671 to 680 of 743 Entries from All Files for "shakespeare " in All Fields
... sidered a mark of distinction. It obviously is so now; and Shakespeare, and not Shakespeare alone, is witness that it was formerly.</small> Ritson quotes from F ...
... continuity of sentences; the period is the note of abruption & disjunction. Shakespeare had it perhaps in his mind to write, that unless England complied wi ...
... ween them. A <i> co-mere </i> would be a joint <i>landmark </i> ,' &c. <i> Shakespeare Vindicated </i> , &c. p. 268.—<small>But our author's text ...
... is corrupt.</small>”</para> <para> [Here, Dyce clearly uses Singer's <i>Shakespeare Vindicated</i> but to contradict it-HLA]</para></cn> <cn> <sigla>18 ...
... continuity of sentences; the period is the note of abruption & disjunction. Shakespeare had it perhaps in his mind to write, that unless England complied wi ...
... b>3544<tab> </tab>Comma</b>]</para></cn> <cn> <sigla>1853<tab> </tab>Singer (<i>Shakespeare Vindicated</i>)</sigla><hanging>Singer : <sc>warb ; han1</sc></hang ...
... as wont to end the strifes and controversies of people in dividing their lands. Shakespeare has the <i> mered </i> question in <i>Antony and Cleopatra </i>[<i>A ...
... i>between them. A <i>co-mere </i>would be a joint <i>landmark </i>,' &c. <i>Shakespeare Vindicated </i>, &c. p. 268.—But our author's text is not ...
... s much easier to believe that ‘comma' is aa typographical slip than that Shakespeare should have chosen that point as a mark of <i> connection </i> : at ...
... e word is a compound manufactured for the occasion, and not to be discovered in Shakespeare or elsewhere; secondly, it is difficult to conceive in what sense &# ...
... interpret the line accordingly. We think, however, that in the present passage Shakespeare uses the word in a different sense from the one in which he uses it ...
... t is true that in the only passage in which the word ‘co-mate' occurs in Shakespeare it is accented on the second syllable: ‘Now my co-mates, and b ...
... ier authority than Dryden, but this no way militates against the supposition of Shakespeare having used it, for in much his phraseology was far in advance of hi ...
... in the line, and reads very awkwardly. In the three other only instances where Shakespeare applied the word, it is done naturally and properly; as, ‘burn ...
... para> <para>“‘Calm, calmed, and calmly' are very often employed by Shakespeare in various senses of course. Of this, compare [<i>Tro</i>. 1.3.100 ( ...
... n to make proper sense here seems doubtful. <sc>Staunton</sc>'s suggestion that Shakespeare may have written <i>co-mate</i> is a very good one.' Hardly: and wha ...
... is much easier to believe that ‘comma' is a typographical slip than that Shakespeare should have chosen that point as a mark of <i>connection</i>.' He ad ...
... iscovering with—I had almost said, <i>certainty</i> the actual word which Shakespeare inserted. Let it be granted—no very extravagant concessionR ...
... has been displaced, and to restore ‘peace,' if not to the members of the Shakespeare Societies, at any rate to the ghost of Shakespeare and to the text.& ...
... if not to the members of the Shakespeare Societies, at any rate to the ghost of Shakespeare and to the text.</p. 319> <p. 320></para> <para>“ ...
... 's <i>cicatrice looks raw and red|After the Danish sword</i> ((IV.3.62-3)), and Shakespeare could hardly have been ignorant of the terrible conflicts between th ...
... suggest that it is here a metaphor for a ‘harmonious connection' (<i>The Shakespeare Key </i>, p. 443n.); Dowden reminds us that a comma in its original ...
... of great &c.; Fs; such like assis. An ein Wortspiel mit 'as' und 'ass' hat Shakespeare wohl kaum gedacht, wiewohl sich ein solches in Twelfth Night II, 3 f ...
... nts; the brutal behavior of hamlet to Ophelia may be perhaps accounted for from Shakespeare thinking of the novel and / the history by Saxo Grammaticus; where I ...
... it wore an apearance of an exquisitely ironical punishment. It is possible that Shakespeare meant to mark, as strongly as he could, the hatred of a noble, hones ...
... ‘Abbild', namentlich ‘verkleinertes Abbild.' [ <i>Model</i> is for Shakespeare often an image/likeness, namely a smaller image.]</para></cn> <cn> < ...
... x201D; [“<i>model</i>, which word from the Latin cognate <i>modulus</i>, Shakespeare modified from the process of the Romance languages perhaps in the me ...
... son of thee, of which Mercators globe is a perfecter modell than thou art? 1597 SHAKESPEARE Richard II I. ii. 28 Thou doost consent In some large measure to thy ...
... lost 'Ur-Hamlet'—Hamlet rids himself of Rosencrantz and Guildenstern (as Shakespeare was to call them) by a neat and simple stratagem. As he marches betw ...
... laim be made good, he has no right to complain.—These are things in which Shakespeare knows no jesting, because he is so great an expounder of the Law, th ...
... Horatio which are also found only in the Folio . . . it seems very likely that Shakespeare revised this passage. If so the new line, ‘Why man, they did m ...
... p; submitting to any employment without enquiring whether it was right or wrong Shakespeare was aware that the Criticks would censure Hamlet for putting these m ...
... Quair clxx, Though thy begynnyng hath bene retrograde Be froward opposyt. a1616 SHAKESPEARE Henry VI, Pt. 2 (1623) V. v. 27 Our foes..Being opposites of such re ...