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301 to 310 of 1169 Entries from All Files for "shakes" in All Fields

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301) Commentary Note for line 696:
696 And for the day confind to fast in fires,
    ... xurier igni</i>. Whoever will allow <sc>Shakespeare </sc>to have imitated any Pa ...
    ... >burning</i> hereafter. This Opinion <i>Shakespeare </i>again hints at, where he ...
    ... d, till the last ingenious Editor of <i>Shakespeare</i>, odserving Deficiency in ...
    ... is agreeable to the Versification of <i>Shakespeare</i>.&#x201D; &lt;/p. 17&gt;< ...
    ... burning</i> hereafter. This opinion, <i>Shakespear </i>again hints at, where he  ...
    ... th of which, to every true reader of <i>Shakespear</i>, carry their own convicti ...
    ...  of future torment. Chaucer is jocular, Shakespeare serious. <sc>Steevens</sc>.& ...
    ... y remarked by <i>Warburton</i>, that <i>Shakespeare</i> has adverted to the Roma ...
    ... gical notion, and in practical justice, Shakespeare makes Hamlet's father fast i ...
    ... rment. Chaucer, however, is as grave as Shakespeare. So likewise at the conclusi ...
    ... he notes <i>ad l. </i>in the <i>Varior. Shakespeare </i>[v1821]), he &#8216;shou ...
    ... he notes <i>ad l. </i>in the <i>Varior. Shakespeare </i>[v1821]), he &#8216;shou ...
    ... <para>Note to Flir: <i>Briefe &#252;ber Shakespeare's Hamlet</i>, p. 118: in his ...
    ...  Charnes </sc> (1997, p. 5): &#x201C;In Shakespeare's <i>Hamlet</i> the Ghost is ...
302) Commentary Note for line 698:
698 Are burnt and purg'd away: but that I am forbid
    ... Reader should raise a Blot on a Page of Shakespeare, and no one take the Trouble ...
    ... cannot help supposing conjecturing that Shakespear read the Translation of this  ...
303) Commentary Note for line 702:
702 Make thy two eyes like stars start from their spheres,
    ... erity </sc> (ed. 1904): &#x201C;used by Shakespeare of the orbits of the stars.& ...
    ... ckets.  There was a close connection in Shakespeare's mind between stars, each e ...
304) Commentary Note for line 703:
703 Thy {knotted} <knotty> and combined locks to part,
    ...  </i>or -<i>ly</i> in place of the more Shakespearian usages, citing as examples ...
305) Commentary Note for line 705:
705 Like quils vpon the {fearefull} <fretfull> Porpentine,
    ... uch is the old form of the word, and so Shakespeare always has it. It is commonl ...
    ... Emendation, </i>pp. 56-8; <i>Aspects of Shakespeare, </i>pp. 183-5, 191-3)<i> </ ...
    ... any different ways:  this is the normal Shakespearean form."</para></cn> <cn><si ...
    ... &#x201C;porcupine (<i>porpentine</i> is Shakespeare's usual form) &#8212;assumed ...
306) Commentary Note for line 706:
706 But this eternall blazon must not be
    ... tances of an inaccurate use of words in Shakespeare, some of them owing to his i ...
    ... : &#x201C;Many of the words employed by Shakespeare and his contemporaries were  ...
    ... ion of eternity. It may be however that Shakespeare uses &#8216;eternal' for &#8 ...
    ... ernity. But &#8216;eternal} was used by Shakespeare as an adjective expressing a ...
    ... <small>The form of phrase is thoroughly Shakespearian; [. . . ].&#x201D; He thin ...
    ... at words should not be misapplied. . .. Shakespeare, at all events, frequently u ...
    ... teries of eternity.  Schmidt notes that Shakespeare sometimes uses <i>eternal</i ...
    ... ating to the realm of the supernatural. Shakespeare often associates the word wi ...
307) Commentary Note for line 709:
709 Ham. O {God.} <Heauen!>
    ... s a 'clear preponderance' of 'O God' in Shakespeare.&#x201D;</para></cn>   <tlnr ...
308) Commentary Note for line 710:
710 Ghost. Reuenge his foule, and most vnnaturall murther.
    ... ill after the 39 <i>Eliz.</i> 1597. (<i>Shakespeare </i>then 33,) when the first ...
    ... Hamlet Revenge</i>, should not refer to Shakespeare's play. It is no uncommon th ...
    ... ould at best be a hard one. . . . [but] Shakespeare does not develop [the] polit ...
    ... te one of the most pitiful tragedies in Shakespeare.&#x201D; </para> </cn> <cn>  ...
    ... nt . . . facilitates the recognition of Shakespeare's theatrical strategy." He g ...
    ... for Fair Women</i>  (printed 1599). But Shakespeare's ghost is no mere theatrica ...
    ... OE and ME, and thus presumably also for Shakespeare; the change to /d/ in these  ...
309) Commentary Note for lines 714-15:
714-15 Ham. Hast <, hast> me to {know't} <know it>, | that {I} with wings as swift
    ... es 714-17]. &lt;/p. 20&gt;&lt;p. 21&gt; Shakespeare employs here&#8212;not by ac ...
    ... n of speed at all, but the reverse. For Shakespeare with a touch of an irony tha ...
    ... illey T 240), a favourite comparison of Shakespeare's (see e.g. <i>LLL</i>  4.3. ...
310) Commentary Note for line 716:
716 As meditation, or the thoughts of loue
    ... is stronger than my Faith. I doubt that Shakespeare had Warburton's ideas in his ...
    ... ark is an impediment, not a release. So Shakespeare interposes the retarding pol ...

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