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21) Commentary Note for line 47:
47 When yond same starre thats weastward from the pole,
    ... ly, and with what dramatic fitness, has Shakespeare introduced this touch to mar ...
    ... tronomers have recently argued that, if Shakespeare had a specific star in mind, ...
22) Commentary Note for line 48:
48 Had made his course t'illume that part of heauen
    ... ust not be had to the Numbers of <i><sc>Shakespeare: </sc></i>Nor needs the Redu ...
    ... possessive as well as the masculine. In Shakespeare's time <i>its, </i>which was ...
    ... x201C;to illuminate, enlighten. This is Shakespeare's only use of <i>illume</i>  ...
    ... enlighten,'</small> but see the similar Shakespearean coinage 'relume' at <i>Oth ...
23) Commentary Note for line 50:
50 The bell then beating one.
    ... l strikes upon the Ear wth most Terror. Shakesp. in several other passages expre ...
    ... d. 1938): &#x201C;Kellner (<i>Restoring Shakespeare, </i>p. 42) objects to the < ...
    ... Rossetti no doubt borrowed the familiar Shakespearean phrase.&#x201D;</para></cn ...
24) Commentary Note for lines 51-52:
51 {Enter Ghost.}
51-52 Mar. Peace, breake thee of, <Enter the Ghost.> | looke where it comes againe.
    ... ich are raised by the magical Pen of <i>Shakespeare</i> . . . .&#x201D;</para> < ...
    ... /i> in Mr. J. Payne Collier's annotated Shakespeare, pp. 34-85).&#x201D; </para> ...
    ... Studies,</i> p. 140ff.) and Sprague (<i>Shakespeare and the Actors,</i> p. 128). ...
    ... ra> </cn> <cn> <sigla>2005<tab></tab><i>Shakespeare.</i> Journal of the British  ...
    ... Shakespeare.</i> Journal of the British Shakespeare Association</sigla> <hanging ...
25) Commentary Note for line 55:
55 Bar. Lookes {a} <it> not like the King? marke it Horatio.
    ... of the pronoun, presumed to derive from Shakespeare's MS [. . . ].&#x201D;<small ...
    ... nly once in F. Hope (1.3.2c) notes that Shakespeare's linguistic roots in this d ...
26) Commentary Note for line 56:
56 Hora. Most like, it {horrowes} <harrowes> me with feare and wonder.
    ... nd vernacular language, the language of Shakespeare, the word is used in the met ...
    ... ee his &#8216;Specimen of an Edition of Shakespeare,' 1832.)</para></cn> <cn> <s ...
    ...  transitive sense. As to <i>harrow, </i>Shakespeare only uses the verb three tim ...
    ... sc>, ed. 1958) &#x201C;conjectures that Shakespeare wrote &#8216;harows' with th ...
    ... d or despoil), nut given the context of Shakespeare's usages, there might have b ...
27) Commentary Note for line 58:
58 Mar. {Speake to} <Question> it Horatio.
    ... tion </i>&#x201C;was the word spoken on Shakespeare's stage. It was probably the ...
28) Commentary Note for line 59:
59 Hora. What art thou that vsurpst this time of night,
    ... tion </i>&#x201C;was the word spoken on Shakespeare's stage. It was probably the ...
    ... (1991, p. 253): &#x201C;Blake (N. F. <i>Shakespeare's Language: An Introduction. ...
29) Commentary Note for line 72:
72 Without the sencible and true auouch
    ... 7): &#x201C;I am inclined to think that Shakespear wrote &#8216;&#8212; <sc>try' ...
    ... ing</i>, to the following words used by Shakespeare as nouns: [quotes only <i>di ...
    ... not occur elsewhere as a substantive in Shakespeare. For substantives of similar ...
    ... >Avouch</i> does not occur as a noun in Shakespeare other than in all three text ...
30) Commentary Note for line 74:
74 Mar. Is it not like the King?
    ... </ehline> <cn> <sigla>2005<tab></tab><i>Shakespeare.</i> Journal of the British  ...
    ... Shakespeare.</i> Journal of the British Shakespeare Association</sigla> <hanging ...

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