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31) Commentary Note for line 76:
76 Such was the very Armor he had on,

    ... s he lived' [2518]. Cf. F. W. Moorman, <i>The Pre-Shakespeaian Ghost </i>and <i>Shakespeare's Ghosts</i>, M.L.R. vol. 1. and Sh. Eng. 2, 268. &#x201D;</para></c ...

    ... ntemporary military uniforms worn by the sentinels; all the other characters in Shakespeare's plays who are associated with body armour appear in plays set in t ...
32) Commentary Note for line 78:
78 So frownd he once, when in an angry parle

    ... d like to propose the word &#8216;sturdy,' or, as it would have been written in Shakespeare's time, &#8216;sturdie.' F. A. <sc>Leo.&#x201D; </sc>&lt;/p. 411&gt; ...

    ... ar</sc> (6 <i>N&amp;Q </i>10[Dec. 1884], 444): &#x201C;I have consulted a dozen Shakespeares and can find no emendation of this palpably corrupt passage. How co ...

    ... e ice,' an easily understood sentence. Has this emendation struck any editor of Shakespeare? Has the passage come before the New Shakspere Society; and if so, h ...

    ... ded in angry words; <i>parle</i><b> </b>and <i>parley</i> are elsewhere used by Shakespeare only of a friendly conference held with a view to coming to an agree ...

    ... encounter. For although I can cite no parallel for such a use of <i>parle, </i>Shakespeare more than once uses the verb <i>speak, </i>in similar understatement ...

    ... ed by Leonard Digges in the commendatory verse he wrote for the 1640 edition of Shakespeare's poems. He tells of how the audience &#8216;Were ravished' when &#8 ...
33) Commentary Note for line 79:
79 He smot the {sleaded pollax} <sledded Pollax> on the ice.

    ... h Contention hath been about this Word <i>Poll-axe: </i>Many pretend to know <i>Shakespear</i>'s Meaning better than himself, say, it should be <i>Polack</i>, f ...

    ... t editors read&#8212;<i>Polack</i>; but the corrupted word shews, I think, that Shakespeare wrote &#8212;<i>Polacks.</i>&#x201D; </para></cn> <cn> <sigla>1791-< ...

    ... >&#8216;Polacks' (spelt <i>Pollax</i>) was the name by which they were known in Shakespeare's time.&#x201D;</para> </cn> <cn> <sigla>1845<tab> </tab>Hunter</sig ...

    ... uld like to propose the word <i>sturdy</i>, or as it would have been written in Shakespare's time&#8212;<i>sleaded. sturdie.</i>&#x201D; &lt;/p. 80&gt;</para></ ...

    ... C;A very very Peacock,Paddock,Piaycock&#x201D;</para> <para>&#x201C;Assume that Shakespear made Hamlet talk like a Dane of the beginning of the 16th century, an ...

    ... Pole; and Polack was the common Danish term of abuse or dislike. It was rife in Shakespears time: and I believe it may be heard even now. The latest instance of ...

    ... t to be borne: To morrow we die: This evening we drink.' Of course, if I were a Shakespearian commentator I should suggest this reading&#8212;not because I thou ...

    ... rian commentator I should suggest this reading&#8212;not because I thought that Shakespear wrote it (for the preliminary assumption is doubtful; but because it ...

    ... ive the word &#8216;Polacks.' Inasmuch, however, as twice elsewhere in the play Shakespeare employs &#8216;Polack,' in the singular, to express the Polish peopl ...

    ... on the occasion referred to rather seems with the Norwegians (see Schmidt's <i>Shakespeare-Lexicon: Sledded</i>) than with the Poles; and there would be no dou ...

    ... sequent editors read <i>Polack; </i>but the corrupted word shows, I think, that Shakespeare wrote <i>Polacks.</i>' </para> <para>&#x201C;This conclusion seems t ...

    ... s conclusion seems to be somewhat weak. Why does the corrupted words show, that Shakespeare wrote <i>Polacks? </i>Why does it not show that he wrote <i>Pole-axe ...

    ... uld like to propose the word <i>sturdy</i>, or as it would have been written in Shakespeare's time&#8212;<i>sleaded. sturdie.</i>'</para> <para>&#x201C;I do not ...

    ... to have such suppositions printed unless there be added to them a passage from Shakespeare or from one of his contemporaries from which appears that there may ...

    ... justify their choice with the argument that it &#x201C;gives the sense of what Shakespeare intended, i.e. that the dead King once <b>smote</b>, i.e. defeated, ...

