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341 to 350 of 743 Entries from All Files for "shakespeare " in All Fields

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341) Commentary Note for line 1733:
1733 The vndiscouer'd country, from whose borne
    ...  7, and Act III. Scene 2, and to acquit Shakespeare of  &#x201C;Forgetfullness&# ...
342) Commentary Note for line 1738:
1738 And thus the natiue hiew of resolution
    ... reasonable curiosity to inquire whether Shakespeare had more particularly in his ...
    ... i>, and this seems to be the book which Shakespeare placed in the hands of Hamle ...
343) Commentary Note for line 1742:
1742 And loose the name of action. Soft you now,
    ... s into it. &#8216;Clelia' in his God in Shakespeare construes the opening senten ...
344) Commentary Note for line 1758:
1758 Ham. Ha, ha, are you honest.
    ... sc> (ed. 1847):  &#x201C;Every lover of Shakespeare is familiar with the doubts, ...
345) Commentary Note for line 1759:
1759 Oph. My Lord.
    ... t having so ambiguous a word as honest. Shakespeare uses it in its double sense  ...
346) Commentary Note for lines 1776-7:
1776-7 Ham. Get thee <to> a {Nunry} <Nunnerie>, why would'st thou be a breeder of sin-
1777-8 ners, I am my selfe indifferent honest, but yet I could accuse mee of
    ... t is possible that it was for this that Shakespeare chose to reiterate the word. ...
    ... ke Fletcher, rules out any ambiguity.   Shakespeare perhaps did not."</para></cn ...
347) Commentary Note for lines 1779-81:
1779-80 very proude, reuengefull, ambitious, with more offences at my beck,
1781-2 then I haue thoughts to put them in, imagination to giue them shape,
1779-81
    ... m</i>. Timon, a Play, ed. Dyce (for the Shakespeare Society, 1842) p. 13: <i>at  ...
348) Commentary Note for lines 1784-5:
1784-5 goe thy | waies to a {Nunry} <Nunnery>. Where's your father?
    ... ly in the 19th century (see Sprague, <i>Shakespeare and the Actors</i>, pp. 152- ...
349) Commentary Note for lines 1798-1800:
1798-9 Ham. I haue heard of your {paintings} <pratlings too> well enough, | God hath gi-
1799-1800 uen you one {face} <pace>, and you make your selfes an|other, you gig {&} <you> am-
    ... nson thinks best, though he admits that Shakespeare might have written both.  Ot ...
    ... al errors for which the quarto plays of Shakespeare are remarkable, may be dispo ...
350) Commentary Note for lines 1804-05:
1804-5 but one shall liue, the rest shall keep | as they are: to a {Nunry} <Nunnery,> go. Exit <Hamlet>.
    ... ined the character at once (and such as Shakespeare meant it) as one of disappoi ...

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