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291 to 300 of 743 Entries from All Files for "shakespeare " in All Fields

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291) Commentary Note for lines 1343-4:
1343-4 forgon all custome of ex|ercises: and indeede it goes so {heauily} <heauenly> with
    ... earful  dreams. I can hardly doubt that Shakespeare was acquainted with Bright's ...
292) Commentary Note for lines 1344-5:
1344-5 my dispositi|on, that this goodly frame the earth, seemes to mee a 
    ... arth and heaven, it seems unlikely that Shakespeare needed such inspiration.   D ...
    ... , <i>PMLA</i>, LVII, 994-6).   As often Shakespeare achieves a magnificent resul ...
293) Commentary Note for lines 1347-8:
1347-8 you, this braue orehanging {firmament}, this maiesticall roofe | fret-
    ...   'Fret' is an architectural term which Shakespeare employs in a looser sense.   ...
294) Commentary Note for lines 1353-4:
1353-4 gell in apprehension, how like a God: the beautie of the | world; the
    ...  links with the creative imagination.   Shakespeare is of course drawing on a co ...
295) Commentary Note for lines 1369-70:
1369-70 his part in | peace, <the Clowne shall make those laugh whose lungs> 
    ... ;Q</i>, 4th ser. VIII, 62 ; Ingleby, <i>Shakespeare Hermeneutics</i>, pp. 71 ff. ...
296) Commentary Note for lines 1376-7:
1376-7 Ham. How chances it they trauaile? their resi|dence both in repu- {F2v}
    ... sive evidence that the company to which Shakespeare belonged, did occasionally l ...
    ... s.</para> <para>&#x201C;It is said that Shakespeare was once performing at Edinb ...
297) Commentary Note for lines 1379-80:
1379-80 Ros. I thinke their inhibition, comes by the meanes |of the late 
    ... rather too refined, and I think that if Shakespeare intended the allusion he men ...
    ... all>or even</small> attraction. Perhaps Shakespeare wrote it to put down the aie ...
    ... heatre belonged to the company of which Shakespeare was a member, formerly the L ...
    ... s used issued. If by &#8216;inhibition' Shakespeare merely meant, as we think mo ...
    ... t that after all, remembering how chary Shakespeare is of contemporary allusions ...
    ... r than a continuing event (cf. Boas, <i>Shakespeare and the Universities</i>, p. ...
    ... , I think, is Harbage's supposition (<i>Shakespeare and the Rival Traditions</i> ...
298) Commentary Note for lines 1386-7:
1386 <pace; But there is Sir an ayrie of Children, little>
1387 <Yases, that crye out on the top of question; and> 
    ... >Question</i> seems to be determined by Shakespeare himself in this Play. In a S ...
    ... y <i>crying out at Top of Question</i>, Shakespeare meant that in Place of repre ...
    ...  the elder time for this word question. Shakespeare compares the Children of Pau ...
    ...  say that there are twenty allusions in Shakespeare to the art &lt;/f. 227v&gt;& ...
    ...  about as having surpassed all others.  Shakespeare uses <i>cry out on, </i>or < ...
    ... y it up in <i>the top of question'</i>, Shakespeare Soc., 1842, p. 55) ; but thi ...
299) Commentary Note for line 1388:
1388 <are most tyrannically clap't for't: these are now the>
    ... mmon Stages. What greater Affront could Shakespeare put upon his Audience, than  ...
300) Commentary Note for line 1392:
1392 < Ham. What are they Children? Who maintains 'em?> 
    ... t;&lt;f. 243r&gt;&gt;part in the choir. Shakespeare alludes sarcastically to tha ...
    ... what particular <small>passane</small>. Shakespeare aimed at.</para> <para>&#x20 ...

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