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81 to 90 of 1169 Entries from All Files for "shakes" in All Fields

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81) Commentary Note for line 151:
151 Awake the God of day, and at his warning

    ... it ignei, aeri, acquatici, ed infernali,' &amp;c. These are the demons to which Shakespeare alludes. These spirits were supposed to controul the elements in whi ...

    ... Heywood. The <i>pious chansons, </i>the <i>hymns </i>and <i>carrols, </i>which Shakespeare mentions presently [1463], were usually copied from the elder Christ ...

    ... &#x201C;the sun-god, Phoebus Apollo in classical mythology. In the next speech Shakespeare indicates that the characters are Christians; this mixture of classi ...
82) Commentary Note for line 153:
153 Th'extrauagant and erring spirit hies

    ... 8216;Gallo canente.</i>'</para> <para> &#x201C;Mr. Douce not only supposes that Shakespeare had seen these lines, but is disposed to infer from some parts of th ...

    ... is curious, and I think correct. Some future Dr. Farmer may, perhaps, show how Shakespeare became acquainted with this passage [the St. Ambrose hymn], without ...

    ... ng><para>153-4<tab> </tab><sc>Singer </sc>(ed. 1856): &#x201C; . . . prove that Shakespeare was well acquainted with the Latin language.&#x201D; </para></cn> <c ...

    ... aning &#x201C;wandering out of bounds&#x201D; &#x201C;appears to be peculiar to Shakespeare.&#x201D;</para> </cn> <cn> <sigla>1992 <tab> </tab> <sc>fol2 </sc> ...
83) Commentary Note for line 154:
154 To his confine, and of the truth heerein

    ... that portion of night which belong'd to others. . . .To this limitation of time Shakespeare alludes again in <i>K. Lear.</i> [<i>Lr.</i> 3.4.116 (1896)] <i>He ...

    ... e by Heywood. The <i>pious Chansons</i>, the <i>hymns and carrols</i>, which <i>Shakespeare</i> mentions presently [1463], were usually copied from the elder Ch ...

    ... that portion of night which belong'd to others. . . .To this limitation of time Shakespeare alludes again in <i>K. Lear</i> [<i>Lr.</i> 3.4.136 (1896)]. <i>He b ...
84) Commentary Note for line 155:
155 This present obiect made probation.

    ... roof by means of trial, and speak of &#8216;giving proof' in the sense in which Shakespeare uses <i>made probation</i>.&#x201D;</para></cn> <cn> <sigla>1899<tab ...
85) Commentary Note for line 156:
156 Mar. It faded on the crowing of the Cock.

    ... 1987, 5.2:296): &#x201C;No Addison more careful to be poetical in diction than Shakespear in providing the grounds and sources of its propriety.&#8212;But <i>h ...

    ... g><sc>sing2</sc> = <sc>sing1 </sc>(<i>subst</i>.): Except <sc>sing2</sc> spells Shakespeare</hanging><para>156</para></cn> <cn> <sigla>1858<tab> </tab>Lloyd</si ...
86) Commentary Note for line 157:
157 Some {say} <sayes,> that euer gainst that season comes

    ... d so hallow'd is that time.</para> <para><tab></tab><tab></tab><tab></tab><i>W. Shakesp.</i></para> </cn> <cn> <sigla>1752<tab> </tab>Anon.</sigla><hanging>Ano ...

    ... 7<tab></tab> Some say] <sc>Wilson </sc>(2007, pp. 235-7): &lt;p. 235&gt; In <i>Shakespeare, the King's Playwright,</i> Alvin Kernan proposes that <i>Hamlet</i> ...
87) Commentary Note for line 159:
159 {This} <The> bird of dawning singeth all night long,

    ... mean <i>any </i>bird, including a lark (as advanced by G. Wilson Knight, <i>The Shakespearian Tempest, </i>p. 305.&#x201D;</para></cn> <cn> <sigla>1982<tab> </t ...
88) Commentary Note for line 160:
160 And then they say no spirit {dare sturre} <can walke> abraode

    ... ts out that <i>dare </i>is the &#x201C;genuine pret. pres. form, still usual in Shakespeare's time; &#8216;dares' the product of a later time ignorant of its na ...

    ... appropriate, but Edwards follows Q2 and uses these variants to illustrate 'how Shakespeare's language was progressively weakened' in the process of textual tra ...
89) Commentary Note for line 162:
162 No fairy {takes} <talkes>, nor witch hath power to charme

    ... en </i>with fairies, or else with some ill spirit.' The expression is common in Shakespeare.&#x201D;</para> <para><bwk> Does <i>taken with</i> mean the same as ...
90) Commentary Note for line 163:
163 So hallowed, and so gratious is {that} <the> time.

    ... <para>163<tab> </tab><b>gratious</b>] <sc>Hudson</sc> (ed. 1872): &#x201C;in <i>Shakespeare</i>, sometimes means <i>full of grace</i> or <small>of the <i>Divine ...

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