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1151 to 1160 of 1169 Entries from All Files for "shakes" in All Fields

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1151) Commentary Note for line 3848_384:
3848-9 Hora. Now {cracks} <cracke> a noble hart, | good night sweete Prince,
    ...  the audience, and because no writer on Shakespeare has taken the pains to point ...
    ...  the audience, and because no writer on Shakespeare has taken the pains to point ...
    ... nanimate stuff could not have come from Shakespeare's pen, but must have been ad ...
    ...  appearance of such a proven,  profound Shakespearean scholar as the old correct ...
    ... ired illusion, that he placed here with Shakespeare's authority this clever , pu ...
    ... this clever , purposeful emendation and Shakespeare's own words,  Collier destro ...
    ... lt;p.1221&gt; "More than one student of Shakespeare has addressed us on the new  ...
    ... the story. We may, perhaps, regret that Shakespeare never felt impelled to write ...
    ... lone thought that I writing these words Shakespeare had in mind the last words o ...
    ... ly to himself'&#8212;Gerald Massey's <i>Shakespeare's Sonnets</i>, p. 487.&#x201 ...
    ... is judgment of him doubtlessly exprsses Shakespeare's own estimate,&#8212;[cites ...
    ... x201C;<i>Crack</i> is used elsewhere by Shakespeare where we should use break. C ...
1152) Commentary Note for line 3850:
3850 And flights of Angels sing thee to thy rest.
    ...  character, most unlike the language of Shakespeare, which, it seems, the perfor ...
    ... in fact, both inaterial and mental, the Shakespearean (and generally the Elizabe ...
    ... ional stimulus for his creation came to Shakespeare from the career and personal ...
1153) Commentary Note for line 3851_385:
3851 Why dooes the drum come hether?
3852 Enter Fortenbrasse, {with the Embassadors.} <and the English Ambassador, with Drumme,>
3853 <Colours, and Attendants.>
3854 For. Where is this sight?
    ... ght men for their simultaneous removal, Shakespeare has good reason to bring on  ...
    ... eflecting the theatre's scaling down of Shakespeare's generous provisions.&#x201 ...
1154) Commentary Note for line 3857:
3857 For. {This} <His> quarry cries on hauock, ô {prou'd} <proud> death
    ... i>! and lets loose the dogs of war.' <i>Shakespeare</i>.&#x201D; </para></cn> <c ...
    ... i>! and lets loose the dogs of war.' <i>Shakespeare</i>.&#x201D; </para></cn> <c ...
    ... egeben wurde. 'To cry havock' kommt bei Shakespeare &#246;fter vor: K. John II,  ...
    ... given. 'To cry havock' appears often in Shakespeare . . . <sc>Johnson</sc> says  ...
    ... ary): &#x201C;A heap of dead game . . . Shakespere makes the soldier use the wor ...
    ... n Havock, to cry on Murder, are used by Shakespeare; and the verb seems to stand ...
    ... ad not courage to shed necessary blood. Shakespeare himself has said this with d ...
    ... 764: <i>havoke</i>. Which may have been Shakespeare's spelling?&#8212;The meanin ...
    ... here are two or three passages in which Shakespeare seems to use the word &#8216 ...
    ... ossary): &#x201C;(it is noteworthy that Shakespeare often asssociates &#8216;hav ...
    ... >Cor.</i> 3.1.275 (210). The pecularily Shakespearean use of a hunting metaphor  ...
    ... or pillage. In later use (usually after Shakes.) fig., and associated with sense ...
1155) Commentary Note for line 3858:
3858 What feast is toward in thine eternall cell,
    ... tances of an inaccurate use of words in Shakespeare, some of them owing to his i ...
    ... here are two or three passages in which Shakespeare seems to use this word as eq ...
    ... h here is evidence, from a contemporary Shakespearean publication. The propitiat ...
    ... it is in the passages quoted above from Shakespeare, and as the rustic Yankee us ...
    ... r time in feasting and fighting. Though Shakespeare may have known nothing about ...
1156) Commentary Note for line 3869_387:
3869 He neuer gaue commandement for their death;
3870 But since so iump vpon this bloody question
3871 You from the Pollack warres, and you from England
    ... f these variants is a lesson at once in Shakespearian diction and in the kind of ...
1157) Commentary Note for line 3877:
3877 Of accidentall iudgements, casuall slaughters{,}
    ... ceptre passes to some unlineal hand. As Shakespeare has here entirely departed f ...
1158) Commentary Note for line 3878_387:
3878 Of {deaths} <death's> put on by cunning, and {for no} <forc'd> cause
3879 And in this vpshot, purposes mistooke,
    ... cause,' was probably helped a little by Shakespeare's handwriting in which &#821 ...
1159) Commentary Note for line 3880_388:
3880 Falne on th'inuenters heads: all this can I 3880
3881 Truly deliuer.
3882 For. Let vs hast to heare it,
    ... e, every item in which may well be pre- Shakespearean. Cp. p. 203 n. 8. [3145n]. ...
1160) Commentary Note for line 3883_388:
3883 And call the noblest to the audience,
3884 For me, with sorrowe I embrace my fortune,
3885 I haue some {rights,} <Rites> of memory in this kingdome, 3885
    ... ,' afford confirmation, if needed, that Shakespeare's language was <i>scene</i>, ...

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