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Contract Context Printing 160 characters of context... Expand Context 171) Commentary Note for line 368:368 Ham. Thrift, thrift, Horatio, the funerall bak't meates... funeral feats (or <i>arvals</i>) are often mentioned in the sagas: but of these Shakespeare knew nothing; he is simply reporting the manners of his own time. <s ...
... ; </para> <br/> <para> <tab></tab> n. "10. Peter Milward, <i>The Catholocism of Shakespeare's Plays </i>(Cambridge: Saint Austin, 1997), 45. . . . "</para> <par ...
... tab> </tab>bak't meates . . . marriage tables] Holland (2008, paper at Columbia Shakespeare Seminar): Since Shakespeare's audience would have been aware that <i ...
... . marriage tables] Holland (2008, paper at Columbia Shakespeare Seminar): Since Shakespeare's audience would have been aware that <i>baked meats</i> (cooked mea ...
172) Commentary Note for line 370:370 Would I had met my dearest foe in heauen... erian,</i> <i>nocere</i>. It. hurt, injury.' And should it not be thus spelt in Shakespeare? But instances of our poet's using words contrary to the modern acce ...
... arest</b>] <sc>Johnson </sc>(1755). 4. “It seems to be used sometimes in Shakespeare for <i>deer</i> sad; hateful; grievous.”</para></cn> <cn><sig ...
... 22 n. 3), in a note for <i>AYL</i>1.3.33 (490); “<i>Dear</i> is used by Shakespeare in a double sense, for <i>beloved</i>, and for <i>hurtful</i>, <i>ha ...
... rhaps</i>, that as we call our greatest friend our <i>dearest</i> friend, so <i>Shakespeare</i> takes the liberty to apply <i>dearest</i> in the same manner to ...
... lone</sc> (ed. 1790, 8:130, <i>Tim.</i> 5.1.228 (2474): “<i>Dear</i>, in Shakespeare's language, is <i>dire, dreadful</i>. So in <i>Hamlet</i>: [quotes ...
... 70<tab> </tab><b>dearest</b>] <sc>Caldecott </sc>(ed. 1819): “Throughout Shakespeare and all the poets of his and a much later day, we find this epithet ...
... 16;dearest enemy,' [<i>1H4 </i>3.2.123 (943] K. Hen. </small>“Throughout Shakespeare . . . signify the extreme of love and hatred. <small>It may be said ...
... 1C;Caldecott proves (in opposition to Johnson and Horne Tooke,) that throughout Shakespeare, and all the writers of his age, the epithet <i>dearest </i>is appli ...
... <b>dearest</b>] <sc>Hudson</sc> (ed. 1856): “Caldecott has shown that in Shakespeare's time <i>dearest </i>was applied to any person or thing that excite ...
... my greatest foe, he who is most my foe—a common use of ‘dearest' in Shakespeare's day.”</para></cn> <cn><sigla>1862<tab> </tab><sc>cham</sc>< ...
... of <i>intensity</i> wich we have before pointed out as included in this word by Shakespeare's employment of it.” [ref. to notes for <i>Tim. </i>and <i>JC ...
... ing><para>370<tab> </tab><b>dearest</b>] <sc>Hudson</sc> (ed. 1872): “In Shakespeare's time <i>dearest </i>was applied to any person or thing that excite ...
... t has ““Hard, severe, heavy, grievous; fell, dire.” Before Shakespeare, this sense was used by Spenser 1590, <i>F. Q.</i> 2.5.38.</para></c ...
173) Commentary Note for line 376:376 Ham. {A} <He> was a man take him for all in all... 01C;This (as Mr. <i>Whalley</i> observes in his <i>Enquiry into the Learning of Shakespear</i>) will perhaps be thought too much the suggestion of nature and th ...
... /b>] <sc>Keightley</sc> (1855, p.305): “The figure Aposiopesis occurs in Shakespeare, as in all poets, ancient and modern, whose style is at all dramatic ...
... > </tab><sc>Schmitz </sc>(1870, pp. 364-5): <p. 364>“In the German Shakespeare-Jahrbuch [4:385], Mr. Fredinand Lüders has put forth a new expl ...
