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Contract Context Printing 160 characters of context... Expand Context 191) Commentary Note for line 441:441 A sable siluer'd.... 201C;Malone quotes the following line, <small>very much in point, </small>from Shakespeare's Sonnet, xii.: — ‘And sable curls, all silver'd o'er wi ...
... stimate of any thing, this seems to have been a favourite scale or measure with Shakespeare. ‘This to do,' says Antonio in [<i>Tmp</i>. 2.1.221 (906)], &# ...
... n worth.' Dr. Farmer, in Reed's edit. [18: 425], says, he has no doubt but that Shakespeare's hand is to be seen in this play. In [<i>MV</i> 3.2.153 (1500)] Bas ...
... <para>“And this tenfold triple computation we find in verses ascribed to Shakespeare by Allot in his English Parnassus. 12mo. 1608, p. 369. ‘That t ...
... stimate of any thing, this seems to have been a favourite scale or measure with Shakespeare. ‘This to do,' says Antonio in [<i>Tmp</i>. 2.1.221 (906)], &# ...
... .' Dr. Farmer, in <i>Reed's </i>edit. [18: 425], says, he has no doubt but that Shakespeare's hand is to be seen in this play. In [<i>MV</i> 3.2.153 (1500)] Bas ...
... <para>“And this tenfold triple computation we find in verses ascribed to Shakespeare by Allot in his English Parnassus. 12mo. 1608, p. 369. ‘That t ...
... 03 it is written <i>tenible</i>; </p. 185><p. 186> perhaps this was Shakespeare's spelling, for the folio has <i>treble</i>.” </p. 186> ...
... /para> <para>“Thirdly, the word <i>tenable</i> is nowhere to be found in Shakespeare's dramatic writings, although <i>intenible</i> occurs once; and sing ...
... ot incapable of being held * —a use of passive adjectives not uncommon in Shakespeare, and not confined to him.</para> <para>“But, further, the wor ...
... unds somewhat harsh; and hence I am led to suspect that it has been transposed. Shakespeare probably wrote,—‘Let it be in your <i>treble</i> silence ...
... </i>I am indebted to Sidney Walker's ‘Critical Examination of the Text of Shakespeare,' vol. 1. p. 186.” </n52></para> <para><n53>  ...
... . ‘Tenable' is here used for ‘held,' or “kept;' according to Shakespeare's occasional practice when employing words ending in ‘ble.' Se ...
... <i>tenable</i> in this sense, and glosses it as ‘capable of being held'. Shakespeare does not use the word elsewhere."</para></cn> <cn> <sigla>1988<tab> ...
... sc> (ed. 2006): “capable of being held (maintained as a secret). This is Shakespeare's only use of the word (though Helena mentions an 'intemible' (F) or ...
... ab> what someuer] <sc>Jenkins</sc> (ed. 1982): “The older, and evidently Shakespearian, form is modernized in F, as also at 769, 866. But F keeps <i>How ...
... ' has sometimes been regarded as a modernization but is actually more common in Shakespeare, as [Wells and Taylor, 1987, note]. See also <i>howsomever</i> at [7 ...
... s both by <i>Hamlet's </i>reply, ‘Your <i>loves</i>,' and by the usage of Shakespear's time, as shown in his own works; for instances of which the reader ...
195) Commentary Note for line 456:456 My fathers spirit (in armes) all is not well,... nced it as 'a foolish opinion' (Burton, 1.2.1(2)) is not dramatically relevant. Shakespeare is aware of various beliefs and allows Hamlet to be the same. Cf. We ...
196) Commentary Note for line 457:457 I doubt some foule play, would the night were come,... first clear hint not of what but of what kind the Ghost's communication will be Shakespeare still further heightens suspense.” </para></cn> <cn><sig ...
... ins</i>, 1836; rpt. 1967, 2:217): “This scene must be regarded as one of Shakespeare's lyric movements in the play, and the skill with which it is interw ...
... Verplanck</sc> (ed. 1844): “‘This scene must be regarded as one of Shakespeare's lyric movements in the play, and the skill with which it is interw ...
... : “‘This scene,' says Coleridge, ‘must be regarded as one of Shakespeare's lyric movements in the play, and the skill with which it is interw ...
... para>462<tab> </tab><b>necessaries</b>] <sc>Hibbard</sc> (ed. 1987): "luggage. Shakespeare seems to have associated this word with ships. Compare [<i>Oth.</i> ...
198) Commentary Note for line 463:463 And sister, as the winds giue benefit... st always apply it, like ‘because' (§ 117), to the past and present; Shakespeare often uses it of the future, in the sense of ‘according <i>as< ...
... C;means of conveyance are available. Fr. <i>assister</i> = to be in attendance. Shakespeare thinks of communication between Denmark and France as being necessar ...
200) Commentary Note for line 465:465 But let me heere from you.... 22] to [546] (see [522 CN], and in Q1 Laertes uses 'thee' to his sister. During Shakespeare's lifetime the former plural form 'you' was usurping many of the fun ...
... u' and the distinctions between the two forms were not always marked, either by Shakespeare or by his printers (see Blake, 3.3.2.1.1, and Hope, 1.3.2b).” ...
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