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1160 to 1169 of 1169 Entries from All Files for "shakes" in All Fields

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1160) Commentary Note for line 3883_388:
3883 And call the noblest to the audience,
3884 For me, with sorrowe I embrace my fortune,
3885 I haue some {rights,} <Rites> of memory in this kingdome, 3885

    ... and the use of the wrod &#8216;performed,' afford confirmation, if needed, that Shakespeare's language was <i>scene</i>, and not &#8216;same.' This may have bee ...
1161) Commentary Note for line 3889_389:
3889-90 And from his mouth, | whose voyce will drawe {no} <on> more,

    ... Heminge and Condell in their preface 'To the great Variety of Readers' write of Shakespeare's power to 'draw, and hold you' (A3). Helena to Demetrius in <i>MND< ...
1162) Commentary Note for line 3895_389:
3895 For. Let foure Captaines 3895
3896 Beare Hamlet like a souldier to the stage,

    ... t consummation. [cites 3895-3906]</para> <para>&#x201C;This is the only play of Shakespeare's in which our interest in the central figure is compelled to extend ...

    ... ld be in distinct perspective the ineffable amends of the hereafter. In Hamlet, Shakespeare has not only created a character, but a soul. The deep spirituality ...
1163) Commentary Note for line 3897_389:
3897 For he was likely, had he beene put on,
3898-9 To haue prooued most {royall;} <royally:> | and for his passage,

    ... 01C;Nosworthy argues that F gives the true reading and that Q2 followed Q1 ((<i>Shakespeare's Occasional Plays</i>, p. 137)). F's reading ((&#8216;royally')) is ...
1164) Commentary Note for line 3900_390:
3900 The souldiers musicke and the {right} <rites> of warre 3900
3901 Speake loudly for him:

    ... b><b>right</b>] <sc>Edwards</sc> (ed. 1985): &#x201C;F gives &#8216;rites', but Shakespeare frequently uses the singular, &#8216;the rite of May', [<i>MND</i> 4 ...
1165) Commentary Note for line 3902:
3902 Take vp the {bodies,} <body;> such a sight as this,

    ... onspicuous characters only Horatio is left alive'&#8212;<i>New Illustrations of Shakespeare</i>, vol. ii, p. 207. But a distinguished Shakespearian critic defen ...

    ... 2;<i>New Illustrations of Shakespeare</i>, vol. ii, p. 207. But a distinguished Shakespearian critic defends the poet from this opprobrium by thus explaining th ...

    ... n the most inconsiderate violence'&#8212;F. Kreyssig's <i>Vorlesungen &#252;ber Shakespeare</i>, p. 263.&#x201D;</para></cn> <cn> <sigla><sc>1882<tab> </tab>elz ...
1166) Commentary Note for line 3903_390:
3903 Becomes the field, but heere showes much amisse.
3904 Goe bid the souldiers shoote. {Exeunt.}
3905 <Exeunt Marching: after the which, a Peale of> 3905
3906 <Ordenance are shot off.>

    ... forth the heaviest censure of Mr. <sc>Steevens [</sc>see n. 3848-49] that from Shakespeare's drama no proofs the guilt of Rosencrantz and Guildenstern can be d ...

    ... &#x201C;Coleridge remarks that &#8216;The character of Hamlet may be traced to Shakespeare's deep and accurate science in mental philosophy; that the character ...

    ... rama mainly depends.</para> <para>&#x201C;He says&#8212;'It is clear to me that Shakespeare's intention was to exhibit the effects of a great action, imposed as ...

    ... Hamlet's character cannot be omitted. Without assenting to his intimation that Shakespeare drew it with any direct intent to inculcate a lesson of intellectual ...

    ... quent upon it, with all its symptoms and accompanying qualities. This character Shakespeare places in circumstances under which it is obliged to act on the spur ...

    ... afterwards, of a very poor and inanimate character, most unlike the language of Shakespeare, which, it seems, the performer of the part of Horatio was also to d ...

    ... om the conjecture of the editor, is left to that of the most competent living Shakespearean critics of the old Corrector, Alexander Dyce, [relegated] into thr ...

    ... man</hanging><para>3904<tab> </tab><sc>Edelman</sc> (2000): &#x201C;Only two of Shakespeare's plays end with a half-line [<i>Ham. </i>being one; <i>Tim. </i>the ...
1167) Material Textual Note for line 3544:
3544 And stand a Comma tweene their amities,

    ... (-1875, <i>New Readings</i> #29) <i>conj.</i>; comate <sc>Becket</sc> (1815, <i>Shakespeare's Himself</i>, p. 73) <i>conj.</i>,<i> </i><sc>Tsch; </sc>counter <s ...

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