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221 to 230 of 743 Entries from All Files for "shakespeare " in All Fields

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221) Commentary Note for line 767:
767 Let not the royall bed of Denmarke be {D3v}
    ...  in a state of spiritual safety. Again, Shakespeare insists too often on the div ...
222) Commentary Note for line 768:
768 A couch for luxury and damned incest.
    ... 6;One all of luxury, an ass, a madman.' Shakespeare never uses the word in its m ...
223) Commentary Note for line 770:
770 Tain't not thy minde, nor let thy soule contriue
    ... ent. Mag. </i>3 [1733]:114): &#x201C;<i>Shakespeare </i>has found room for <i>Pi ...
    ... hose that follow the ghost is, whether  Shakespeare means to have him do it on p ...
224) Commentary Note for line 774:
774 The Gloworme shewes the matine to be neere
    ... sc>Elze</sc> (ed. 1882): &#x201C;Drake, Shakespeare and his Times, II, 414, prin ...
225) Commentary Note for line 775:
775 And gins to pale his vneffectuall fire,
    ... Un- </i>seems to have been preferred by Shakespeare before <i>p</i> and <i>r</i> ...
    ... hath fire in darkness, none in light.'  Shakespeare does not use <i>uneffectual< ...
226) Commentary Note for line 776:
776 Adiew, adiew, {adiew,} <Hamlet:> remember me. <Exit>
    ... le behavior, and it is clear to me what Shakespeare has set out to portray: a he ...
227) Commentary Note for line 778:
778 And shall I coupple hell, ô fie, hold, {hold} my hart,
    ...  of ? and !; and this I believe is what Shakespeare wrote. </para> <para>&#x201C ...
228) Commentary Note for line 780:
780 But beare me {swiftly} <stiffely> vp; remember thee,
    ... wd into witnesses at Golgotha" [Barton, Shakespeare and the Idea of the Play, p. ...
229) Commentary Note for line 781:
781 I thou poore Ghost {whiles} <while> memory holds a seate
    ... . That this division was not unknown to Shakespeare we learn from [<i>LLL </i>4. ...
230) Commentary Note for line 785:
785 All sawes of bookes, all formes, all pressures past
    ... ressures,' meaning &#8216;impressions.' Shakespeare elsewhere uses &#8216;impres ...
    ... ons, and 1872, 'his form and pressure'. Shakespeare often uses <i>form</i>  to r ...

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