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Contract Context Printing 160 characters of context... Expand Context 91) Commentary Note for line 164:164 Hora. So haue I heard and doe in part belieue it,... not all of his original scepticism (cf. [32-3, 39, 71-3, 154-5) and with which Shakespeare uses the suggestiveness of supernatural beliefs without committing h ...
92) Commentary Note for line 165:165 But looke the morne in russet mantle clad... i> 'tis known, is the Epithet universally join'd to the Morning. Nor has our <i>Shakespeare </i>forgot to allude to the Morning being grey in other Passages.&#x ...
... ts have all exerted themselves in their descriptions of the morning; perhaps <i>Shakespear</i> may claim the preference: however, the reader will see, in [<i>Ro ...
... ay justly claim the preference over the <i>Greeks </i>and <i>Romans,</i> and <i>Shakespear</i> I think over all . . . .[quotes Homer, and from <i>Lay Mionaster ...
... a winter's night in Denmark, from twelve till morning. But, indifferent as was Shakespeare to all dramatic rules and laws, there was no other license so large ...
... —‘eastern clime.' ‘The dew' —‘orient pearls.' In Shakespeare, morning is the lusty husbandman brushing away the dew as he goes fo ...
... is Aurora herself, moving like a goddess lightly along. Milton's is Corinthian, Shakespeare Doric; but both are works of a great master, and a critic would find ...
... is a severance between morn and the eastern clime, between morn and the pearl. Shakespeare, describing the same event, says, in his compact way,—[quotes ...
... es 165-6]. This is the production of no acquired art, but of an inforn faculty. Shakespeare displayed the fulness of its strength in his earliest plays [and he ...
... r of morning, after which comes, if it comes at all, the red and golden colour. Shakespeare refers to this characteristic of early dawn in [<i>Ado </i>5.3.27 (2 ...
... . 23) uses <i>Hamlet</i> as an example to illustrate the changes Poel made on a Shakespearean stage: “Though there was no scenery, Poel did attempt effec ...
... was Poel's first production, and marked the beginning of his attempt to restore Shakespeare to an Elizabethan stage.”</para> </cn> <cn> <sigla>1974<tab> ...
... ) with Phoebus' car ‘climbing up the eastern hill' (<i>FQ, </i>I. ii. 1). Shakespearean dawns include ‘the grey-ey'd morn . . . Checkering the easte ...
... ern </i>is perhaps a regularization, the Q2 <i>eastward </i>being unique in the Shakespearean texts.”</para> </cn> <cn><hanging><sc>ard</sc>2: Hugh Hunt ...
... C;The Dawn in <i>Hamlet</i>: Rosy or Grey? Theobald and Horatio,” <i>The Shakespeare Newsletter </i>43.3 (Fall 1993):45.</para></bwk> </cn> <cn> <sigla>2 ...
... (ed. 2006): “Hibbard prefers F's 'Easterne' which is found elsewhere in Shakespeare (especially in relation to the dawn), but [Richard Proudfoot] points ...
94) Commentary Note for line 172:172 As needfull in our loues, fitting our duty.... 4.1.315 [2240]): “<i>sights</i>. . . . the plural is frequently used by Shakespeare and writers of the sixteenth and seventeenth centuries when designat ...
... ] <sc>Thurber </sc> (ed. 1922, p. 261): “The word is frequently used by Shakespeare to mean strong friendship between man and man.” He quotes <i> ...
... omizes the direction Rowe was beginning to move in with the presentation of the Shakespearean text than the first words to appear beneath the play's half-title. ...
... no doubt part of the influence on F1 of the 1616 Ben Jonson Folio, repositions Shakespeare as a contemporary dramatist, no different in this respect at least, ...
... rds are mentioned in <i>Fratricide Punished,</i> but it apparently did not suit Shakespeare to write a tragedy in which the tragic obstacles were physical. Thus ...
... character with a name which is not subsequently used is not uncharacteristic of Shakespeare. Cf. 'Eskales' in the first entry-direction for the Prince in <i>Rom ...
... may be implied by their being given no separate entry in Q2 (cf. Greg, [<i>The Shakespeare First Folio</i>] p. 330). The postponement of their entry to line 25 ...
... 7, p. 382): Hibbard thinks the presence of Ophelia is an error by "the revising Shakespeare." Neither Q1 nor Q2 names her. Accepting Dover Wilson's view that t ...
... ed that ‘Corambus' was the original name, altered in ‘Polonius' in Shakespeare's latest revision; Chambers (<i>Will. Shak. </i>1, 417-18) challenge ...
... d not a ceremonial official like the Lord Chamberlain. I have little doubt that Shakespeare regarded him as corresponding with the Principal Secretary of State ...
... are given a very awkward entry in F, half-way through Claudius's speech [221]. Shakespeare must have meant them to be on stage from the start of the scene." </ ...
... sadly true that the nearer we get to the stage, the further we are getting from Shakespeare. [The] ideal version of the play does not exist in either of the two ...
... > <para><b>Ed. note: </b>Early practice staging productions (as by the American Shakespeare Co., Staunton, VA, have demonstrated that the principals' dignified ...
... sc> Thomas Rhymer,</sc> <i>The Tragedies of the Last Age</i> (qtd. Vickers, <i> Shakespeare,</i> 1974, 1:191): “. . . Usurpers generally take care to de ...
... ). It is perhaps an accident that the name was current in Warwickshire and that Shakespeare's own son (b. 1585) was christened Hamnet, a variant of it.”< ...
... nto the play. He counters Stoll's argument against it in <i>Art and Artifice in Shakespeare, </i>pp. 94-5, 101. <p. lxi> “His melancholy and his ...
... 1C;Claudius must be established as a cunning and worthy opposite of the Prince. Shakespeare gives him some sixty lines at once eloquent and formal, modulating i ...
... ilson infers that Gertrude had a life-interest in the crown, and it may be that Shakespeare had in mind how in earlier version of the story Hamlet's father acqu ...
99) Commentary Note for line 184:184 That we with wisest sorrowe thinke on him... </i>, discreet sorrow. According to a mode of speech very common, not only with Shakespeare, but others, ‘the safer sense,' ‘his better fortune,' &a ...
100) Commentary Note for line 185:185 Together with remembrance of our selues:... s a woman who buried a beloved husband in frenzied grief a few short weeks ago. Shakespeare has presented the facts in such a way that our own normal reactions ...
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