... s but moderately acquainted with the English phraseology can doubt for a moment Shakespeare's meaning, which is simply this: ‘If you take him for what he ...
... en to mean, as in modern use, 'all things considered', 'on the whole'. But when Shakespeare uses <i>all in all</i> adverbially, it implies not qualification bu ...
174) Commentary Note for line 377:377 I shall not looke vppon his like againe.... s like again.</i>”<i>—</i>This seems to me more the true spirit of Shakespeare than <i>I</i>.' Mr. <sc>Holt</sc>.</para> <para>“The emendati ...
... hall</b>] <sc>Ayscough</sc> (ed. 1790): “Eye is certainly more worthy of Shakespeare.”</para> <para><b>Ed. note:</b> He retains <i>I </i>in the te ...
... g the baronet's emendation. To write naturally is the general characteristic of Shakespear, and if he is occasionally induced to write otherwise, do not let us ...
175) Commentary Note for line 378:378 Hora. My Lord I thinke I saw him yesternight.... ve ease, the finest thing, indeed, of its sort in the play, and perhaps in all Shakespeare. A four-voiced exchange: Horatio's exact and calm, Hamlet's ever ten ...
176) Commentary Note for line 379:379 Ham. saw, who?... fo. 1632, and with strict grammatical propriety; but it may be doubted whether Shakespeare did not write it, as it has been printed: we therefore leave ‘ ...
... <b>saw, who?</b>] Clark & Wright (ed. 1872): “‘Who' is used by Shakespeare for the accusative case very generally. Editors have often corrected ...
... according to Dyce (NV). Irving, however, restored 'Saw?- Who?' (see Winter, <i>Shakespeare on the Stage</i>, 1911, p. 357)."</para></cn> <cn><sigla>1987<tab> < ...
... t</hanging> <para>379<tab> </tab>saw, who?] <sc>Powers</sc> (2000, pp. 20, 15): Shakespeare often turned “at the crisis point in a play, or at the conclu ...
177) Commentary Note for line 383:383 With an attent eare till I may deliuer... ; Wright</sc> (ed. 1872): “ . . . It only occurs in one other passage of Shakespeare. [<i>Per</i>. 3. 11 (Gower)]. It was then a rare word, and was alter ...
... Prologue 11, ‘Be attent', <small>the only other appearance of the word in Shakespeare</small>."</para></cn> <cn> <sigla>1988<tab></tab><sc>bev2</sc> </sig ...
... a>386<tab> </tab><b>Gods</b>] <sc>Thirlby </sc>(1723-): “I doubt not but Shakespear wrote so [Gods], at least at first v. 369.6 [709].”</para></cn ...
179) Commentary Note for line 389:389 In the dead wast and middle of the night... 790): “This strange phraseology seems to have been common in the time of Shakespeare. By <i>waist</i> is meant nothing more than <i>middle</i>; and hence ...
... ense of the <i>waist</i>, or middle of a person, is to impute mere tautology to Shakespeare, instead of the fine meaning derived from the supposition, that his ...
... d void; and ‘vast' seems to have been used substantively in this sense by Shakespeare, if not by his contemporaries. See ‘that vast of night,' [<i>T ...
... .' There is of course an easy pun on the two words, but it is not probably that Shakespeare meant to make one in this place.”</para></cn> <cn><sigla>1872 ...
... ation. <i>Waste</i> often appears as <i>wast</i>, the spelling of Q2 and F, in Shakespeare, and invariably so in <i>Romeo</i>, <i>Venus</i>, and <i>Lucrece</i> ...
... any case, means much the same thing."</para></cn> <cn><sigla>2005<tab></tab><i>Shakespeare.</i> Journal of the British Shakespeare Association</sigla> <hanging ...
... para></cn> <cn><sigla>2005<tab></tab><i>Shakespeare.</i> Journal of the British Shakespeare Association</sigla> <hanging>Holderness </hanging> <para>389-90 <tab ...
180) Commentary Note for line 392:392 Appeares before them, and with solemne march,... Clarke</sc> (ed. 1868): “The present speech affords a signal instance of Shakespeare's mode of alternately using past time and present time in the tenses ...
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