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141) Commentary Note for line 293:
293 Then that which dearest father beares his sonne,

    ... (&#167; 82): &#x201C;<b>A </b>and <b>The</b> omitted in archaic poetry. . . . Shakespeare rarely indulges in this archaism except to ridicule it: [quotes seve ...
142) Commentary Note for line 294:
294 Doe I impart {toward you for} <towards you. For> your intent

    ... one, of course, could leave England to travel abroad without permission, and in Shakespeare's Denmark the same laws apply . . . One does not let a discontented ...

    ... ot occur elsewhere [in Sh.]. It may be that by the time he had reached the verb Shakespeare regarded <i>nobility</i> as its object, forgetting that he had begun ...

    ... of neighbour love, I impart myself to Master Goursey'; and it is possible that Shakespeare used <i>impart</i> for 'impart myself'. So Johnson interpreted it.&# ...

    ... stow,' &#8216;import' means &#8216;to bear as its purport,' and thus it conveys Shakespeare's meaning. The emendation is negligible except in sense.&#x201D;<tab ...
143) Commentary Note for line 295:
295 In going back to schoole in Wittenberg,

    ... long before its Establishment, thus antedating its Time, I shall not justify <i>Shakespeare</i>; I think it is a fault in him; but I cannot be of Opinion, that ...

    ... the Grave-digger makes <i>Hamlet</i> thirty years old, Blackstone could charge Shakespeare with a slip of memory.&#x201D;</para></cn> <cn><sigla>1868<tab> </ta ...

    ... mp; <sc>Clarke</sc> (ed. 1868): &#x201C;There was a university at Wittenberg in Shakespeare's time, and he has therefore, for dramatic purposes, assumed it to b ...

    ... g</b></i>] <sc>Clark &amp; Wright </sc>(ed. 1872): &#x201C;Ritson suggests that Shakespeare knew of Wittenberg from the story of Dr. Faustus, of which the scene ...

    ... the Reformation had made the University of Wittenberg well known in England in Shakespeare's time.&#x201D;</para></cn> <cn><sigla>1877<tab> </tab>Wright <i>AYL ...

    ... nded in 1502; united with Halle in 1817) was at the height of its reputation in Shakespeare's day and was much esteemed in England because of its connection wit ...

    ... playgoers as the home of Dr. Faustus. It seems to have been much frequented in Shakespeare's day by Danes studying abroad."</para></cn> <cn> <sigla>1988<tab>< ...

    ... hich would make him an unusually mature student by Elizabethan standards. It is Shakespeare's addition to the story to designate all the young men as students & ...

    ... at Wittenberg could prove Hamlet a Protestant, he would be the only one in the Shakespearean canon. </para></cn> <cn><sigla>2008<tab></tab>Kliman</sigla> <ha ...
144) Commentary Note for line 302:
302-3 Ham. I shall in all my best | obay you Madam.

    ... illey</sc> (1950, W 155): &#x201C;<b>Yours to command in the way of honesty</b> Shakespeare&#8212; 1596 [<i>MV </i>3.4.35 (1762)]. &#8216;Madame, with all my he ...
145) Commentary Note for line 308:
308 No iocond health that Denmarke drinkes to day,

    ... e play a passage like this: [quotes 308-11]. &lt;/p. 257&gt; &lt;p. 258&gt; <i>Shakespear</i> keeps up the characters of the people where his scene lies, and t ...

    ... l the superb qualities which that implies. . . . And yet as he wrote the play, Shakespeare . . . had also imagined him guilty at this very moment of two horrid ...
146) Commentary Note for line 309:
309 But the great Cannon to the cloudes shall tell.

    ... vall</sc> (<i>N&amp;Q, </i>1875, p. 223): &#x201C;In the second part of the New Shakespeare Society's <i>Transactions</i> I quoted one passage from Stow to illu ...

    ... brations were a Danish custom and, like the references to Wittenburg, they show Shakespeare taking some care with local colour. See [617 and CN].&#x201D; </par ...
147) Commentary Note for line 310:
310 And the Kings rowse the {heauen} <Heauens> shall brute againe,

    ... (<i>Gull's Hornbook</i>) refers to 'the Danish rowsa'; but the suggestion that Shakespeare uses <i>rouse</i> to give a Danish coloring is countered by its occu ...
148) Commentary Note for line 313:
313 Ham. O that this too too {sallied} <solid> flesh would melt, {but Hamlet}

    ... #x201C;fine remark [see below] may be illustrated by a celebrated Passage in <i>Shakespeare</i>'s <i>Hamlet</i>, where the Poet's Art has hit off the strongest ...

    ... ;That nothing can better illustrate his remarks than a celebrated passage in <i>Shakespear</i>'s <i>Hamlet</i>, where the poet's art has hit off the strongest a ...

    ... ost against my will, and certainly in opposition to whatever ear I may have for Shakespearian poetry, that we must henceforth read, &#8216;Oh, that this <i>too- ...

    ... tim</i>, to show that the connected word is recognized in the early editions of Shakespeare.</para> <para>&#x201C;But why adopt the early method of printing the ...

