare wrote, it must have been one quite different in graphical form from ...
... 331>tion based on a compositor's misreading of a word written by the hadn of Shakespeare himself; and it not only follows the <i>ductus litterarum</i> of tha ...
... d</i>, rightly as I think. The source of the error in Quarto is intelligible if Shakespeare wrote <i>pfound</i> or <i>prophane</i>; and in Folio if the composit ...
... lling, is <sc>Warburton's</sc> emendation of <i>fond </i>to <i>fanned.</i> That Shakespeare thought of winnowing as effected by a <i>fan</i> appears from the <i ...
... #8216;fanned' is <sc>Warburton</sc>'s emendation for F's ‘fond'. Probably Shakespeare wrote ‘fand'. The Q2 compositor saw this as ‘fane'. <sma ...
... but repeat the message and the question with which the latter had been charged. Shakespeare probably introduced this lord in order to show us that when Osric &# ...
... but repeat the message and the question with which the latter had been charged. Shakespeare probably introduced this lord in order to show us that when Osric &# ...
708) Commentary Note for line 3657_6_3: 3657+6 {Ham. I am constant to my purposes, they followe the Kings plea-} 3657+7 {sure, if his fitnes speakes, mine is ready: now or whensoeuer, pro-}
3657+8 {uided I be so able as now.}
... but repeat the message and the question with which the latter had been charged. Shakespeare probably introduced this lord in order to show us that when Osric &# ...
... >]] foreboding, presentiment of evil. Perhaps stronger than ‘misigiving': Shakespeare thinks of ‘gain' as in ‘gainsay'—indicating opposi ...
... ng>Lectures</hanging><para><sc>3668-73+1<tab> </tab>Coleridge </sc>(Lectures on Shakespeare and Milton, Lecture 12, 1812 rept. in John Payne Collier longhand tr ...