    ... s instances of this usage in <i>N. E. D. </i>There is, however, one instance in Shakespeare's [<i>Luc. </i>176], which runs contrary to common usage. &#8216;<i> ...

    ... e smote the sledded Polack on the ice.' In <i>Hamlet, </i>II. ii [1088, 1100], Shakespeare twice uses &#8216;Polack' in referring to Poles.</para> <para>&#x201 ...

    ... e word in addressing the reader of <i>Rosalynde.</i></para> <para>&#x201C;Might Shakespeare have written &#8216;studded pollax'? In the <i>F&#230;rie Queene</i> ...

    ... d? &#8212;Moltke; sledged? &#8212;Schmidt; studded? &#8212;D. Haley in the <i> Shakespeare Quarterly</i> 29 [1978], pp. 407-13, etc.) would represent in this c ...

    ... out their braines' (<i>Dido</i>, 2.1.198-9). The 'Greekish lad' is Pyrrhus and Shakespeare drew on this scene for the Player's speech in 2.2 [1494 ff.]. But it ...
34) Commentary Note for line 81:
81 Mar. Thus twice before, and {iump} <iust> at this dead houre,

    ... tab> </tab><b>iump</b>] <sc>Warburton </sc>(1747-): &#x201C;yet the old one was Shakespear's.&#x201D; </para></cn> <cn> <sigla>1755<tab> </tab>Johnson Dict.</si ...

    ... > (ed. 1773) &#x201C;<i>Jump</i> and <i>just</i> were synonymous in the time of Shakespeare. Ben Jonson speaks of verses made on <i>jump names</i>, i.e. names t ...

    ... So the quartos; the folio substitutes the more modern word, <i>just:</i> but in Shakespeare's day, &#8216;jump' <small>was the familiar term</small>. So, [3870] ...
35) Commentary Note for line 83:
83 Hora. In what perticular {thought, to worke} <thought to work,> I know not,

    ... ttled (for the audience) and nevermore to be shaken; so is its ominousness' (<i>Shakespeare's Early Tragedies</i> (London, 1968) pp. 173-4).&#x201D; </para> <pa ...

    ... ost is crucial to Hamlet's dilemma and would have been of greater importance to Shakespeare's audience than it may be to us.&#x201D; <b>Ed. note:</b> See play a ...
36) Commentary Note for line 85:
85 This bodes some strange eruption to our state.

    ... 868] and R&amp;G in 3.3 [2280-96]). </para> </cn> <cn> <sigla>2005<tab></tab><i>Shakespeare.</i> Journal of the British Shakespeare Association</sigla> <hanging ...

    ... ra> </cn> <cn> <sigla>2005<tab></tab><i>Shakespeare.</i> Journal of the British Shakespeare Association</sigla> <hanging>Holderness </hanging> <para> 85<tab> </ ...
37) Commentary Note for line 88:
88 So nightly toiles the subiect of the land,

    ... x201C;causes to toil. Many verbs which we only use as intransitive were used in Shakespeare's time also as transitive, e.g. &#8216;to fear, &#8216;to learn,' &# ...
38) Commentary Note for line 90:
90 And forraine marte, for implements of warre,

    ... Marcellus asks [quotes 89-90] he foregrounds an issue of enormous importance in Shakespearean times: England's participation in the international arms trade.</p ...
39) Commentary Note for line 91:
91 Why such impresse of ship-writes, whose sore taske

    ... <i>Observations on the more Ancient Statutes,</i> p. 300, having observed that Shakespeare gives English manners to every country where his scene lies,&#x201D; ...

    ... Campbell (</sc><i>apud </i>ed. 1877): &#x201C;Such confidence has there been in Shakespeare's accuracy, that this passage has been quoted both by text-writers a ...

    ... x201C;but it is an undoubted fact that, in the only two other passages in which Shakespeare uses the word <i>impress, </i>he uses it in a sense of forcible or i ...
40) Commentary Note for line 96:
96 Hora. That can I.

    ... 17].&#x201D;</para> <para>In a LN for 617, Jenkins says: &#x201C;The play shows Shakespeare in two minds about [Hor.].&#x201D; He refers to <sc>cam3</sc>, p. xl ...

    ... x201D; He refers to <sc>cam3</sc>, p. xlviii; G. F. Bradby, <i>Short Studies in Shakespeare, </i>pp. 145 ff. Jenkins also refers to this LN in his note for 124+ ...

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