    ... abuse Hymselfe <i>to-to</i>.' which is evidently the same word that is used my Shakespeare. But with Elizabethan authors the word was frequently used, &lt;/p. ...

    ... e with Skelton, by quoting, as from a MS., a work which has been printed by the Shakespeare Society, he does not any where allude to the fact that Gower had wri ...

    ... 45, pp. 152-5): &lt;p. 152&gt; &#x201C;In Article X, in the first volume of the Shakespeare Society's Papers, Mr. Halliwell has suggested a new reading of the l ...

    ... will coincide in my opinion, that, supposing Mr. Halliwell's reading to be what Shakespeare intended, but which I cannot at all believe, it will be a long, very ...

    ... e before it becomes the generally received opinion of the mass of the lovers of Shakespeare.</para> <para>&#x201C;I am induced to offer these remarks upon the g ...

    ... duced to offer these remarks upon the ground, that every fresh idea relating to Shakespeare requires to be amply discussed before it is expected to be the adopt ...

    ... h! that this too-too solid flesh would melt.'&#8212; I cannot help feeling that Shakespeare intended to write <i>too, too</i>, as printed by the modern editors ...

    ... impress upon the mind the beauty of the language.</para> <para>&#x201C;Whatever Shakespeare intended&#8212;and I do not at all consider that the authorities quo ...

    ... xtreme anguish of his mind.</para> <para>&#x201C;I cannot see how any reader of Shakespeare can for one moment suppose, that this beautiful reading of the most ...

    ... think that sufficient reason has been given to compel us to alter the sense of Shakespeare's line, which it certainly appears to me we should do by this new re ...

    ... rce of the expression will be altered by it.</para> <para>&#x201C;As a lover of Shakespeare, and a well wisher to the Society, I have been induced to write thes ...

    ... from the similar iteration of other adverbs and adjectives in the literature of Shakespeare's day. For instance,&#8212;&#8216;<small>Alas what fals are falne in ...

    ... next my heaven the best, Even to the pure and <i>most most</i> loving breast.' Shakespeare's Sonnet CX. &#8216;She wept aye <i>too and too</i>, and said, alas! ...

    ... (0000)]: &#8216;O, but I love his lady too too much.' Hunter (Illustrations of Shakespeare, [2: 217-8] gives several examples of this emphatic repetition of &# ...

    ... a></cn> <cn><sigla>1902<tab></tab>Reed</sigla> <hanging>Reed: claims Bacon is Shakespeare, supported by <i>Promus</i> notebooks begun Dec. 1594 </hanging> <p ...

    ... e case of metals and wax.&#x201D;</para> <br/> <hanging>Reed: claims Bacon is Shakespeare, supported by <i>Promus</i> notebooks begun Dec. 1594</hanging> <pa ...

    ... ognize him. I cannot feel the slightest doubt that this speech is punctuated as Shakespeare intended.&#x201D;</para></cn> <cn><sigla>1934<tab> </tab>Wilson</s ...

    ... ent of thought&#8212;weariness, solidity, melting, voluntary death &#8212; that Shakespeare follows again in <i>Hamlet.</i> Incidentally, the O.E.D. reference ...

    ... at this word ill fits the context and that <i>solid </i>was the adjective which Shakespeare had in his original manuscript.&#x201D; </para> </cn> <cn> <sigla>1 ...

    ... ullied', or 'smirched', which may be correct; though there was nothing comic to Shakespeare's audience in the phrase 'solid flesh'.&#x201D;</para></cn> <cn> < ...

    ... t is made explicit elsewhere in his soliloquy. Margaret Webster comments in <i>Shakespeare Without Tears</i> that for stage purposes the reading <i>solid</i> i ...

    ... on a common primal structure modulations of infinite suggestiveness that makes Shakespeare the supreme dramatic artist he is. . . . </para> <para> &#x201C;. . ...

    ... y with himself. In the context of the speech, it would hardly be surprising if Shakespeare heard the word 'sullied' as he wrote 'solid' and that the reporter c ...

    ... er for repetitions in 316, 319, 333.</para> </cn> <cn><sigla>2005<tab></tab><i>Shakespeare.</i> Journal of the British Shakespeare Association</sigla> <hanging ...

    ... ara> </cn> <cn><sigla>2005<tab></tab><i>Shakespeare.</i> Journal of the British Shakespeare Association</sigla> <hanging>Holderness </hanging> <para>313-14 <tab ...
149) Commentary Note for line 314:
314 Thaw and resolue it selfe into a dewe,

    ... <i>Cooper</i>. This is another word in a Latin sense; but it is not peculiar to Shakespeare.&#x201D; </para></cn> <cn> <sigla>1832<tab> </tab><sc>cald2</sc> </s ...
150) Commentary Note for line 315:
315 Or that the euerlasting had not fixt

    ... mistaken if this <i>habit</i> is to be found in any other serious character of Shakespeare. &amp;#x201D; &lt;/p. 124&gt; </para></cn> <cn> <sigla>1989<tab></ta ...

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