<< Prev     1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 [20] ..117     Next >>

191 to 200 of 1169 Entries from All Files for "shakes" in All Fields

Contract Context Printing 80 characters of context... Expand Context
191) Commentary Note for line 441:
441 A sable siluer'd.
    ... small>very much in  point, </small>from Shakespeare's Sonnet, xii.: &#8212; &#82 ...
192) Commentary Note for line 448:
448 Let it be {tenable} <treble> in your silence still,
    ...  been a favourite scale or measure with Shakespeare. &#8216;This to do,' says An ...
    ... 8: 425], says, he has no doubt but that Shakespeare's hand is to be seen in this ...
    ... mputation we find in verses ascribed to Shakespeare by Allot in his English Parn ...
    ...  been a favourite scale or measure with Shakespeare. &#8216;This to do,' says An ...
    ... 8: 425], says, he has no doubt but that Shakespeare's hand is to be seen in this ...
    ... mputation we find in verses ascribed to Shakespeare by Allot in his English Parn ...
    ...  185&gt;&lt;p. 186&gt; perhaps this was Shakespeare's spelling, for the folio ha ...
    ... i>tenable</i> is nowhere to be found in Shakespeare's dramatic writings, althoug ...
    ... e of passive adjectives not uncommon in Shakespeare, and not confined to him.</p ...
    ... to suspect that it has been transposed. Shakespeare probably wrote,&#8212;&#8216 ...
    ... 216;Critical Examination of the Text of Shakespeare,' vol. 1. p. 186.&#x201D; &l ...
    ... 6;held,' or &#x201C;kept;' according to Shakespeare's occasional practice when e ...
    ... s it as &#8216;capable of being held'.  Shakespeare does not use the word elsewh ...
    ...  held (maintained as a secret). This is Shakespeare's only use of the word (thou ...
193) Commentary Note for line 449:
449 And {what someuer} <whatsoeuer> els shall hap to night,
    ... 1982): &#x201C;The older, and evidently Shakespearian, form is modernized in F,  ...
    ... nization but is actually more common in Shakespeare, as [Wells and Taylor, 1987, ...
194) Commentary Note for line 454:
454 All. Our dutie to your honor. Exeunt.
    ... Your <i>loves</i>,' and by the usage of Shakespear's time, as shown in his own w ...
195) Commentary Note for line 456:
456 My fathers spirit (in armes) all is not well,
    ... 1.2.1(2)) is not dramatically relevant. Shakespeare is aware of various beliefs  ...
196) Commentary Note for line 457:
457 I doubt some foule play, would the night were come,
    ...  kind the Ghost's communication will be Shakespeare still further heightens susp ...
197) Commentary Note for line 462:
462 Laer. My necessaries are {inbarckt} <imbark't>, farwell,
    ... C;This scene must be regarded as one of Shakespeare's lyric movements in the pla ...
    ... 6;This scene must be regarded as one of Shakespeare's lyric movements in the pla ...
    ... idge, &#8216;must be regarded as one of Shakespeare's lyric movements in the pla ...
    ... <sc>Hibbard</sc> (ed. 1987): "luggage.  Shakespeare seems to have associated thi ...
198) Commentary Note for line 463:
463 And sister, as the winds giue benefit
    ...  (&#167; 117), to the past and present; Shakespeare often uses it of the future, ...
199) Commentary Note for line 464:
464 And {conuay, in} <Conuoy is> assistant doe not sleepe
    ...  <i>assister</i> = to be in attendance. Shakespeare thinks of communication betw ...
200) Commentary Note for line 465:
465 But let me heere from you.
    ... ertes uses 'thee' to his sister. During Shakespeare's lifetime the former plural ...
    ... forms were not always marked, either by Shakespeare or by his printers (see Blak ...

<< Previous Results

Next Results >>


All Files Commentary Notes
Material Textual Notes Immaterial Textual Notes
Surrounding Context
Range of Proximity searches