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351 to 360 of 743 Entries from All Files for "shakespeare " in All Fields

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351) Commentary Note for line 1814:
1814 Like sweet bells iangled out of {time} <tune>, and harsh,
    ... 'a false stringed lute' (p. 38), and in Shakespeare a musician who 'plays false' ...
    ... ony are put 'out of tune' (p. 250), and Shakespeare uses the same metaphor when  ...
    ... pe, ed. C. Hughes, 1903, p. 395).   And Shakespeare elsewhere combines out of tu ...
    ... ten referred to (cf. III. iv. 142-3).   Shakespeare makes Richard II exclaim, 'H ...
352) Commentary Note for line 1824:
1824 VVill be some danger; which {for} to preuent,
    ... to prevent,'&#8212;a construction which Shakespeare seems solicitously to have a ...
353) Commentary Note for lines 1849-50:
1849-50 Ham. Speake the speech I pray you as I pronoun'd | it to you, trip-
    ...  ye contents to be jovial companions of Shakespeare &amp; B&#8212; Jonson&#8212; ...
    ... egible insertions] of a dispute between Shakespeare &amp; Alleyn concerning Haml ...
    ... ng the real author of it &amp; charging Shakespeare with stealing it from him in ...
    ... n acted many characters in the plays of Shakespeare B. Jonson &amp; Beaumont &am ...
    ... 77, 2:287-8):  &lt;p.287&gt; &#x201C;<i>Shakespeare </i> not only affords docume ...
    ... urdities.'   The 'amiable fiction' that Shakespeare is through Hamlet attacking  ...
354) Commentary Note for lines 1850-51:
1850-1 pingly on the tongue, but if you mouth it| as many of {our} <your> Players do,
    ...  town bull below,'&#8212; scarcely what Shakespeare wrote.&#x201D;</para></cn> < ...
355) Commentary Note for lines 1856-57:
1856-7 offends mee to the soule, | to {heare} <see> a robustious perwig-pated fellowe
    ... </para> <para>&#x201C;In these passages Shakespeare and Ascham speak in disparag ...
356) Commentary Note for lines 1867-68:
1867-8 ture: For any | thing so {ore-doone} <ouer-done>, is from the purpose of playing,
    ... 2;<i>us</i>&#8212;if they realized that Shakespeare frequently uses a third patt ...
357) Commentary Note for lines 1878-80:
1878-80 uing | th'accent of Christians, nor the gate of Christian, Pagan, | {nor}
    ... nonsensical: and I would submit whether Shakespeare did <i>not</i> write &#8216; ...
358) Commentary Note for lines 1881-82:
1881-2 tures Iornimen had made men, | and not made them well, they imita-
    ... </para> <para>&#x201C;In these passages Shakespeare and Ascham speak in disparag ...
359) Commentary Note for lines 1886-87:
1886-7 Ham. O reforme it altogether, and let those that | play your clownes
1887-8 speake no more then is set downe for | them, for there be of them that
    ... ve of this liberty in the actor, whence Shakespeare here reprehends it. There is ...
    ... quitted the company of players to which Shakespeare had always belonged.' See p. ...
360) Commentary Note for lines 1892-95:
1892-5 pittifull ambition in the foole that vses | it: goe make you readie. <Exit Players.> | How
    ... quitted the company of players to which Shakespeare had always belonged.  We quo ...
    ... n Shakespeare's Plays,' (printed by the Shakespeare Society in 1846) p. 105: &#8 ...
    ...  the performers of the parts of clowns, Shakespeare had designed a particular al ...

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