Hamlet Works

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21) Commentary Note for line 47:
47 When yond same starre thats weastward from the pole,

 ... ke</sc> (ed. 1868): “How poetically, and with what dramatic fitness, has Shakespeare introduced this touch to mark time and place! Nothing more natural t ...

 ... amp; Taylor </sc> (ed. 2006): “Astronomers have recently argued that, if Shakespeare had a specific star in mind, he might be alluding to the supernova i ...

22) Commentary Note for line 48:
48 Had made his course t'illume that part of heauen

 ... he Verse? In a word, too nice a Regard must not be had to the Numbers of <sc>Shakespeare: </sc>Nor needs the Redundance of a Syllable here be any ...

 ... 1C;his was originally the neuter possessive as well as the masculine. In Shakespeare's time its, which was formed from it by the addition o ...

 ... ompson & Taylor </sc> (ed. 2006): “to illuminate, enlighten. This is Shakespeare's only use of illume and the only usage cited by O ...

 ... liar 'illumine' and Q6 'modernizes' to 'enlighten,' but see the similar Shakespearean coinage 'relume' at Oth. 5.2.13.”</para></cn> </bo ...

23) Commentary Note for line 50:
50 The bell then beating one.

 ... the Morning, when [the sound] of ye. Bell strikes upon the Ear wth most Terror. Shakesp. in several other passages expresses the Horror of a mid-nignt Bell. So, ...

 ... ing] <sc>Parrott & Craig</sc> (ed. 1938): “Kellner (Restoring Shakespeare, p. 42) objects to the beating of [Q2] and [F1] and prefe ...

 ... no evidential value in this case, since Rossetti no doubt borrowed the familiar Shakespearean phrase.”</para></cn> <cn> <sigla>1958<tab> </tab><sc>mun</s ...

24) Commentary Note for lines 51-52:
51 {Enter Ghost.}

51-52 Mar. Peace, breake thee of, <Enter the Ghost.> | looke where it comes againe.

 ... hose fictitious Beings so enchanting, which are raised by the magical Pen of Shakespeare . . . .”</para> <para>Ed. note: John Monck Mason, ...

 ... the Genuineness of the MS. Corrections in Mr. J. Payne Collier's annotated Shakespeare, pp. 34-85).” </para></cn> <cn> <sigla>1870<tab> </tab>Abbott ...

 ... d by Lawrence (Pre-Restoration Stage Studies, p. 140ff.) and Sprague (Shakespeare and the Actors, p. 128). This, though not perhaps in conflict wi ...

 ... heir habit as they lived: see 2518. </para> </cn> <cn> <sigla>2005<tab></tab>Shakespeare. Journal of the British Shakespeare Association</sigla> <hanging ...

 ... ra> </cn> <cn> <sigla>2005<tab></tab>Shakespeare. Journal of the British Shakespeare Association</sigla> <hanging>Holderness </hanging> <para>52<tab> </t ...

25) Commentary Note for line 55:
55 Bar. Lookes {a} <it> not like the King? marke it Horatio.

 ... informal slurred pronunciation [. . . ] of the pronoun, presumed to derive from Shakespeare's MS [. . . ].” F1's it is a gain in consistenc ...

 ... and, which occurs frequently in Q2 but only once in F. Hope (1.3.2c) notes that Shakespeare's linguistic roots in this dialect make him one of the final citatio ...

26) Commentary Note for line 56:
56 Hora. Most like, it {horrowes} <harrowes> me with feare and wonder.

 ... x201C;In the text, and in the familiar and vernacular language, the language of Shakespeare, the word is used in the metaphorical sense, which it takes, as befo ...

 ... arry seem to have some connexion. (See his ‘Specimen of an Edition of Shakespeare,' 1832.)</para></cn> <cn> <sigla>1843<tab> </tab><sc>knt2</sc></sigl ...

 ... d from that word should not be used in a transitive sense. As to harrow, Shakespeare only uses the verb three times; twice in this play, figuratively in ...

 ... Greg</sc> (1928, apud <sc>Munro</sc>, ed. 1958) “conjectures that Shakespeare wrote ‘harows' with the peculiar ‘a' that was liable to ...

 ... 'harrow' derives from 'to harry' (to raid or despoil), nut given the context of Shakespeare's usages, there might have been a link in is mind.”</para></c ...

27) Commentary Note for line 58:
58 Mar. {Speake to} <Question> it Horatio.

 ... that Q1 and F1 agree proves that question “was the word spoken on Shakespeare's stage. It was probably the word that he wrote; no actor or editor ...

28) Commentary Note for line 59:
59 Hora. What art thou that vsurpst this time of night,

 ... that Q1 and F1 agree proves that question “was the word spoken on Shakespeare's stage. It was probably the word that he wrote; no actor or editor ...

 ... 9<tab> </tab>thou] <sc>Yang </sc>(1991, p. 253): “Blake (N. F. Shakespeare's Language: An Introduction. London: MacMillan, 1983. p. 7) clai ...

29) Commentary Note for line 72:
72 Without the sencible and true auouch

 ... e auouch] <sc>Warburton</sc> (ed 1747): “I am inclined to think that Shakespear wrote ‘— <sc>try'd</sc> avouch'[which is what he put in t ...

 ... ppend -ation, -ure or -ing, to the following words used by Shakespeare as nouns: [quotes only disclose 1823 from Ham.]. . . . ...

 ... p; Wright</sc> (ed. 1872): “does not occur elsewhere as a substantive in Shakespeare. For substantives of similar formation, see our note on [R2 1 ...

 ... rbial (Dent, E264.1; see also B268). (Avouch does not occur as a noun in Shakespeare other than in all three texts of Hamlet, which OED rec ...

30) Commentary Note for line 74:
74 Mar. Is it not like the King?

 ... ar. Is it not like the King?</para> </ehline> <cn> <sigla>2005<tab></tab>Shakespeare. Journal of the British Shakespeare Association</sigla> <hanging ...

 ... </ehline> <cn> <sigla>2005<tab></tab>Shakespeare. Journal of the British Shakespeare Association</sigla> <hanging>Holderness </hanging> <para>74-5 <tab> ...

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